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18th Century Oil Painting Lieutenant General Sir James Campbell
Cheshire Antiques Consultant Ltd
for sale €28,080     $30,480
£24,000
Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd

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18th Century Oil Painting Lieutenant General Sir James Campbell

18th century
Description

1 Large Important Historic Scottish Fine Art 18th Century Oil Painting Military Portrait Lieutenant General Sir James Campbell C1680-1745 Attributed William Aikman.

Title “Portrait of Sir James Campbell C1680-1745" Attributed to William Aikman.

Subject portrait of the known Scottish military General Sir James Campbell in half length front view facing the viewer he is wearing his best military dress traditonal red uniform white neck cravat. Wearing his thick curled hair whig. His gaze is so strong fixed at the viewer he has full lips, rosy cheek complexion, clean shaven, with such strong masculine facial features. His eyes gaze is exceptional they seem to follow you as you move.

Unsigned.

Attributed to the artist William Aikman.

Inscribed verso W Aikman.

In our opinion this is one of his fine portrait works.

Circa early 18th century.

Medium oil on canvas

Frame is an impressive size being 78.5 cm wide and 91.5 cm high.

Having such beautiful detail.

Set in a fine gilt frame which enhances this painting further.

Artist biography William Aikman (24 October 1682 – 7 June 1731) a known Scottish old master artist. His paintings can be found in the National Galleries of Scotland. His paintings have been exhibited at galleries & sold at auction houses around the world. The current highest sold price is $104184 US dollars which was for the portrait of John 2nd Duke of Argyll & 1st Duke of Greenwich. He was known to have been the son also the heir of an Angus Laird. He sold his entire possessions along with his land & property so that he could learn his trade as an artist.

He studied with Sir John de Medina in Edinburgh, then he went to London in around 1704 where he joined an art academy, he later then travelled to Italy to witness the culture & art first hand & also went to Turkey to increase his artistic knowledge. He adored the history of art especially during the middle ages. Aikman returned to Edinburgh in Scotland approximately in the year 1711, which is when the artist Medina sadly passed away, he soon became the main portrait artist in Scotland. He later moved permanently south to London to gain his own notoriety, he had many patrons by high society.

Biography of Lieutenant-General Sir James Campbell (C1680 – 11 May 1745) was a Scottish military officer and Whig politician who sat in the British House of Commons from 1727 to 1741, representing the constituency of Ayrshire. A distinguished cavalry officer, Campbell began his military career at a young age and fought in several conflicts of the Second Hundred Years' War, along with serving as the governor of Edinburgh Castle from 1738 until his death in 1745. Born in Lawers, Perthshire into an aristocratic Scottish family, Campbell joined the Scots Army when he was just thirteen years old. He was commissioned as a captain in the 2st Regiment of Foot in 1702 During the War of the Spanish Succession, Campbell served in Europe in the Royal North British Dragoons, fighting in the battles of Blenheim, Oudenarde and Malplaquet and rising to the rank of lieutenant-colonel.

Following the war's end, Campbell became involved in politics, supporting the succession of the House of Hanover. In 1720, Campbell married Lady Jean Boyle Mure, with whom he had two children. Seven years later, Campbell was appointed Groom of the Chamber by George II of Great Britain in recognition of his military accomplishments. Campbell took his seat in Parliament after running unopposed in the 1727 British general election. A steadfast Whig when in Parliament, Campbell continued to climb the British Army's ranks, being promoted to lieutenant-general in 1740. In 1742, the War of the Austrian Succession broke out and Campbell accompanied a British force to Continental Europe, where he participated in the Battle of Dettingen and was knighted.

Campbell continued to see action in Europe, commanding Pr

Physical Dimensions
Height
91.5cm (36.02")
Width
78.5cm (30.91")
Depth
4.5cm (1.77")
Declaration

Cheshire Antiques Consultant Ltd has dated this 18th Century Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1082596
Dealers Internal Reference
585
Dealers Notes

Delivery shipping information

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Description
1 Large Important Historic Scottish Fine Art 18th Century Oil Painting Military Portrait Lieutenant General Sir James Campbell C1680-1745 Attributed William Aikman.

Title “Portrait of Sir James Campbell C1680-1745" Attributed to William Aikman.

Subject portrait of the known Scottish military General Sir James Campbell in half length front view facing the viewer he is wearing his best military dress traditonal red uniform white neck cravat.
Cheshire Antiques Consultant Ltd

Wearing his thick curled hair whig. His gaze is so strong fixed at the viewer he has full lips, rosy cheek complexion, clean shaven, with such strong masculine facial features. His eyes gaze is exceptional they seem to follow you as you move.

fig 1. An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame.
fig 1. 18th Century Oil Painting Lieutenant General Sir James Campbell

Unsigned.

Attributed to the artist William Aikman.

Inscribed verso W Aikman.

In our opinion this is one of his fine portrait works.

Circa early 18th century.

Medium oil on canvas

Frame is an impressive size being 78.5 cm wide and 91.5 cm high.

fig 2. An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame.
fig 2. 18th Century Oil Painting Lieutenant General Sir James Campbell

Having such beautiful detail.

Set in a fine gilt frame which enhances this painting further.

Artist biography William Aikman (24 October 1682 – 7 June 1731) a known Scottish old master artist. His paintings can be found in the National Galleries of Scotland. His paintings have been exhibited at galleries & sold at auction houses around the world. The current highest sold price is $104184 US dollars which was for the portrait of John 2nd Duke of Argyll & 1st Duke of Greenwich. He was known to have been the son also the heir of an Angus Laird. He sold his entire possessions along with his land & property so that he could learn his trade as an artist.

fig 3. An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame.
fig 3. 18th Century Oil Painting Lieutenant General Sir James Campbell

He studied with Sir John de Medina in Edinburgh, then he went to London in around 1704 where he joined an art academy, he later then travelled to Italy to witness the culture & art first hand & also went to Turkey to increase his artistic knowledge. He adored the history of art especially during the middle ages. Aikman returned to Edinburgh in Scotland approximately in the year 1711, which is when the artist Medina sadly passed away, he soon became the main portrait artist in Scotland. He later moved permanently south to London to gain his own notoriety, he had many patrons by high society.

fig 4. An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame.
fig 4. 18th Century Oil Painting Lieutenant General Sir James Campbell

Biography of Lieutenant-General Sir James Campbell (C1680 – 11 May 1745) was a Scottish military officer and Whig politician who sat in the British House of Commons from 1727 to 1741, representing the constituency of Ayrshire. A distinguished cavalry officer, Campbell began his military career at a young age and fought in several conflicts of the Second Hundred Years' War, along with serving as the governor of Edinburgh Castle from 1738 until his death in 1745. Born in Lawers, Perthshire into an aristocratic Scottish family, Campbell joined the Scots Army when he was just thirteen years old. He was commissioned as a captain in the 2st Regiment of Foot in 1702 During the War of the Spanish Succession, Campbell served in Europe in the Royal North British Dragoons, fighting in the battles of Blenheim, Oudenarde and Malplaquet and rising to the rank of lieutenant-colonel.

fig 5. An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame.
fig 5. 18th Century Oil Painting Lieutenant General Sir James Campbell

Following the war's end, Campbell became involved in politics, supporting the succession of the House of Hanover. In 1720, Campbell married Lady Jean Boyle Mure, with whom he had two children. Seven years later, Campbell was appointed Groom of the Chamber by George II of Great Britain in recognition of his military accomplishments. Campbell took his seat in Parliament after running unopposed in the 1727 British general election. A steadfast Whig when in Parliament, Campbell continued to climb the British Army's ranks, being promoted to lieutenant-general in 1740. In 1742, the War of the Austrian Succession broke out and Campbell accompanied a British force to Continental Europe, where he participated in the Battle of Dettingen and was knighted.

Campbell continued to see action in Europe, commanding Pr

Height
91.5cm (36.02")
Width
78.5cm (30.91")
Depth
4.5cm (1.77")
Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this 18th Century Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1082596
Dealers Internal Ref
585
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

Dealer Profile

You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame.
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Archive I An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame.

18th Century Oil Painting Lieutenant General Sir James Campbell

Archive II An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View II
Archive III An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View III
Archive IV An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View IV
Archive V An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View V
Archive VI An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View VI
Archive VII An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View VII
Archive VIII An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View VIII
Archive IX An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View IX
Archive X An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View X
Archive XI An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XI
Archive XII An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XII
Archive XIII An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XIII
Archive XIV An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XIV
Archive XV An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XV
Archive XVI An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XVI
Archive XVII An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XVII
Archive XVIII An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XVIII
Archive XIX An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XIX
Archive XX An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XX
Archive XXI An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XXI
Archive XXII An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XXII
Archive XXIII An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XXIII
Archive XXIV An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XXIV
Archive XXV An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XXV
Archive XXVI An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XXVI
Archive XXVII An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XXVII
Archive XXVIII An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XXVIII
Archive XXIX An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XXIX
Archive XXX An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame. View XXX
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Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Verified Since Jan 2021
View Dealer Info
Location: 71-75 Shelton Street, Covent Garden, London, WC2H 9JQ, United Kingdom, , By appointment
Verified
Jan 2021
For Sale
250
Sold
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An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame.
18th Century Oil Painting Lieutenant General Sir James Campbell
Ref: SA1082596
An 18th-century oil portrait painting depicting a gentleman in a red coat and white cravat housed within a moulded giltwood frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

18th-century British portraiture typically features formal poses, dark or atmospheric backgrounds, and detailed attention to attire, such as powdered wigs, military coats, and lace cravats. Artists of this era aimed to record status, social rank, and military achievements through grand oil compositions.

Paintings from this era were created using oil pigments suspended in linseed or walnut oil, applied directly to stretched linen or cotton canvas. Frames were typically carved from pine or oak and finished with water gilding using gold leaf over a red or yellow bole ground.

Authentic pieces exhibit natural craquelure across the paint surface, hand-hewn wooden stretcher bars with iron nails or pegs, and evidence of historic lining or re-canvas work. The gilding on the frame often shows subtle red bole showing through areas of natural rubbing.

Formal oil portraits can be hung above a mantelpiece or sideboard to create a focal point in a room. Pairing rich oil canvases with contemporary neutral walls or dark painted panelling balances classic heritage art with contemporary living spaces.

Keep oil paintings away from direct sunlight, radiators, and areas of variable humidity to prevent cracking and flaking. Clean gently using a dry, soft-feather duster; discoloured varnish or dirt accumulation should only be treated by a qualified fine art conservator.
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