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English School C. 1625 - Oil on Canvas Portrait Painting of a Gentleman in a Dark Embroidered Doublet and White Ruff.
Period Portraits
for sale €10,530     $11,430
£9,000
Period Portraits

Period Portraits

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English School C. 1625 - Oil on Canvas Portrait Painting of a Gentleman in a Dark Embroidered Doublet and White Ruff.

17th century
For Sale by Period Portraits
Description

Fine quality early 17th century English school portrait of a gentleman in a dark embroidered doublet and white linen flalling band or collar.

The handsome sitter is depicted bust-length against a dark background. He is of fair complexion, with short reddish-brown hair, a prominent moustache and a neatly trimmed goatee. With a calm and confident air he gazes slightly to the right to greet the eyes of the viewer.

His richly detailed costume is characteristic of the Jacobean era and includes a dark, richly textured high collared doublet (likely made of silk or wool) which has an all over geometric decorative pattern. It is front fastening and further adorned with a row of tiny gilt buttons.

Around his neck is a prominent, wide white pleated and fan shaped collar which would have required careful laundering and starching. The fact that this highly fashionable accessory was also high maintenance is a further signal as to the sitters high status.

The restrained colours used throughout this portrait (mostly very dark or black tones) are typical of portraiture of the Jacobean and they were associated with wealth, sobriety and social status. Black dyes were expensive so clothing such as our sitter wears often indicated high social standing.

The fine weave canvas that has been chosen as the substrate for this work speaks for this portraits quality. It has allowed the artist to capture the intricate, linear details of the lace ruff and the texture of the sitters doublet.

The colour palette of this historic portrait is restrained and typical of the period as is the soft directional light he employed by the artist. It spreads across the left of the sitters face creating subtle shadows which further define his masculine features. The work has a dark background which further focusses attention entirely on the dignity and status of the sitter.

This engaging and atmospheric work is in an excellent taste of conservation and it is housed in a later baroque style shell topped carved and gilded frame which is itself a work of art.

Canvas: 20in x 15in / 50cm x 38cm.

Framed: 26.5in x 22in / 67cm x 56cm.

Price: £9000

Physical Dimensions
Height
67cm (26.38")
Width
56cm (22.05")
Depth
4cm (1.57")
Declaration

Period Portraits has dated this Jacobean Oil Portrait Painting to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA1228254
Description
Fine quality early 17th century English school portrait of a gentleman in a dark embroidered doublet and white linen flalling band or collar.

The handsome sitter is depicted bust-length against a dark background.

He is of fair complexion, with short reddish-brown hair, a prominent moustache and a neatly trimmed goatee.
Period Portraits

With a calm and confident air he gazes slightly to the right to greet the eyes of the viewer.

fig 1. An early 17th-century oil portrait on canvas depicting a bearded gentleman wearing a white pleated ruff and a dark patterned doublet.
fig 1. English School C. 1625 - Oil on Canvas Portrait Painting of a Gentleman in a Dark Embroidered Doublet and White Ruff.

His richly detailed costume is characteristic of the Jacobean era and includes a dark, richly textured high collared doublet (likely made of silk or wool) which has an all over geometric decorative pattern. It is front fastening and further adorned with a row of tiny gilt buttons.

fig 2. An early 17th-century oil portrait on canvas depicting a bearded gentleman wearing a white pleated ruff and a dark patterned doublet.
fig 2. English School C. 1625 - Oil on Canvas Portrait Painting of a Gentleman in a Dark Embroidered Doublet and White Ruff.

Around his neck is a prominent, wide white pleated and fan shaped collar which would have required careful laundering and starching. The fact that this highly fashionable accessory was also high maintenance is a further signal as to the sitters high status.

fig 3. An early 17th-century oil portrait on canvas depicting a bearded gentleman wearing a white pleated ruff and a dark patterned doublet.
fig 3. English School C. 1625 - Oil on Canvas Portrait Painting of a Gentleman in a Dark Embroidered Doublet and White Ruff.

The restrained colours used throughout this portrait (mostly very dark or black tones) are typical of portraiture of the Jacobean and they were associated with wealth, sobriety and social status. Black dyes were expensive so clothing such as our sitter wears often indicated high social standing.

fig 4. An early 17th-century oil portrait on canvas depicting a bearded gentleman wearing a white pleated ruff and a dark patterned doublet.
fig 4. English School C. 1625 - Oil on Canvas Portrait Painting of a Gentleman in a Dark Embroidered Doublet and White Ruff.

The fine weave canvas that has been chosen as the substrate for this work speaks for this portraits quality. It has allowed the artist to capture the intricate, linear details of the lace ruff and the texture of the sitters doublet.

fig 5. An early 17th-century oil portrait on canvas depicting a bearded gentleman wearing a white pleated ruff and a dark patterned doublet.
fig 5. English School C. 1625 - Oil on Canvas Portrait Painting of a Gentleman in a Dark Embroidered Doublet and White Ruff.

The colour palette of this historic portrait is restrained and typical of the period as is the soft directional light he employed by the artist. It spreads across the left of the sitters face creating subtle shadows which further define his masculine features. The work has a dark background which further focusses attention entirely on the dignity and status of the sitter.

fig 6. An early 17th-century oil portrait on canvas depicting a bearded gentleman wearing a white pleated ruff and a dark patterned doublet.
fig 6. English School C. 1625 - Oil on Canvas Portrait Painting of a Gentleman in a Dark Embroidered Doublet and White Ruff.

This engaging and atmospheric work is in an excellent taste of conservation and it is housed in a later baroque style shell topped carved and gilded frame which is itself a work of art.

Canvas: 20in x 15in / 50cm x 38cm.

Framed: 26.5in x 22in / 67cm x 56cm.

Price: £9000

Height
67cm (26.38")
Width
56cm (22.05")
Depth
4cm (1.57")
Date of Manufacture

Period Portraits has dated this Jacobean Oil Portrait Painting to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA1228254
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

Dealer Profile

You can view the stock and full dealer information on the Period Portraits Profile Page

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An early 17th-century oil portrait on canvas depicting a bearded gentleman wearing a white pleated ruff and a dark patterned doublet.
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Archive I An early 17th-century oil portrait on canvas depicting a bearded gentleman wearing a white pleated ruff and a dark patterned doublet.

ENGLISH SCHOOL c. 1625 - OIL ON CANVAS PORTRAIT PAINTING OF A GENTLEMAN IN A DARK EMBROIDERED DOUBLET AND WHITE RUFF.

Archive II An early 17th-century oil portrait on canvas depicting a bearded gentleman wearing a white pleated ruff and a dark patterned doublet. View II
Archive III An early 17th-century oil portrait on canvas depicting a bearded gentleman wearing a white pleated ruff and a dark patterned doublet. View III
Archive IV An early 17th-century oil portrait on canvas depicting a bearded gentleman wearing a white pleated ruff and a dark patterned doublet. View IV
Archive V An early 17th-century oil portrait on canvas depicting a bearded gentleman wearing a white pleated ruff and a dark patterned doublet. View V
Archive VI An early 17th-century oil portrait on canvas depicting a bearded gentleman wearing a white pleated ruff and a dark patterned doublet. View VI
Archive VII An early 17th-century oil portrait on canvas depicting a bearded gentleman wearing a white pleated ruff and a dark patterned doublet. View VII
Archive VIII An early 17th-century oil portrait on canvas depicting a bearded gentleman wearing a white pleated ruff and a dark patterned doublet. View VIII
Archive IX An early 17th-century oil portrait on canvas depicting a bearded gentleman wearing a white pleated ruff and a dark patterned doublet. View IX
Archive X An early 17th-century oil portrait on canvas depicting a bearded gentleman wearing a white pleated ruff and a dark patterned doublet. View X
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United Kingdom
Verified Since Jan 2017
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Period Portraits
Period Portraits
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Location: North Yorkshire, United Kingdom
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An early 17th-century oil portrait on canvas depicting a bearded gentleman wearing a white pleated ruff and a dark patterned doublet.
ENGLISH SCHOOL c. 1625 - OIL ON CANVAS PORTRAIT PAINTING OF A GENTLEMAN IN A DARK EMBROIDERED DOUBLET AND WHITE RUFF.
Ref: SA1228254
An early 17th-century oil portrait on canvas depicting a bearded gentleman wearing a white pleated ruff and a dark patterned doublet.
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Portraiture from the Jacobean and Caroline periods typically depicts sitters in structured attire such as stiffened ruffs, embroidered doublets, and formal poses, emphasising status and social identity through detailed costume depiction.

Artists during this period applied oil pigments ground from natural minerals onto hand-woven linen canvas or timber panels, building tone through subtle glazes applied over light ground layers.

Key indicators include costume features like standing ruffs or lace collars, age-appropriate craquelure across the paint surface, historic canvas weave patterns, and natural timber stretcher aging.

Position the portrait above a mantelpiece or sideboard within a dark-painted library or hallway setting to create a dramatic focal point that bridges historical artwork with modern furnishings.

Keep the canvas away from direct sunlight and fluctuating humidity, dust gently with a soft dry brush, and consult a professional restorer for varnish cleaning or structural repairs.
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