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Lady Frances Seymour 1599-1674 Circle of Van Dyck 17th Dutch Old Master Oil Portrait Paintings
Mansion House Antiques & Fine Art
for sale €14,625     $15,875
£12,500
Mansion House Antiques & Fine Art

Mansion House Antiques & Fine Art

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Lady Frances Seymour 1599-1674 Circle of Van Dyck 17th Dutch Old Master Oil Portrait Paintings

17th century
Description

Lady Frances Seymour Nee Devereux

Duchess Of Somerset & Marchioness Of Hertford [ Studio Of Van Dyck Dutch ]

17thc Golden Age Oil Portrait Paintings

Fine quality stunning example of English noblewoman Lady Frances Seymour nee Devereux [ Duchess of Somerset and Marchioness of Hertford ]

She lived during the reigns of Elizabeth I, James I, Charles I and Charles II.

Her father was Robert Devereux, 2nd Earl of Essex.

BORN :

Lady Frances Devereux 30 September 1599 Walsingham House, Seething Lane, London, England

DEATH

Died 24 April 1674 (aged 74)

Buried Great Bedwyn, Wiltshire

A QUALITY SUBLIME 17TH.CENTURY OIL PORTRAIT ON CANVAS OF THE DUCHESS OF SOMERSET (1599- 1674)

An extremely fine rendition of this well known aristocratic lady considered closely associated with students within ‘Studio Of ‘ artist Sir Anthony Van Dyck (1599 - 1641).

This is an exquisite version of the painting of the Duchess of Somerset and Marchioness of Hertford Lady Frances Seymour nee Devereux.... difficult to date precisely as it is so faithful to Van Dyck’s work.

Considered contemporary by a close student ? - or devotee of Van Dyck, closely associated with his studio and influenced by his school.

ABOUT

Sir Anthony van Dyck (Dutch 22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy.

The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony was precocious as a youth and painted from an early age. In his late teens he was already enjoying success as an independent painter, becoming a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly based in Genoa. In the late 1620s he completed his greatly admired Iconography series of portrait etchings, mostly of other artists. He spent five years after his return from Italy in Flanders, and from 1630 was court painter for the archduchess Isabella, Habsburg Governor of Flanders. In 1632 he returned to London to be the main court painter, at the request of Charles I of England.

Whoever the artist is, he or she had a prodigious talent in their own right as this is a portrait on a par with the original masters work.

Much has been written about the Seymours and the various grand inter connecting families of the period and it is worth a read by those who are fascinated by the period.....

Our lady is in first class well looked after order - relined probably mid twentieth century and housed in a magnificent deep profile heavy oak gesso moulded frame which is later (circa 1800) but is an outstanding feature of this painting.

We have an inscription top left - Francis Duchess of Somerset.... sister of Lady Dorothy Seymour and there is the remnant of an old label verso with some wording legible which mentions these names...

The portrait was until recently owned by a titled gentleman in Sussex and although I am speculating I feel that the expenditure on the frame alone indicates a family ownership which has endured the test of time.....

SEE IMAGE 9

GENUINE VAN DYKE / Sold Fro £662,500

SEE IMAGE 10 /11

FULL LENGTH VERSION IN MUSEUM

IMAGE 12

SEE PASSAGE PORTRAIT OF LADY DEVEREUX.

FRAMED MEASUREMENTS:

Height 41 Inches ( 104 cm )

Width 36 Inches ( 91.5 cm )

CONDITION:

Very Good Throughout after past professional reline and clean to good standard

DELIVERY:

UK £150 / EU £400 / USA £500

Tel : 07765 856171

Physical Dimensions
Height
104cm (40.94")
Width
91.5cm (36.02")
Depth
8cm (3.15")
Declaration

Mansion House Antiques & Fine Art has dated this 17th Century Oil Portrait to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA1214790
Dealers Internal Reference
CLC/054/RBC
Dealers Notes

Payments are accepted by Bank Transfer & by Debit / Credit Cards Via the BUY NOW Payment Link Tab shown below each items description.

PAY-PAL Account Holders are welcome. CHEQUES Drawn from UK banks.

Description
Lady Frances Seymour Nee Devereux

Duchess Of Somerset & Marchioness Of Hertford [ Studio Of Van Dyck Dutch ]

17thc Golden Age Oil Portrait Paintings

Fine quality stunning example of English noblewoman Lady Frances Seymour nee Devereux [ Duchess of Somerset and Marchioness of Hertford ].
Mansion House Antiques & Fine Art
fig 1. A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps.
fig 1. Lady Frances Seymour 1599-1674 Circle of Van Dyck 17th Dutch Old Master Oil Portrait Paintings

She lived during the reigns of Elizabeth I, James I, Charles I and Charles II.

Her father was Robert Devereux, 2nd Earl of Essex.

BORN :

Lady Frances Devereux 30 September 1599 Walsingham House, Seething Lane, London, England

fig 2. A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps.
fig 2. Lady Frances Seymour 1599-1674 Circle of Van Dyck 17th Dutch Old Master Oil Portrait Paintings

DEATH

Died 24 April 1674 (aged 74)

Buried Great Bedwyn, Wiltshire

A QUALITY SUBLIME 17TH.CENTURY OIL PORTRAIT ON CANVAS OF THE DUCHESS OF SOMERSET (1599- 1674)

An extremely fine rendition of this well known aristocratic lady considered closely associated with students within ‘Studio Of ‘ artist Sir Anthony Van Dyck (1599 - 1641).

fig 3. A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps.
fig 3. Lady Frances Seymour 1599-1674 Circle of Van Dyck 17th Dutch Old Master Oil Portrait Paintings

This is an exquisite version of the painting of the Duchess of Somerset and Marchioness of Hertford Lady Frances Seymour nee Devereux.... difficult to date precisely as it is so faithful to Van Dyck’s work.

fig 4. A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps.
fig 4. Lady Frances Seymour 1599-1674 Circle of Van Dyck 17th Dutch Old Master Oil Portrait Paintings

Considered contemporary by a close student ? - or devotee of Van Dyck, closely associated with his studio and influenced by his school.

ABOUT

Sir Anthony van Dyck (Dutch 22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy.

fig 5. A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps.
fig 5. Lady Frances Seymour 1599-1674 Circle of Van Dyck 17th Dutch Old Master Oil Portrait Paintings

The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony was precocious as a youth and painted from an early age. In his late teens he was already enjoying success as an independent painter, becoming a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly based in Genoa. In the late 1620s he completed his greatly admired Iconography series of portrait etchings, mostly of other artists. He spent five years after his return from Italy in Flanders, and from 1630 was court painter for the archduchess Isabella, Habsburg Governor of Flanders. In 1632 he returned to London to be the main court painter, at the request of Charles I of England.

fig 6. A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps.
fig 6. Lady Frances Seymour 1599-1674 Circle of Van Dyck 17th Dutch Old Master Oil Portrait Paintings

Whoever the artist is, he or she had a prodigious talent in their own right as this is a portrait on a par with the original masters work.

Much has been written about the Seymours and the various grand inter connecting families of the period and it is worth a read by those who are fascinated by the period.....

fig 7. A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps.
fig 7. Lady Frances Seymour 1599-1674 Circle of Van Dyck 17th Dutch Old Master Oil Portrait Paintings

Our lady is in first class well looked after order - relined probably mid twentieth century and housed in a magnificent deep profile heavy oak gesso moulded frame which is later (circa 1800) but is an outstanding feature of this painting.

fig 8. A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps.
fig 8. Lady Frances Seymour 1599-1674 Circle of Van Dyck 17th Dutch Old Master Oil Portrait Paintings

We have an inscription top left - Francis Duchess of Somerset.... sister of Lady Dorothy Seymour and there is the remnant of an old label verso with some wording legible which mentions these names...

The portrait was until recently owned by a titled gentleman in Sussex and although I am speculating I feel that the expenditure on the frame alone indicates a family ownership which has endured the test of time.....

fig 9. A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps.
fig 9. Lady Frances Seymour 1599-1674 Circle of Van Dyck 17th Dutch Old Master Oil Portrait Paintings

SEE IMAGE 9

GENUINE VAN DYKE / Sold Fro £662,500

SEE IMAGE 10 /11

FULL LENGTH VERSION IN MUSEUM

IMAGE 12

SEE PASSAGE PORTRAIT OF LADY DEVEREUX.

FRAMED MEASUREMENTS:

Height 41 Inches ( 104 cm )

Width 36 Inches ( 91.5 cm )

CONDITION:

Very Good Throughout after past professional reline and clean to good standard

DELIVERY:

UK £150 / EU £400 / USA £500

Tel : 07765 856171

Height
104cm (40.94")
Width
91.5cm (36.02")
Depth
8cm (3.15")
Date of Manufacture

Mansion House Antiques & Fine Art has dated this 17th Century Oil Portrait to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA1214790
Dealers Internal Ref
CLC/054/RBC
Mansion House Antiques & Fine Art
Mansion House Antiques & Fine Art
Sellingantiques verified Since Nov 2009

Private fine art dealer specialising in quality 17th 18th 19th & 20thc oil paintings shipping worldwide

Dealer Profile

You can view the stock and full dealer information on the Mansion House Antiques & Fine Art Profile Page

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A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps.
1 / 15
Archive I A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps.

Lady Frances Seymour 1599-1674 Circle Of Van Dyck 17th Dutch Old Master Oil Portrait Paintings

Archive II A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps. View II
Archive III A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps. View III
Archive IV A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps. View IV
Archive V A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps. View V
Archive VI A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps. View VI
Archive VII A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps. View VII
Archive VIII A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps. View VIII
Archive IX A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps. View IX
Archive X A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps. View X
Archive XI A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps. View XI
Archive XII A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps. View XII
Archive XIII A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps. View XIII
Archive XIV A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps. View XIV
Archive XV A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps. View XV
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Telephone 07765 856 171
Location
East Midlands
United Kingdom
Dealer Profile Page sellingantiques.co.uk/mha
Verified Since Nov 2009
Items For Sale 135
Items Sold 652
Mansion House Antiques & Fine Art
Mansion House Antiques & Fine Art
Verified Since Nov 2009
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Location: East Midlands, United Kingdom
Verified
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Sold
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A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps.
Lady Frances Seymour 1599-1674 Circle Of Van Dyck 17th Dutch Old Master Oil Portrait Paintings
Ref: SA1214790
A 17th-century oil portrait depicting a noblewoman with ringlet curls wearing a dark blue gown decorated with pearls and jewelled clasps.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Historic paintings should be kept in climate-controlled environments away from direct sunlight, moisture, and heat sources. Surface cleaning and varnish removal should only be executed by a professional art conservator.

A dark, historic portrait creates a focal point when displayed above a modern sideboard or fireplace mantel, contrasting refined historic subject matter against clean minimalist architecture.

Authenticity is evaluated through provenance documentation, craquelure pattern analysis, substrate inspection, and technical examination such as pigment analysis, ultraviolet fluorescence, and X-ray radiography.

Artists during this period primarily worked with hand-ground oil pigments bound in linseed or walnut oil, applied onto hand-woven linen canvas or hardwood timber panels. Canvas supports were prepared with animal glue sizing and lead white or earth-toned primers.

Seventeenth-century portraiture from the Baroque era is characterised by chiaroscuro lighting, deep shadow backgrounds, and meticulous attention to fabric textures, lace, and fine jewellery. Figures are typically depicted with realistic anatomical proportions and formal postures reflecting their social rank.
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