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Victorian Oil Painting Lady Sarah Sophia Wood Née Clark by John Wood
Cheshire Antiques Consultant Ltd
for sale €23,400     $25,400
£20,000
Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd

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Victorian Oil Painting Lady Sarah Sophia Wood Née Clark by John Wood

19th century
Description

Fine Important Victorian Oil Painting Portrait Young Lady Sarah Sophia Wood née Clark By John Wood 1801-1870.

Subject oval quarter length portrait of a beautiful known young lady in quarter length front profile view facing away from the viewer with powerful fascinated gaze. She is wearing a traditional white lace dress with a black bow ribbon around her neck she has thick brown hair, with blue eyes, cherry lips and light skin rose cheeks complexion she is projecting her grace, beauty & elegance in her pose. Having dark brown hair & wearing a small black head band part.

Title inscribed on stretcher verso "Portrait of Mrs George Wood, John Wood 1857. Sarah Sophia Wood, née Clark (John Wood’s sister-in-law).

Oil on canvas.

Circa mid 19th century dated inscribed verso 1857.

Nice size with the frame being 79 cm high and 68 cm wide.

Presented in original magnificent fancy fretwork gilt gesso frame which really enhances & projects this painting.

So collectible and sought after the subject portraiture matter.

Unsigned inscribed verso by the known British artist John Wood.

The highest recorded sold price at auction for this artist is $33,000 USD which was for a portrait of children in landscape with a dog.

Biography of the artist John Wood (1801–1870), painter, son of a drawing-master, was born in London on 29 June 1801. He studied in Sass's school and at the Royal Academy, where in 1825 he gained the gold medal for painting. In the two previous years he had exhibited ‘Adam and Eve lamenting over the Body of Abel,’ and ‘Michael contending with Satan,’ and in 1826 he sent ‘Psyche wafted by the Zephyrs.’ These and other works displayed unusual powers of invention and design, and gained for him a great temporary reputation.

In 1834 he competed successfully for the commission for the altar-piece of St. James's, Bermondsey, and in 1836 gained a prize at Manchester for his ‘Elizabeth in the Tower.’ During the latter part of his career he painted chiefly scripture subjects and portraits, which he exhibited largely at the Royal Academy and British Institution down to 1862. His portraits of Sir Robert Peel, Earl Grey, John Britton (in the National Portrait Gallery), and others have been engraved, as well as several of his fancy subjects. Wood died on 19 April 1870.

According to a Christie's sale catalogue of 16 February 1872, Wood as a student at the RA 'obtained the notice of Fuseli and Sir Thomas Lawrence, and under the auspices of the latter he commenced his career in art'. He won the competition for the altarpiece of St James's, Bermondsey [The Ascension] 1844, and was commissioned by Earl de Grey to paint the ceiling panels in Wrest Park, Bedfordshire.

His work is represented in the Sir John Soane’s Museum and the V&A. [Catalogue of British Oil Paintings 1820-1860, Ronald Parkinson, V&A, 1990, pp.305-306. Sources' [Art Journal, 1870; Redgrave's Dict. of Artists; Graves's Dict. of Artists, 1760–1893 also wikisource.

Provenance By descent The previous owner's great-great-great uncle was John Wood (1801-1870)

We select & sell our paintings based solely upon subject, quality & significance.

Highly sought after work of art.

Condition report.

Offered in fine used condition. The front painting surface is in good overall order with some scuffs scratches, craquelure and foxing stains in places. The frame has various general wear, chips, losses, stains and some over painting in places commensurate with usage & old age.

We offer our clients exceptional professional customer service.

International buyers worldwide shipping is available please ask for a quote.

Browse our other exciting Fine Arts, antiques & collectibles available in our shop gallery.

Dimensions in centimetres of the frame approximate

High (79 cm)

Wide (68 cm)

Depth (5 cm)

Physical Dimensions
Height
79cm (31.10")
Width
68cm (26.77")
Depth
5cm (1.97")
Declaration

Cheshire Antiques Consultant Ltd has dated this Victorian Portrait Oil Painting to the Victorian era.

Reference Numbers
Sellingantiques Reference
SA1014162
Dealers Internal Reference
493
Dealers Notes

Delivery shipping information

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Great care and much time are taken over the safe transportation of the Fine Art & Antique pieces which we sell.

We bespoke pack & wrap extremely carefully, so you can rest assured that your piece will arrive with you in great as described condition.

For larger paintings, antique furniture pieces, and fragile items which can not be sent via the normal postal services, we use professional door-to-door delivery providers, who will always strive to deliver your piece promptly, within approximate. 2-5 working days for the United Kingdom mainland & International delivery between 5-14 working days.

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(excluding the cost of Postage & Packaging costs & any duties, taxes customs charges paid on buyers behalf or buy the buyer direct ).

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Description
Fine Important Victorian Oil Painting Portrait Young Lady Sarah Sophia Wood née Clark By John Wood 1801-1870.
Subject oval quarter length portrait of a beautiful known young lady in quarter length front profile view facing away from the viewer with powerful fascinated gaze.
Cheshire Antiques Consultant Ltd

She is wearing a traditional white lace dress with a black bow ribbon around her neck she has thick brown hair, with blue eyes, cherry lips and light skin rose cheeks complexion she is projecting her grace, beauty & elegance in her pose. Having dark brown hair & wearing a small black head band part.

fig 1. A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture.
fig 1. Victorian Oil Painting Lady Sarah Sophia Wood Née Clark by John Wood

Title inscribed on stretcher verso "Portrait of Mrs George Wood, John Wood 1857. Sarah Sophia Wood, née Clark (John Wood’s sister-in-law).

Oil on canvas.

Circa mid 19th century dated inscribed verso 1857.

fig 2. A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture.
fig 2. Victorian Oil Painting Lady Sarah Sophia Wood Née Clark by John Wood

Nice size with the frame being 79 cm high and 68 cm wide.

Presented in original magnificent fancy fretwork gilt gesso frame which really enhances & projects this painting.

So collectible and sought after the subject portraiture matter.

fig 3. A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture.
fig 3. Victorian Oil Painting Lady Sarah Sophia Wood Née Clark by John Wood

Unsigned inscribed verso by the known British artist John Wood.

The highest recorded sold price at auction for this artist is $33,000 USD which was for a portrait of children in landscape with a dog.

Biography of the artist John Wood (1801–1870), painter, son of a drawing-master, was born in London on 29 June 1801. He studied in Sass's school and at the Royal Academy, where in 1825 he gained the gold medal for painting. In the two previous years he had exhibited ‘Adam and Eve lamenting over the Body of Abel,’ and ‘Michael contending with Satan,’ and in 1826 he sent ‘Psyche wafted by the Zephyrs.’ These and other works displayed unusual powers of invention and design, and gained for him a great temporary reputation.

fig 4. A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture.
fig 4. Victorian Oil Painting Lady Sarah Sophia Wood Née Clark by John Wood

In 1834 he competed successfully for the commission for the altar-piece of St. James's, Bermondsey, and in 1836 gained a prize at Manchester for his ‘Elizabeth in the Tower.’ During the latter part of his career he painted chiefly scripture subjects and portraits, which he exhibited largely at the Royal Academy and British Institution down to 1862. His portraits of Sir Robert Peel, Earl Grey, John Britton (in the National Portrait Gallery), and others have been engraved, as well as several of his fancy subjects. Wood died on 19 April 1870.

fig 5. A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture.
fig 5. Victorian Oil Painting Lady Sarah Sophia Wood Née Clark by John Wood

According to a Christie's sale catalogue of 16 February 1872, Wood as a student at the RA 'obtained the notice of Fuseli and Sir Thomas Lawrence, and under the auspices of the latter he commenced his career in art'. He won the competition for the altarpiece of St James's, Bermondsey [The Ascension] 1844, and was commissioned by Earl de Grey to paint the ceiling panels in Wrest Park, Bedfordshire.

fig 6. A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture.
fig 6. Victorian Oil Painting Lady Sarah Sophia Wood Née Clark by John Wood

His work is represented in the Sir John Soane’s Museum and the V&A. [Catalogue of British Oil Paintings 1820-1860, Ronald Parkinson, V&A, 1990, pp.305-306. Sources' [Art Journal, 1870; Redgrave's Dict. of Artists; Graves's Dict. of Artists, 1760–1893 also wikisource.

fig 7. A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture.
fig 7. Victorian Oil Painting Lady Sarah Sophia Wood Née Clark by John Wood

Provenance By descent The previous owner's great-great-great uncle was John Wood (1801-1870)

We select & sell our paintings based solely upon subject, quality & significance.

Highly sought after work of art.

fig 8. A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture.
fig 8. Victorian Oil Painting Lady Sarah Sophia Wood Née Clark by John Wood

Condition report.

Offered in fine used condition. The front painting surface is in good overall order with some scuffs scratches, craquelure and foxing stains in places. The frame has various general wear, chips, losses, stains and some over painting in places commensurate with usage & old age.

fig 9. A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture.
fig 9. Victorian Oil Painting Lady Sarah Sophia Wood Née Clark by John Wood

We offer our clients exceptional professional customer service.

International buyers worldwide shipping is available please ask for a quote.

Browse our other exciting Fine Arts, antiques & collectibles available in our shop gallery.

Dimensions in centimetres of the frame approximate

High (79 cm)

Wide (68 cm)

Depth (5 cm)

Height
79cm (31.10")
Width
68cm (26.77")
Depth
5cm (1.97")
Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Victorian Portrait Oil Painting to the Victorian era.

Reference Numbers
Sellingantiques Ref
SA1014162
Dealers Internal Ref
493
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

Dealer Profile

You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture.
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Archive I A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture.

Victorian Oil Painting Lady Sarah Sophia Wood née Clark By John Wood

Archive II A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View II
Archive III A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View III
Archive IV A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View IV
Archive V A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View V
Archive VI A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View VI
Archive VII A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View VII
Archive VIII A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View VIII
Archive IX A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View IX
Archive X A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View X
Archive XI A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XI
Archive XII A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XII
Archive XIII A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XIII
Archive XIV A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XIV
Archive XV A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XV
Archive XVI A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XVI
Archive XVII A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XVII
Archive XVIII A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XVIII
Archive XIX A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XIX
Archive XX A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XX
Archive XXI A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XXI
Archive XXII A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XXII
Archive XXIII A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XXIII
Archive XXIV A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XXIV
Archive XXV A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XXV
Archive XXVI A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XXVI
Archive XXVII A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XXVII
Archive XXVIII A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XXVIII
Archive XXIX A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XXIX
Archive XXX A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture. View XXX
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Telephone 07494 763 382
Location
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Covent Garden
London
WC2H 9JQ
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Verified Since Jan 2021
Items For Sale 250
Items Sold 214
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Verified Since Jan 2021
View Dealer Info
Location: 71-75 Shelton Street, Covent Garden, London, WC2H 9JQ, United Kingdom, , By appointment
Verified
Jan 2021
For Sale
250
Sold
214
A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture.
Victorian Oil Painting Lady Sarah Sophia Wood née Clark By John Wood
Ref: SA1014162
A Victorian oil portrait depicting a woman with dark hair and lace collar, displayed within an ornate gilded frame featuring an oval aperture.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Victorian portraiture is characterised by realistic depictions of subjects, often showcasing social status, detailed costume, and formal composition within ornate gilded frames.

Artists typically used oil-based pigments applied to stretched linen or cotton canvas, housed within wood frames finished with plaster composition and gold leaf.

Authentic period pieces display age-appropriate craquelure across the paint surface, natural wear on gilt wood moulding, and original wooden stretcher bars with period joinery.

Mounting a historic portrait above a contemporary console table or fireplace mantel creates an engaging focal point that bridges historical art with modern design.

Position the painting away from direct sunlight and heat sources, dusting the frame gently with a soft dry brush while avoiding water or chemical cleaning agents.
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