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Portrait of Elizabeth Curteis (Nee Papillon), 1748, by George Knapton.
Roy Precious - Antiques & Fine Art
for sale €12,812     $13,907
£10,950
Roy Precious - Antiques & Fine Art

Roy Precious - Antiques & Fine Art

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    Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.
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Portrait of Elizabeth Curteis (Nee Papillon), 1748, by George Knapton.

18th century
Description

A high quality oil on canvas in the original fine carved and giltwood frame. Almost certainly painted on the occasion of Elizabeth's marriage .

This portrait is a good example of Knapton's best work, perceptive and insightful of the character of the attractive young sitter.

The dress would have been painted by Joseph van Aken, the noted specialist drapery painter. Drapery painters were specialist painters who completed the dress, costumes and other accessories worn by the subjects of portrait paintings. They worked for portrait painters with a large clientele. Van Aken was recognised as one of the foremost drapery painters active in mid-18th-century England and was employed in that capacity by many leading and lesser known portrait painters of his time.

ElLIZABETH PAPILLON was born in 1724 and baptised on the 11th October, 1724 at St. Martin's Church, Acrise, Kent, England. She was the daughter of David Papillon (Fellow of the Royal Society and Member of Parliament) and Mary Keyser.

On the 18 Apr 1748 Rev. Thomas Curteis, Clerk, Rector of Sevenoaks, Kent, widower, (aged 30) married Elizabeth Papillon (aged 23) in the Diocese of Rochester, Kent, England.

A memorial on the floor of Sevenoaks Church, in black marble: "Beneath this marble are deposited the remains of the Rev'd Thomas Curteis, D.D. Who departed this life April the 27th, 1775, aged 69.”

“Likewise of Elizabeth his wife, who departed this life Sept. 1st 1786, Aged 62. Also the remains of Ann their Daughter, who died March 24th 1763, Aged 5 years and 8 months."

GEORGE KNAPTON (1668-1778) was an English portrait painter and the first portraitist for the Society of Dilettanti in the 1740s. He became Surveyor and Keeper of the King's Pictures from 1765 to 1778.

Knapton's largest painting was that of The Family of Frederick, Prince of Wales (1751, Royal Collection). He also painted portraits of the Earl of Upper Ossory (with his brother and sister), the Earl of Burlington, Admiral Sir John Norris, Francis, Fifth Duke of Leeds, Admiral George Vandeput, Archibald Bower, Nicolas Tindal, Hildebrand Jacob, Admiral Edward Hawke, and the singers Carestini and Lisabetta du Parc. For his portraits, he employed the specialist drapery painter Joseph Van Aken to paint the dresses and costumes of his sitters.

SIZE:38 x 32 inches including the frame.

PROVENANCE: From a Private Collection in France. The owner had bought the portrait at auction (Stephen Weisz) in Johannesburg; it had been consigned by a member of the Curteis family who lived in the area.

Physical Dimensions
Height
96.5cm (37.99")
Width
81cm (31.89")
Depth
6cm (2.36")
Declaration

Roy Precious - Antiques & Fine Art has dated this Georgian Oil Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA989069
Dealers Internal Reference
9305
Description
A high quality oil on canvas in the original fine carved and giltwood frame. Almost certainly painted on the occasion of Elizabeth's marriage .
This portrait is a good example of Knapton's best work, perceptive and insightful of the character of the attractive young sitter.
Roy Precious - Antiques & Fine Art
fig 1. An 18th-century oil portrait of a woman in a pink and white dress set within a feigned oval and enclosed by a gold carved giltwood frame.
fig 1. Portrait of Elizabeth Curteis (Nee Papillon), 1748, by George Knapton.

The dress would have been painted by Joseph van Aken, the noted specialist drapery painter. Drapery painters were specialist painters who completed the dress, costumes and other accessories worn by the subjects of portrait paintings. They worked for portrait painters with a large clientele. Van Aken was recognised as one of the foremost drapery painters active in mid-18th-century England and was employed in that capacity by many leading and lesser known portrait painters of his time.

fig 2. An 18th-century oil portrait of a woman in a pink and white dress set within a feigned oval and enclosed by a gold carved giltwood frame.
fig 2. Portrait of Elizabeth Curteis (Nee Papillon), 1748, by George Knapton.

ElLIZABETH PAPILLON was born in 1724 and baptised on the 11th October, 1724 at St. Martin's Church, Acrise, Kent, England. She was the daughter of David Papillon (Fellow of the Royal Society and Member of Parliament) and Mary Keyser.

fig 3. An 18th-century oil portrait of a woman in a pink and white dress set within a feigned oval and enclosed by a gold carved giltwood frame.
fig 3. Portrait of Elizabeth Curteis (Nee Papillon), 1748, by George Knapton.

On the 18 Apr 1748 Rev. Thomas Curteis, Clerk, Rector of Sevenoaks, Kent, widower, (aged 30) married Elizabeth Papillon (aged 23) in the Diocese of Rochester, Kent, England.

A memorial on the floor of Sevenoaks Church, in black marble: "Beneath this marble are deposited the remains of the Rev'd Thomas Curteis, D.D. Who departed this life April the 27th, 1775, aged 69.”

fig 4. An 18th-century oil portrait of a woman in a pink and white dress set within a feigned oval and enclosed by a gold carved giltwood frame.
fig 4. Portrait of Elizabeth Curteis (Nee Papillon), 1748, by George Knapton.

“Likewise of Elizabeth his wife, who departed this life Sept. 1st 1786, Aged 62. Also the remains of Ann their Daughter, who died March 24th 1763, Aged 5 years and 8 months."

GEORGE KNAPTON (1668-1778) was an English portrait painter and the first portraitist for the Society of Dilettanti in the 1740s. He became Surveyor and Keeper of the King's Pictures from 1765 to 1778.

Knapton's largest painting was that of The Family of Frederick, Prince of Wales (1751, Royal Collection). He also painted portraits of the Earl of Upper Ossory (with his brother and sister), the Earl of Burlington, Admiral Sir John Norris, Francis, Fifth Duke of Leeds, Admiral George Vandeput, Archibald Bower, Nicolas Tindal, Hildebrand Jacob, Admiral Edward Hawke, and the singers Carestini and Lisabetta du Parc. For his portraits, he employed the specialist drapery painter Joseph Van Aken to paint the dresses and costumes of his sitters.

SIZE:38 x 32 inches including the frame.

PROVENANCE: From a Private Collection in France. The owner had bought the portrait at auction (Stephen Weisz) in Johannesburg; it had been consigned by a member of the Curteis family who lived in the area.

Height
96.5cm (37.99")
Width
81cm (31.89")
Depth
6cm (2.36")
Date of Manufacture

Roy Precious - Antiques & Fine Art has dated this Georgian Oil Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA989069
Dealers Internal Ref
9305
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

Dealer Profile

You can view the stock and full dealer information on the Roy Precious - Antiques & Fine Art Profile Page

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An 18th-century oil portrait of a woman in a pink and white dress set within a feigned oval and enclosed by a gold carved giltwood frame.
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Archive I An 18th-century oil portrait of a woman in a pink and white dress set within a feigned oval and enclosed by a gold carved giltwood frame.

Portrait of Elizabeth Curteis (Nee Papillon), 1748, by George Knapton.

Archive II An 18th-century oil portrait of a woman in a pink and white dress set within a feigned oval and enclosed by a gold carved giltwood frame. View II
Archive III An 18th-century oil portrait of a woman in a pink and white dress set within a feigned oval and enclosed by a gold carved giltwood frame. View III
Archive IV An 18th-century oil portrait of a woman in a pink and white dress set within a feigned oval and enclosed by a gold carved giltwood frame. View IV
Archive V An 18th-century oil portrait of a woman in a pink and white dress set within a feigned oval and enclosed by a gold carved giltwood frame. View V
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Roy Precious - Antiques & Fine Art
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An 18th-century oil portrait of a woman in a pink and white dress set within a feigned oval and enclosed by a gold carved giltwood frame.
Portrait of Elizabeth Curteis (nee Papillon), 1748, by George Knapton.
Ref: SA989069
An 18th-century oil portrait of a woman in a pink and white dress set within a feigned oval and enclosed by a gold carved giltwood frame.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Georgian portraiture from the 18th century is characterised by formal compositions, subtle light modelling, and detailed representation of contemporary attire, frequently rendered within a painted feigned oval border.

Artists used hand-ground oil pigments applied to stretched flax or linen canvas, which were typically housed within hand-carved wooden frames finished with gold leaf water gilding.

Authentic period works feature natural craquelure across the paint layer, aged stretcher bars, hand-forged securing tacks, and historical wear or oxidisation to the frame gilding.

A historical oil portrait functions as a primary focal point when positioned above a fireplace mantelpiece or sideboard, establishing contrast alongside contemporary or traditional furnishings.

Display the canvas away from direct sunlight, dampness, and active heat sources. Gently dust the giltwood frame with a dry brush and engage a professional art conservator for surface cleaning.
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