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Frank Owen Salisbury 1874 -1962 " Friends" a Young Boy in Van Dyck Dress Holding His Cavalier King Charles Spaniel on the Reverse "Friends"
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for sale €4,446     $4,826
£3,800

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Frank Owen Salisbury 1874 -1962 " Friends" a Young Boy in Van Dyck Dress Holding His Cavalier King Charles Spaniel on the Reverse "Friends"

1900 - 1920
For Sale by Artware Fineart
Description

Frank Owen Salisbury 1874 -1962

" Friends" a Young Boy in Van Dyck dress holding his Cavalier King Charles Spaniel

on the reverse "Friends"

oil on canvas

75 x 60 cm

Provenance

From the artists estate

Notes

Frank Owen Salisbury was a well known and much admired artist in the early 20th century, It is for portraiture that he is best known. His speed in producing portraits stemmed from his painting his own twin daughters every morning for an hour and his career began with child portraiture and his painting the Hertfordshire gentry and members of the Harpenden Methodist Church. He had a studio at his home, Sarum Chase.This portrait of a young boy in Vandyck Dress pays homage to Sir Joshua Reynolds who also painted children and in partucular children with their dogs.

Artist biography

Francis Owen Salisbury (18 December 1874 – 31 August 1962) was an English artist who specialised in portraits, large canvases of historical and ceremonial events, stained glass and book illustration. In his heyday he made a fortune on both sides of the Atlantic and was known as "Britain’s Painter Laureate". His art was steadfastly conservative and he was a vitriolic critic of Modern Art – particularly of his contemporaries Picasso, Chagall and Mondrian.

Salisbury was born on 18 December 1874 at Harpenden, Hertfordshire. His father was Henry Salisbury, a plumber and glazier, and his mother was Susan Hawes. One of 11 children, Salisbury was such a delicate child that he was educated at home, in the main by his student teacher sister, Emilie. He had only a few weeks formal schooling and began work by repairing bicycles at his father’s Cycle Depot in Harpenden.

Uncertain as to his ability to find and maintain a job, the family determined that he be apprenticed, at the age of 15, to Henry James Salisbury, his eldest brother, who managed a major stained glass company in Alma Road, St Albans. He rapidly acquired all the practical skills of a stained glass artist and exhibited exceptional skills in the painterly detail that was applied to glass before its final firing. This led to his brother sponsoring him to attend Heatherley’s School of Art three days a week to further a career in painting.

He then won a scholarship to the Royal Academy Schools which he attended for five years and where he won two silver medals and two scholarships, including the Landseer scholarship which funded his to travel to Italy in 1896.In due course he would have seventy exhibits accepted for the annual Royal Academy Summer Exhibitions, from 1899 until 1943, though he was never offered membership, which reportedly disappointed him very much.

Francis Owen Salisbury Headstone, St Nicholas Churchyard, Harpenden.

In 1901 he married Alice Maude (d. 1951), daughter of C. Colmer Greenwood, with whom he had several children, including twin daughters Monica and Sylvia. His first Royal Academy exhibit was a portrait of Alice and he often painted pictures of their children.

Salisbury died on 31 August 1962 at Sarum Chase, the neo-Tudor mansion he built, in 1932, in Hampstead, London. He is buried in a rather unassuming grave, with his baby daughter Elaine Maude and his wife, in St Nicholas Churchyard, Harpenden.

A providential meeting with Lord Wakefield, founder of Castrol Oils and a Methodist philanthropist, saw his introduction to society portraiture. Salisbury’s being selected to paint the Boy Cornwell in the Battle of Jutland then brought him to the notice of Royalty. Lord Wakefield then arranged for him to paint President Woodrow Wilson whilst he was in London, but Wilson departed for Paris and the opportunity was lost. It was to be John W. Davis, American Ambassador to London, who encouraged Salisbury to go to the USA; Davis had met Salisbury at art receptions and had admired his child portraits.

Twenty-five members of the Royal House of

Physical Dimensions
Height
75cm (29.53")
Width
60cm (23.62")
Depth
2cm (0.79")
Declaration

Artware Fineart has dated this Antique Portrait Oil Painting to the 1920s.

Reference Numbers
Sellingantiques Reference
SA984876
Dealers Internal Reference
4784
Description
Frank Owen Salisbury 1874 -1962

" Friends" a Young Boy in Van Dyck dress holding his Cavalier King Charles Spaniel

on the reverse "Friends"

oil on canvas

75 x 60 cm

Provenance

From the artists estate

Notes

Frank Owen Salisbury was a well known and much admired artist in the early 20th century, It is for portraiture that he is best known.
Artware Fineart

His speed in producing portraits stemmed from his painting his own twin daughters every morning for an hour and his career began with child portraiture and his painting the Hertfordshire gentry and members of the Harpenden Methodist Church. He had a studio at his home, Sarum Chase.This portrait of a young boy in Vandyck Dress pays homage to Sir Joshua Reynolds who also painted children and in partucular children with their dogs.

fig 1. An oil painting depicting a young boy in a dark garment with a white lace collar embracing a Cavalier King Charles Spaniel.
fig 1. Frank Owen Salisbury 1874 -1962 " Friends" a Young Boy in Van Dyck Dress Holding His Cavalier King Charles Spaniel on the Reverse "Friends"

Artist biography

Francis Owen Salisbury (18 December 1874 – 31 August 1962) was an English artist who specialised in portraits, large canvases of historical and ceremonial events, stained glass and book illustration. In his heyday he made a fortune on both sides of the Atlantic and was known as "Britain’s Painter Laureate". His art was steadfastly conservative and he was a vitriolic critic of Modern Art – particularly of his contemporaries Picasso, Chagall and Mondrian.

fig 2. An oil painting depicting a young boy in a dark garment with a white lace collar embracing a Cavalier King Charles Spaniel.
fig 2. Frank Owen Salisbury 1874 -1962 " Friends" a Young Boy in Van Dyck Dress Holding His Cavalier King Charles Spaniel on the Reverse "Friends"

Salisbury was born on 18 December 1874 at Harpenden, Hertfordshire. His father was Henry Salisbury, a plumber and glazier, and his mother was Susan Hawes. One of 11 children, Salisbury was such a delicate child that he was educated at home, in the main by his student teacher sister, Emilie. He had only a few weeks formal schooling and began work by repairing bicycles at his father’s Cycle Depot in Harpenden.

fig 3. An oil painting depicting a young boy in a dark garment with a white lace collar embracing a Cavalier King Charles Spaniel.
fig 3. Frank Owen Salisbury 1874 -1962 " Friends" a Young Boy in Van Dyck Dress Holding His Cavalier King Charles Spaniel on the Reverse "Friends"

Uncertain as to his ability to find and maintain a job, the family determined that he be apprenticed, at the age of 15, to Henry James Salisbury, his eldest brother, who managed a major stained glass company in Alma Road, St Albans. He rapidly acquired all the practical skills of a stained glass artist and exhibited exceptional skills in the painterly detail that was applied to glass before its final firing. This led to his brother sponsoring him to attend Heatherley’s School of Art three days a week to further a career in painting.

fig 4. An oil painting depicting a young boy in a dark garment with a white lace collar embracing a Cavalier King Charles Spaniel.
fig 4. Frank Owen Salisbury 1874 -1962 " Friends" a Young Boy in Van Dyck Dress Holding His Cavalier King Charles Spaniel on the Reverse "Friends"

He then won a scholarship to the Royal Academy Schools which he attended for five years and where he won two silver medals and two scholarships, including the Landseer scholarship which funded his to travel to Italy in 1896.In due course he would have seventy exhibits accepted for the annual Royal Academy Summer Exhibitions, from 1899 until 1943, though he was never offered membership, which reportedly disappointed him very much.

Francis Owen Salisbury Headstone, St Nicholas Churchyard, Harpenden.

In 1901 he married Alice Maude (d. 1951), daughter of C. Colmer Greenwood, with whom he had several children, including twin daughters Monica and Sylvia. His first Royal Academy exhibit was a portrait of Alice and he often painted pictures of their children.

Salisbury died on 31 August 1962 at Sarum Chase, the neo-Tudor mansion he built, in 1932, in Hampstead, London. He is buried in a rather unassuming grave, with his baby daughter Elaine Maude and his wife, in St Nicholas Churchyard, Harpenden.

A providential meeting with Lord Wakefield, founder of Castrol Oils and a Methodist philanthropist, saw his introduction to society portraiture. Salisbury’s being selected to paint the Boy Cornwell in the Battle of Jutland then brought him to the notice of Royalty. Lord Wakefield then arranged for him to paint President Woodrow Wilson whilst he was in London, but Wilson departed for Paris and the opportunity was lost. It was to be John W. Davis, American Ambassador to London, who encouraged Salisbury to go to the USA; Davis had met Salisbury at art receptions and had admired his child portraits.

Twenty-five members of the Royal House of

Height
75cm (29.53")
Width
60cm (23.62")
Depth
2cm (0.79")
Date of Manufacture

Artware Fineart has dated this Antique Portrait Oil Painting to the 1920s.

Reference Numbers
Sellingantiques Ref
SA984876
Dealers Internal Ref
4784
Artware Fineart
Sellingantiques verified Since Sep 2008
Dealer Profile

You can view the stock and full dealer information on the Artware Fineart Profile Page

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An oil painting depicting a young boy in a dark garment with a white lace collar embracing a Cavalier King Charles Spaniel.
1 / 5
Archive I An oil painting depicting a young boy in a dark garment with a white lace collar embracing a Cavalier King Charles Spaniel.

Frank Owen Salisbury 1874 -1962 " Friends" a Young Boy in Van Dyck Dress Holding His Cavalier King Charles Spaniel on the Reverse "Friends"

Archive II An oil painting depicting a young boy in a dark garment with a white lace collar embracing a Cavalier King Charles Spaniel. View II
Archive III An oil painting depicting a young boy in a dark garment with a white lace collar embracing a Cavalier King Charles Spaniel. View III
Archive IV An oil painting depicting a young boy in a dark garment with a white lace collar embracing a Cavalier King Charles Spaniel. View IV
Archive V An oil painting depicting a young boy in a dark garment with a white lace collar embracing a Cavalier King Charles Spaniel. View V
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An oil painting depicting a young boy in a dark garment with a white lace collar embracing a Cavalier King Charles Spaniel.
Frank Owen Salisbury 1874 -1962 " Friends" a Young Boy in Van Dyck dress holding his Cavalier King Charles Spaniel on the reverse "Friends"
Ref: SA984876
An oil painting depicting a young boy in a dark garment with a white lace collar embracing a Cavalier King Charles Spaniel.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Traditional British portraiture frequently depicted children alongside domestic animals to symbolise innocence, companionship, and fidelity. Artists often dressed sitters in historic costumes, such as Van Dyck dress, to bestow a timeless quality upon the composition.

Historic oil portraits were created using oil-based pigments applied to stretched flax linen or cotton canvas. Artists built up layers using glazes and varnishes to enhance colour richness and protect the paint surface.

Authentic oil paintings from this era typically exhibit natural craquelure, age-appropriate oxidation of the varnish layer, and era-specific canvas weave or stretcher key construction. Artist signatures or inscriptions on the canvas reverse provide further verification.

A dark oil portrait functions as a focal point above a fireplace mantelpiece or console table. Hanging classic portraiture alongside contemporary line drawings or modern minimalist furniture creates compelling visual contrast.

Oil paintings should be displayed away from direct sunlight, radiator heat, and humid environments. Dust the surface gently using a clean, soft camel-hair brush, and consult a professional restorer for varnish cleaning or structural repairs.
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