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ID #SA163072
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Portrait of Thomas Lee C.1720; by A.r. Whytton.
Roy Precious - Antiques & Fine Art
for sale €8,132     $8,827
£6,950
Roy Precious - Antiques & Fine Art

Roy Precious - Antiques & Fine Art

Sellingantiques Verified Since Mar 2003
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    Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.
Id #SA163072
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Portrait of Thomas Lee C.1720; by A.r. Whytton.

18th century
Description

Oil on canvas in good period carved and giltwood frame. Signed lower right.

This pleasing portrait of a young man is painted by an artist of whom, as yet, no record has been found. Possibly a gentleman amateur artist - a friend of the family - he is aware of, and influenced by, the work of the fashionable Court portraitist Sir Godfrey Kneller.

The sitter, traditionally identified as Thomas Lee, is dressed 'a la mode' and very expensively, his silver lace and feathered hat a reflection of French fashion of the time.

SIZE: 30 x 25 inches canvas size.

37 x 32 inches inc. frame.

PROVENANCE: by descent in the family from the sitter.

VERSO: Old label for Mealands (Knightsbridge) Ltd, picture cleaning and restoration.

Physical Dimensions
Height
94cm (37.01")
Width
81cm (31.89")
Depth
5cm (1.97")
Declaration

Roy Precious - Antiques & Fine Art has dated this Georgian Male Oil Painting to the 1700s.

Reference Numbers
Sellingantiques Reference
SA163072
Dealers Internal Reference
8619
Description
Oil on canvas in good period carved and giltwood frame. Signed lower right.
This pleasing portrait of a young man is painted by an artist of whom, as yet, no record has been found.
Roy Precious - Antiques & Fine Art

Possibly a gentleman amateur artist - a friend of the family - he is aware of, and influenced by, the work of the fashionable Court portraitist Sir Godfrey Kneller.

fig 1. An 18th-century oil portrait of a young man wearing a blue coat and lace cravat, set within an ornate carved gilt frame.
fig 1. Portrait of Thomas Lee C.1720; by A.r. Whytton.

The sitter, traditionally identified as Thomas Lee, is dressed 'a la mode' and very expensively, his silver lace and feathered hat a reflection of French fashion of the time.

SIZE: 30 x 25 inches canvas size.

37 x 32 inches inc. frame.

PROVENANCE: by descent in the family from the sitter.

VERSO: Old label for Mealands (Knightsbridge) Ltd, picture cleaning and restoration.

Height
94cm (37.01")
Width
81cm (31.89")
Depth
5cm (1.97")
Date of Manufacture

Roy Precious - Antiques & Fine Art has dated this Georgian Male Oil Painting to the 1700s.

Reference Numbers
Sellingantiques Ref
SA163072
Dealers Internal Ref
8619
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

Dealer Profile

You can view the stock and full dealer information on the Roy Precious - Antiques & Fine Art Profile Page

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An 18th-century oil portrait of a young man wearing a blue coat and lace cravat, set within an ornate carved gilt frame.
1 / 4
Archive I An 18th-century oil portrait of a young man wearing a blue coat and lace cravat, set within an ornate carved gilt frame.

Portrait of Thomas Lee c.1720; by A.R. Whytton.

Archive II An 18th-century oil portrait of a young man wearing a blue coat and lace cravat, set within an ornate carved gilt frame. View II
Archive III An 18th-century oil portrait of a young man wearing a blue coat and lace cravat, set within an ornate carved gilt frame. View III
Archive IV An 18th-century oil portrait of a young man wearing a blue coat and lace cravat, set within an ornate carved gilt frame. View IV
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Location
Wiltshire
United Kingdom
Dealer Profile Page sellingantiques.co.uk/rp
Verified Since Mar 2003
Items For Sale 95
Items Sold 679
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Verified Since Mar 2003
View Dealer Info
Location: Wiltshire, United Kingdom
Verified
Mar 2003
For Sale
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Sold
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An 18th-century oil portrait of a young man wearing a blue coat and lace cravat, set within an ornate carved gilt frame.
Portrait of Thomas Lee c.1720; by A.R. Whytton.
Ref: SA163072
An 18th-century oil portrait of a young man wearing a blue coat and lace cravat, set within an ornate carved gilt frame.
Detail View 1
Detail View 2
Detail View 3
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Early 18th-century British portraiture is characterised by formal compositions, aristocratic attire, and realistic depictions of subjects designed to convey status and social standing during the Georgian era.

These artworks were typically created using natural oil-based pigments painted on hand-stretched linen canvas, housed within carved and gilded timber frames.

Authenticity is evaluated through natural craquelure across the paint surface, original timber stretchers, period-appropriate hand-forged nails, and historical sartorial details such as cravats and tricorne hats.

An antique oil portrait can be positioned as a focal point above a mantelpiece, integrated into a gallery wall, or paired with contemporary furniture to create visual contrast.

Keep the canvas away from direct sunlight, fluctuating humidity, and direct heat sources. Dust the carved frame gently with a soft dry brush and seek professional conservators for paint surface restoration.
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