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Sir William Beechey R.A (1753-1839) - Oil on Canvas Portrait of William Perryn of Langton
Period Portraits
for sale €9,360     $10,160
£8,000
Period Portraits

Period Portraits

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Sir William Beechey R.A (1753-1839) - Oil on Canvas Portrait of William Perryn of Langton

19th century
For Sale by Period Portraits
Description

Fine quality early 19th century portrait of William Perryn of Langton by Sir William Beechey R.A (1753-1839).

The dashing grey haired sitter is depicted half -length within an extensive landscape. He wears the traditional costume of affluent gentleman of the period, namely a dark double breasted velvet jacket over a white shirt and extravagant bowed stock. Behind him fields, trees and a river. extend into the distance, where the steeple of a church can also be glimpsed.

Sir William Beechey R. A (1753-1839)

Beechey was born in Burford, Oxfordshire. After his father’s death (1789) he was raised by his uncle and initially apprenticed to a firm of solicitors. In 1772 he moved to London to enter the Royal Academy Schools. He soon married and his children include painter and explorer Henry William. From c.1782 he worked in Norwich, returning to London in 1787. Beechey was a widow by 1793, when he married miniature painter Anne Phyllis Jessop.

In 1794 he became a member of the Royal Academy, received a knighthood and exhibited ‘His Majesty Reviewing the Third Dragoon Guards’, his most celebrated work. He was named portrait painter to the Duke and Duchess of Gloucester and Principle Portrait Painter to William IV before his death aged 85.

Beechey has a particularly refined, elegant style of neoclassicism which he evoked through his use of darker backgrounds to highlight his sitters captured in tranquil colours. The artist reached the peak of his career when he came to the attention of the royal family. Both King George III and his wife, Queen Charlotte, found Beechey’s style incredibly appealing. He was appointed portrait painter to Queen Charlotte, a promotion which in turn rewarded Beechey with membership to the Royal Academy.

The artists work under King George III is often considered his best. sadly his most famous work of King George III (for which he was knighted) was lost to the fire at Windsor Castle in 1992.

This fine portrait endures and is presented in an excellent state of conservation ready to purchase and enjoy in its fine original carved and gilded Carlo Maratta frame which has been sympathetically refinished.

Higher Resolution images on request.

Worldwide shipping available.

Canvas: 30.5" x 25.5" / 78cm x 65cm.

Frame: 36.5" x 27.5" / 92cm x 70cm

Price: £8000

Physical Dimensions
Height
93cm (36.61")
Width
80cm (31.50")
Depth
3cm (1.18")
Declaration

Period Portraits has dated this Georgian Oil Portrait Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1228250
Description
Fine quality early 19th century portrait of William Perryn of Langton by Sir William Beechey R.A (1753-1839).

The dashing grey haired sitter is depicted half -length within an extensive landscape.

He wears the traditional costume of affluent gentleman of the period, namely a dark double breasted velvet jacket over a white shirt and extravagant bowed stock.
Period Portraits

Behind him fields, trees and a river. extend into the distance, where the steeple of a church can also be glimpsed.

fig 1. An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower.
fig 1. Sir William Beechey R.A (1753-1839) - Oil on Canvas Portrait of William Perryn of Langton

Sir William Beechey R. A (1753-1839)

Beechey was born in Burford, Oxfordshire. After his father’s death (1789) he was raised by his uncle and initially apprenticed to a firm of solicitors. In 1772 he moved to London to enter the Royal Academy Schools. He soon married and his children include painter and explorer Henry William. From c.1782 he worked in Norwich, returning to London in 1787. Beechey was a widow by 1793, when he married miniature painter Anne Phyllis Jessop.

fig 2. An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower.
fig 2. Sir William Beechey R.A (1753-1839) - Oil on Canvas Portrait of William Perryn of Langton

In 1794 he became a member of the Royal Academy, received a knighthood and exhibited ‘His Majesty Reviewing the Third Dragoon Guards’, his most celebrated work. He was named portrait painter to the Duke and Duchess of Gloucester and Principle Portrait Painter to William IV before his death aged 85.

fig 3. An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower.
fig 3. Sir William Beechey R.A (1753-1839) - Oil on Canvas Portrait of William Perryn of Langton

Beechey has a particularly refined, elegant style of neoclassicism which he evoked through his use of darker backgrounds to highlight his sitters captured in tranquil colours. The artist reached the peak of his career when he came to the attention of the royal family. Both King George III and his wife, Queen Charlotte, found Beechey’s style incredibly appealing. He was appointed portrait painter to Queen Charlotte, a promotion which in turn rewarded Beechey with membership to the Royal Academy.

fig 4. An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower.
fig 4. Sir William Beechey R.A (1753-1839) - Oil on Canvas Portrait of William Perryn of Langton

The artists work under King George III is often considered his best. sadly his most famous work of King George III (for which he was knighted) was lost to the fire at Windsor Castle in 1992.

This fine portrait endures and is presented in an excellent state of conservation ready to purchase and enjoy in its fine original carved and gilded Carlo Maratta frame which has been sympathetically refinished.

fig 5. An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower.
fig 5. Sir William Beechey R.A (1753-1839) - Oil on Canvas Portrait of William Perryn of Langton

Higher Resolution images on request.

Worldwide shipping available.

Canvas: 30.5" x 25.5" / 78cm x 65cm.

Frame: 36.5" x 27.5" / 92cm x 70cm

Price: £8000

Height
93cm (36.61")
Width
80cm (31.50")
Depth
3cm (1.18")
Date of Manufacture

Period Portraits has dated this Georgian Oil Portrait Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1228250
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

Dealer Profile

You can view the stock and full dealer information on the Period Portraits Profile Page

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An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower.
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Archive I An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower.

Sir William Beechey R.A (1753-1839) - Oil on Canvas Portrait of William Perryn of Langton

Archive II An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View II
Archive III An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View III
Archive IV An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View IV
Archive V An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View V
Archive VI An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View VI
Archive VII An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View VII
Archive VIII An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View VIII
Archive IX An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View IX
Archive X An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View X
Archive XI An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View XI
Archive XII An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View XII
Archive XIII An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View XIII
Archive XIV An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View XIV
Archive XV An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View XV
Archive XVI An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View XVI
Archive XVII An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View XVII
Archive XVIII An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View XVIII
Archive XIX An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View XIX
Archive XX An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View XX
Archive XXI An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View XXI
Archive XXII An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View XXII
Archive XXIII An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View XXIII
Archive XXIV An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View XXIV
Archive XXV An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View XXV
Archive XXVI An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View XXVI
Archive XXVII An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View XXVII
Archive XXVIII An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower. View XXVIII
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An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower.
SIR WILLIAM BEECHEY R.A (1753-1839) - OIL ON CANVAS PORTRAIT OF WILLIAM PERRYN OF LANGTON
Ref: SA1228250
An antique Georgian oil portrait of a gentleman with short light grey hair wearing a black double-breasted coat and white cravat against a landscape background with a church tower.
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Georgian portraiture, prominent from the early 18th to early 19th centuries, focuses on formal representations of aristocracy and gentry, often featuring realistic human depiction set against atmospheric landscape backdrops.

Artists utilised hand-ground mineral and organic pigments mixed with linseed or walnut oil, applied onto stretched linen canvas coated with animal glue and chalk gesso grounds.

Authentication involves examining natural age-related craquelure patterns across the paint surface, original hand-carved stretcher frames with wooden pegs, and evidence of historic lining under ultraviolet light.

An antique portrait functions as a focal point when positioned above a fireplace mantelpiece, integrated into a gallery wall, or hung within a dark-walled library setting.

Preserve oil paintings by maintaining stable humidity levels, avoiding exposure to direct sunlight or heat sources, and consulting a professional art conservator for surface dust removal.
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