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Oil Painting Young Lady in Blue Dress Signed George Percy Jacomb-hood
Cheshire Antiques Consultant Ltd
for sale €23,400     $25,400
£20,000
Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd

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Oil Painting Young Lady in Blue Dress Signed George Percy Jacomb-hood

19th century
Description

1 Fine Victorian Oil Painting Portrait Young Lady Cherry Lips In Blue Dress White Ruff Frilly Collar.

Subject portrait of a beautiful young lady in half length front profile view facing the viewer in a loving gaze. She is wearing a traditional blue dress with white ruff frilly collar she has thick brown hair, with blue eyes, cherry lips and light skin rose cheeks complexion she is projecting such beauty, elegance in her pose.

Title " A portrait of a young lady wearing blue dress with white collar"

Circa late 19th century dated 89 for 1889.

Oil on panel.

Nice size with the frame being 49.5 cm high and 39 cm wide.

Presented in original magnificent gilt gesso frame.

So collectible and sought after the subject portraiture matter.

Signed by the known British artist George Percy Jacomb-Hood.

Biography of the artist George Percy Jacomb-Hood MVO R.B.A (6 July 1857 – 11 December 1929) was a painter, etcher and illustrator. He was a founding member of the New English Art Club and Society of Portrait Painters. Early life- Jacomb-Hood was born on 6 July 1857 at Redhill in Surrey, the fourth of nine children (two of whom died in infancy) of Robert Jacomb-Hood (1822–1900) and Jane Stothard Littlewood (1827–1869). His grandfather, a yeoman farmer in Essex was born Robert Jacomb (1794–1857), but was a cousin of William Hood, the last male member of his family, who left his estate at Bardon, Leicestershire to him on condition that he took the additional surname of Hood, the estate having been in the Hood family since the 1620s. His father was Chief Engineer on the London, Brighton and South Coast Railway from 1846–1860.

Jacomb-Hood was educated at Tonbridge School and the Slade School of Fine Art as well as studying while touring abroad in Paris and Madrid. He was a member of the Royal Society of Painter-Etchers, the Savile Club, was Honorary Treasurer of the Chelsea Arts Club, member of the New English Art Club and the Royal Society of Portrait Painters. He exhibited at the first exhibition of the Society of Graphic Art in London in 1921. His Career - Jacomb-Hood regularly produced illustrations for The Graphic who gave him a number of overseas assignments.

In 1896 the magazine sent him to Greece and to Delhi in 1902. He accompanied the Prince and Princess of Waleson their 1905 tour of India and was a member of George V's personal staff on his 1911 tour of India.[5] He also painted Madeleine Shaw-Lefevre in her role as principal of Somerville College, Oxford. He wrote an autobiography in 1925, entitled With Brush and Pencil.

Jacomb-Hood married The Hon Henrietta Kemble de Hochepied-Larpent (1867–1941), daughter of Arthur de Hochepied Larpent, 8th Baron de Hochepied on 28 June 1910.[7] On their marriage, John Singer Sargent, a friend and neighbour of Jacomb-Hood's in Chelsea, gave them his watercolour Italian Sailing Vessels at Anchor (c 1904–07) inscribed "to my friend Jacomb Hood" and now at the Ashmolean Museum in Oxford, presented in 1943 by her sister and heiress. Known as Reta, her sister The Hon Sybil Marguerite Gonne de Hochepied-Larpent, OBE (1867–1941) married Philip Napier Miles and Jacomb-Hood was a friend of his cousin Frank Miles. Another sister, The Hon Clarissa Catherine de Hochepied-Larpent, married the soldier and artist Colonel Robert Charles Goff. The Jacomb-Hoods lived in Chelsea after Frank Miles's death when Jacomb-Hood's father bought Miles's house in Tite Street from his executors and also had a house in Rye, East Sussex. He died on 11 December 1929 at Philip Napier Miles's villa at Alassio in Italy.

Reference Sources

1. Blackett-Ord, Carol. "George Percy Jacomb-Hood". Biographies. National Portrait Gallery, London. Retrieved 27 October 2015.

2. "History of ownership of Bardon Park - Bardon Park Chapel". Archived from the original on 5 September 2011. Retrieved 22 December 2015.

3. "Rob

Physical Dimensions
Height
49.5cm (19.49")
Width
39cm (15.35")
Depth
3cm (1.18")
Declaration

Cheshire Antiques Consultant Ltd has dated this Victorian Portrait Oil Painting to the Victorian era.

Reference Numbers
Sellingantiques Reference
SA992902
Dealers Internal Reference
462
Dealers Notes

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Description
1 Fine Victorian Oil Painting Portrait Young Lady Cherry Lips In Blue Dress White Ruff Frilly Collar.
Subject portrait of a beautiful young lady in half length front profile view facing the viewer in a loving gaze.
Cheshire Antiques Consultant Ltd

She is wearing a traditional blue dress with white ruff frilly collar she has thick brown hair, with blue eyes, cherry lips and light skin rose cheeks complexion she is projecting such beauty, elegance in her pose.

fig 1. A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame.
fig 1. Oil Painting Young Lady in Blue Dress Signed George Percy Jacomb-hood

Title " A portrait of a young lady wearing blue dress with white collar"

Circa late 19th century dated 89 for 1889.

Oil on panel.

Nice size with the frame being 49.5 cm high and 39 cm wide.

Presented in original magnificent gilt gesso frame.

fig 2. A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame.
fig 2. Oil Painting Young Lady in Blue Dress Signed George Percy Jacomb-hood

So collectible and sought after the subject portraiture matter.

Signed by the known British artist George Percy Jacomb-Hood.

Biography of the artist George Percy Jacomb-Hood MVO R.B.A (6 July 1857 – 11 December 1929) was a painter, etcher and illustrator. He was a founding member of the New English Art Club and Society of Portrait Painters. Early life- Jacomb-Hood was born on 6 July 1857 at Redhill in Surrey, the fourth of nine children (two of whom died in infancy) of Robert Jacomb-Hood (1822–1900) and Jane Stothard Littlewood (1827–1869). His grandfather, a yeoman farmer in Essex was born Robert Jacomb (1794–1857), but was a cousin of William Hood, the last male member of his family, who left his estate at Bardon, Leicestershire to him on condition that he took the additional surname of Hood, the estate having been in the Hood family since the 1620s. His father was Chief Engineer on the London, Brighton and South Coast Railway from 1846–1860.

fig 3. A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame.
fig 3. Oil Painting Young Lady in Blue Dress Signed George Percy Jacomb-hood

Jacomb-Hood was educated at Tonbridge School and the Slade School of Fine Art as well as studying while touring abroad in Paris and Madrid. He was a member of the Royal Society of Painter-Etchers, the Savile Club, was Honorary Treasurer of the Chelsea Arts Club, member of the New English Art Club and the Royal Society of Portrait Painters. He exhibited at the first exhibition of the Society of Graphic Art in London in 1921. His Career - Jacomb-Hood regularly produced illustrations for The Graphic who gave him a number of overseas assignments.

fig 4. A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame.
fig 4. Oil Painting Young Lady in Blue Dress Signed George Percy Jacomb-hood

In 1896 the magazine sent him to Greece and to Delhi in 1902. He accompanied the Prince and Princess of Waleson their 1905 tour of India and was a member of George V's personal staff on his 1911 tour of India.[5] He also painted Madeleine Shaw-Lefevre in her role as principal of Somerville College, Oxford. He wrote an autobiography in 1925, entitled With Brush and Pencil.

fig 5. A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame.
fig 5. Oil Painting Young Lady in Blue Dress Signed George Percy Jacomb-hood

Jacomb-Hood married The Hon Henrietta Kemble de Hochepied-Larpent (1867–1941), daughter of Arthur de Hochepied Larpent, 8th Baron de Hochepied on 28 June 1910.[7] On their marriage, John Singer Sargent, a friend and neighbour of Jacomb-Hood's in Chelsea, gave them his watercolour Italian Sailing Vessels at Anchor (c 1904–07) inscribed "to my friend Jacomb Hood" and now at the Ashmolean Museum in Oxford, presented in 1943 by her sister and heiress. Known as Reta, her sister The Hon Sybil Marguerite Gonne de Hochepied-Larpent, OBE (1867–1941) married Philip Napier Miles and Jacomb-Hood was a friend of his cousin Frank Miles. Another sister, The Hon Clarissa Catherine de Hochepied-Larpent, married the soldier and artist Colonel Robert Charles Goff. The Jacomb-Hoods lived in Chelsea after Frank Miles's death when Jacomb-Hood's father bought Miles's house in Tite Street from his executors and also had a house in Rye, East Sussex. He died on 11 December 1929 at Philip Napier Miles's villa at Alassio in Italy.

fig 6. A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame.
fig 6. Oil Painting Young Lady in Blue Dress Signed George Percy Jacomb-hood

Reference Sources

1. Blackett-Ord, Carol. "George Percy Jacomb-Hood". Biographies. National Portrait Gallery, London. Retrieved 27 October 2015.

2. "History of ownership of Bardon Park - Bardon Park Chapel". Archived from the original on 5 September 2011. Retrieved 22 December 2015.

3. "Rob

Height
49.5cm (19.49")
Width
39cm (15.35")
Depth
3cm (1.18")
Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Victorian Portrait Oil Painting to the Victorian era.

Reference Numbers
Sellingantiques Ref
SA992902
Dealers Internal Ref
462
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

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You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame.
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Archive I A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame.

Oil Painting Young Lady in Blue Dress Signed George Percy Jacomb-hood

Archive II A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View II
Archive III A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View III
Archive IV A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View IV
Archive V A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View V
Archive VI A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View VI
Archive VII A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View VII
Archive VIII A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View VIII
Archive IX A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View IX
Archive X A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View X
Archive XI A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XI
Archive XII A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XII
Archive XIII A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XIII
Archive XIV A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XIV
Archive XV A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XV
Archive XVI A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XVI
Archive XVII A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XVII
Archive XVIII A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XVIII
Archive XIX A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XIX
Archive XX A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XX
Archive XXI A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XXI
Archive XXII A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XXII
Archive XXIII A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XXIII
Archive XXIV A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XXIV
Archive XXV A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XXV
Archive XXVI A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XXVI
Archive XXVII A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XXVII
Archive XXVIII A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XXVIII
Archive XXIX A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XXIX
Archive XXX A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame. View XXX
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Cheshire Antiques Consultant Ltd
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Verified
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Sold
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A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame.
Oil Painting Young Lady In Blue Dress Signed George Percy Jacomb-Hood
Ref: SA992902
A Victorian portrait painting of a young female wearing a ruffled collar and blue dress, presented in an ornate gilded frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Victorian portrait paintings are defined by realistic representation of the sitter, structured composition, and naturalistic lighting effects. Artists from this era often depicted subjects in contemporary attire against muted backgrounds to emphasise facial expression and character.

These portraits were primarily executed using oil paint on stretched linen canvas or wooden panel. Framing typically involved sculpted gesso over wood finished with applied gold leaf gilding.

Authenticity can be verified by inspecting natural age-related craquelure across the paint surface, period canvas stretchers, and historic frame construction. Signatures near the margins and natural wood oxidisation on the reverse also signal period origin.

A gilt-framed portrait can serve as a focal point above a fireplace mantel or console table, creating visual contrast against contemporary wall colours. It can also be integrated into a curated gallery wall alongside complementary artwork.

Dust the frame and canvas gently with a soft, dry brush, avoiding chemical cleaners or liquid solutions. Keep the painting away from direct sunlight and areas of fluctuating humidity to prevent canvas movement and paint flaking.
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