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Portrait of a Nobleman C.1705; Attributed to Michael Dahl.
Roy Precious - Antiques & Fine Art
for sale €6,845     $7,430
£5,850
Roy Precious - Antiques & Fine Art

Roy Precious - Antiques & Fine Art

Sellingantiques Verified Since Mar 2003
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    Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.
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Portrait of a Nobleman C.1705; Attributed to Michael Dahl.

18th century
Description

A fine quality portrait traditionally said to be of Arnold Joost van Keppel, First Earl of Albemarle c.1705.... I am not convinced.

Regardless of the sitter's identity it is an excellent painting of a good-looking young man.

Oil on canvas; the portrait was originally oval and slightly larger. In the early 19th century there was a fashion for portraits to be the same size and framed uniformly. Many were adapted at this time.

MICHAEL DAHL (1659-1743) was born in Stockholm; after studying in Paris, Rome and Frankfurt he settled in London in 1689. He soon became the best patronised portrait painter in England after Kneller. He was much employed at the Court painting many portraits; a great patron of the 1690s was the Duke of Somerset, for whom he painted the series of portraits of Court ladies known as the 'Petworth Beauties'.

His style is extremely close to Kneller but his interpretation of character is less brash and more human. He has a quieter but somehow more understanding appeal to character which relies on its own integrity to make its impact; his works are of a real distinction.

SIZE: 30 x 23.5 inches framed.

PROVENANCE: *Nottinghamshire private collection.

*With Roy Precious Fine Art, King William House, Settle, Yorkshire

*Yorkshire private collection 2000 - 2022

Physical Dimensions
Height
76cm (29.92")
Width
60cm (23.62")
Depth
5cm (1.97")
Declaration

Roy Precious - Antiques & Fine Art has dated this Baroque Nobleman Oil Portrait to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA898982
Dealers Internal Reference
9267
Description
A fine quality portrait traditionally said to be of Arnold Joost van Keppel, First Earl of Albemarle c.1705.... I am not convinced.

Regardless of the sitter's identity it is an excellent painting of a good-looking young man.

Oil on canvas; the portrait was originally oval and slightly larger.

In the early 19th century there was a fashion for portraits to be the same size and framed uniformly.
Roy Precious - Antiques & Fine Art

Many were adapted at this time.

fig 1. An 18th-century oil portrait depicting a nobleman with a full-bottomed grey wig and armour within a carved giltwood frame.
fig 1. Portrait of a Nobleman C.1705; Attributed to Michael Dahl.

MICHAEL DAHL (1659-1743) was born in Stockholm; after studying in Paris, Rome and Frankfurt he settled in London in 1689. He soon became the best patronised portrait painter in England after Kneller. He was much employed at the Court painting many portraits; a great patron of the 1690s was the Duke of Somerset, for whom he painted the series of portraits of Court ladies known as the 'Petworth Beauties'.

fig 2. An 18th-century oil portrait depicting a nobleman with a full-bottomed grey wig and armour within a carved giltwood frame.
fig 2. Portrait of a Nobleman C.1705; Attributed to Michael Dahl.

His style is extremely close to Kneller but his interpretation of character is less brash and more human. He has a quieter but somehow more understanding appeal to character which relies on its own integrity to make its impact; his works are of a real distinction.

SIZE: 30 x 23.5 inches framed.

PROVENANCE: *Nottinghamshire private collection.

With Roy Precious Fine Art, King William House, Settle, Yorkshire

Yorkshire private collection 2000 - 2022

Height
76cm (29.92")
Width
60cm (23.62")
Depth
5cm (1.97")
Date of Manufacture

Roy Precious - Antiques & Fine Art has dated this Baroque Nobleman Oil Portrait to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA898982
Dealers Internal Ref
9267
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

Dealer Profile

You can view the stock and full dealer information on the Roy Precious - Antiques & Fine Art Profile Page

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An 18th-century oil portrait depicting a nobleman with a full-bottomed grey wig and armour within a carved giltwood frame.
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Archive I An 18th-century oil portrait depicting a nobleman with a full-bottomed grey wig and armour within a carved giltwood frame.

Portrait of a Nobleman c.1705; Attributed to Michael Dahl.

Archive II An 18th-century oil portrait depicting a nobleman with a full-bottomed grey wig and armour within a carved giltwood frame. View II
Archive III An 18th-century oil portrait depicting a nobleman with a full-bottomed grey wig and armour within a carved giltwood frame. View III
Archive IV An 18th-century oil portrait depicting a nobleman with a full-bottomed grey wig and armour within a carved giltwood frame. View IV
Archive V An 18th-century oil portrait depicting a nobleman with a full-bottomed grey wig and armour within a carved giltwood frame. View V
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Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Verified Since Mar 2003
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Location: Wiltshire, United Kingdom
Verified
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An 18th-century oil portrait depicting a nobleman with a full-bottomed grey wig and armour within a carved giltwood frame.
Portrait of a Nobleman c.1705; Attributed to Michael Dahl.
Ref: SA898982
An 18th-century oil portrait depicting a nobleman with a full-bottomed grey wig and armour within a carved giltwood frame.
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Baroque portraiture of this period is characterized by dramatic chiaroscuro lighting, regal poses, and elaborate sartorial details such as full-bottomed wigs and ceremonial armour to signal status and nobility.

Paintings were typically created using oil pigments on hand-stretched linen canvas and presented in hand-carved wooden frames finished with gesso and gold leaf composition.

Authentic period paintings display natural age-related craquelure across the paint surface, original hand-carved stretchers, evidence of historical lining, and appropriate oxidisation on the reverse of the canvas.

A period oil portrait works effectively as a focal piece above a fireplace mantelpiece or sideboard, providing historical contrast against modern minimalist backdrops or complementary dark wall tones.

Keep the canvas away from direct sunlight, heat sources, and fluctuating humidity levels, and clean gently using a dry, soft brush rather than liquid chemicals or cloths.
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