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James Bertrand ( 1823 – 1887 ) Oil Painting
Country Homes Antiques Stirling
for sale €1,006     $1,092
£860
Country Homes Antiques Stirling

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James Bertrand ( 1823 – 1887 ) Oil Painting

19th century
Description

JAMES BERTRAND ( 1823 – 1887 ) Oil on panel

A very beautiful signed oil on canvas by the important French painter James Baptist Bertrand. This work is signed lower left and dated 1869 and depicts two lovers peering thorugh a window in to a building. The work is on canvas and has been laid to board and has a little restoration to the surface. The work is in its original frame.

Title: “Lovers peering through a window”

Signature: Signed lower left and dated 1869

Medium: Oil on canvas laid on board

Provenance: Private UK collection

Size: c. 15 x 7 inches unframed / 23 x 15 inches framed

Condition: Some small retouching – laid to board in original frame. Frame under restoration. Sold as restored.

Born 25 March 1823, in Lyons; died 26 September 1887, in Orsay.

Painter, fresco artist, engraver. Religious subjects, historical subjects, mythological subjects, figures, genre scenes, interiors with figures, landscapes with figures, landscapes. Church decoration.

Jean Baptiste Bertrand, called James, was a pupil of Bonnefond at the École des Beaux-Arts, Lyons, between 1839 and 1841, and then of A. Périn at the École des Beaux-Arts, Paris, in 1842 and 1843. Between 1857 and 1862 he lived in Italy, where he became friends with Carpeaux, Falguière and Clésinger. He exhibited at the salon from 1857, and won a third-class medal in 1861 and 1863, and a medal in 1869.

After his stay in Italy his style changed, no doubt as a result of his friendships with the sculptors. His forms are modelled more firmly, even if his drawing is less vigorous, and his use of colour is bolder and more flexible. Phrynius at the Eleusinian Mysteries, which he sent to the salon in 1866, is representative of this style. From 1867 he painted a series of graceful pictures depicting great heroines of history and the novel, usually at their moment of death: Death of Sappho 1867; Death of Virginia 1869; Marguerite and Death of Manon Lescaut 1870; Death of Ophelia 1872; Romeo and Juliet 1874; Madeleine 1875; Charlotte Corday’s Last Day 1883. Several of his works became more popular by being engraved. For nearly 12 years he collaborated with his teachers Orsel and Périn in painting the frescoes of Notre-Dame-de-Lorette, Paris. He also painted The Childhood of the Virgin in St-Louis d’Antin.

Museum and Gallery Holdings

Antwerp: Know Thyself

Bordeaux: Feeling the Cold

Caen: Cinderella

Châteauroux: Death of the Virgin

Lyons: Conversion of St Thais; Christians Pulling the Bodies of Martyrs from the Tiber; The Brothers of Death Taking Away the Body of an Assassinated Man in the Roman Campagna

Montpellier: Too Small

Orléans: The Chaussards in the Roman Campagna

Paris (former Mus. du Luxembourg): Death of Virginia

St-Étienne: Acis and Galatea

Auction Records

Paris, 28 Oct 1943: Near Chatou, FRF 2,100

Paris, 10 May 1944: Collecting Flowers, FRF 1,850; Mignon, FRF 3,000

London, 24 June 1981: Jewel Box (1869, oil on canvas, 36¾ × 18 ins/93.5 × 46 cm) GBP 500

New York, 9 Feb 1999: Day of the Regatta (1901, oil on canvas, 25 × 39 ins/63 × 99 cm) USD 8,500

New York, 2 Nov 1999: Aurora (oil on canvas, 89 × 40 ins/226 × 102 cm) USD 150,000

Pittsfield, 12 May 2001: Death of Virginia (1869, oil on canvas, 22 × 46 ins/56 × 117 cm) USD 13,000

Paris, 5 April 2002: The Wait (oil on canvas, 23 × 17 ins/59 × 42 cm) EUR 3,050

Physical Dimensions
Height
58.4cm (22.99")
Width
38cm (14.96")
Depth
7cm (2.76")
Declaration

Country Homes Antiques Stirling has dated this 19th Century Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA965879
Dealers Notes

500 pieces of quality antique furniture at Country Homes Antiques Stirling Scotland. View website. Trade welcome

Plus BenView garden centre authentic general antiques shop, carrying around 400 select and rare antique items. Selected by Andrew Christie former Fine Arts Auctioneer.

Description
JAMES BERTRAND ( 1823 – 1887 ) Oil on panel

A very beautiful signed oil on canvas by the important French painter James Baptist Bertrand.

This work is signed lower left and dated 1869 and depicts two lovers peering thorugh a window in to a building.
Country Homes Antiques Stirling

The work is on canvas and has been laid to board and has a little restoration to the surface. The work is in its original frame.

fig 1. A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him.
fig 1. James Bertrand ( 1823 – 1887 ) Oil Painting

Title: “Lovers peering through a window”

Signature: Signed lower left and dated 1869

Medium: Oil on canvas laid on board

Provenance: Private UK collection

Size: c. 15 x 7 inches unframed / 23 x 15 inches framed

fig 2. A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him.
fig 2. James Bertrand ( 1823 – 1887 ) Oil Painting

Condition: Some small retouching – laid to board in original frame. Frame under restoration. Sold as restored.

Born 25 March 1823, in Lyons; died 26 September 1887, in Orsay.

Painter, fresco artist, engraver. Religious subjects, historical subjects, mythological subjects, figures, genre scenes, interiors with figures, landscapes with figures, landscapes. Church decoration.

fig 3. A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him.
fig 3. James Bertrand ( 1823 – 1887 ) Oil Painting

Jean Baptiste Bertrand, called James, was a pupil of Bonnefond at the École des Beaux-Arts, Lyons, between 1839 and 1841, and then of A. Périn at the École des Beaux-Arts, Paris, in 1842 and 1843. Between 1857 and 1862 he lived in Italy, where he became friends with Carpeaux, Falguière and Clésinger. He exhibited at the salon from 1857, and won a third-class medal in 1861 and 1863, and a medal in 1869.

fig 4. A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him.
fig 4. James Bertrand ( 1823 – 1887 ) Oil Painting

After his stay in Italy his style changed, no doubt as a result of his friendships with the sculptors. His forms are modelled more firmly, even if his drawing is less vigorous, and his use of colour is bolder and more flexible. Phrynius at the Eleusinian Mysteries, which he sent to the salon in 1866, is representative of this style. From 1867 he painted a series of graceful pictures depicting great heroines of history and the novel, usually at their moment of death: Death of Sappho 1867; Death of Virginia 1869; Marguerite and Death of Manon Lescaut 1870; Death of Ophelia 1872; Romeo and Juliet 1874; Madeleine 1875; Charlotte Corday’s Last Day 1883. Several of his works became more popular by being engraved. For nearly 12 years he collaborated with his teachers Orsel and Périn in painting the frescoes of Notre-Dame-de-Lorette, Paris. He also painted The Childhood of the Virgin in St-Louis d’Antin.

fig 5. A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him.
fig 5. James Bertrand ( 1823 – 1887 ) Oil Painting

Museum and Gallery Holdings

Antwerp: Know Thyself

Bordeaux: Feeling the Cold

Caen: Cinderella

Châteauroux: Death of the Virgin

Lyons: Conversion of St Thais; Christians Pulling the Bodies of Martyrs from the Tiber; The Brothers of Death Taking Away the Body of an Assassinated Man in the Roman Campagna

fig 6. A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him.
fig 6. James Bertrand ( 1823 – 1887 ) Oil Painting

Montpellier: Too Small

Orléans: The Chaussards in the Roman Campagna

Paris (former Mus. du Luxembourg): Death of Virginia

St-Étienne: Acis and Galatea

Auction Records

Paris, 28 Oct 1943: Near Chatou, FRF 2,100

fig 7. A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him.
fig 7. James Bertrand ( 1823 – 1887 ) Oil Painting

Paris, 10 May 1944: Collecting Flowers, FRF 1,850; Mignon, FRF 3,000

London, 24 June 1981: Jewel Box (1869, oil on canvas, 36¾ × 18 ins/93.5 × 46 cm) GBP 500

New York, 9 Feb 1999: Day of the Regatta (1901, oil on canvas, 25 × 39 ins/63 × 99 cm) USD 8,500

fig 8. A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him.
fig 8. James Bertrand ( 1823 – 1887 ) Oil Painting

New York, 2 Nov 1999: Aurora (oil on canvas, 89 × 40 ins/226 × 102 cm) USD 150,000

Pittsfield, 12 May 2001: Death of Virginia (1869, oil on canvas, 22 × 46 ins/56 × 117 cm) USD 13,000

Paris, 5 April 2002: The Wait (oil on canvas, 23 × 17 ins/59 × 42 cm) EUR 3,050

Height
58.4cm (22.99")
Width
38cm (14.96")
Depth
7cm (2.76")
Date of Manufacture

Country Homes Antiques Stirling has dated this 19th Century Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA965879
Country Homes Antiques Stirling
Country Homes Antiques Stirling
Sellingantiques verified Since Nov 2016

Fine period furniturnishings-timeless design

Dealer Profile

You can view the stock and full dealer information on the Country Homes Antiques Stirling Profile Page

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A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him.
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Archive I A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him.

James Bertrand ( 1823 – 1887 ) Oil Painting

Archive II A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him. View II
Archive III A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him. View III
Archive IV A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him. View IV
Archive V A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him. View V
Archive VI A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him. View VI
Archive VII A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him. View VII
Archive VIII A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him. View VIII
Archive IX A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him. View IX
Archive X A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him. View X
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A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him.
JAMES BERTRAND ( 1823 – 1887 ) Oil painting
Ref: SA965879
A 19th-century vertical oil painting depicting a man reaching towards a shuttered window while a woman in a green dress embraces him.
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

19th-century French academic art is defined by adherence to traditional standards of composition, draughtsmanship, and narrative subjects depicting historical or genre scenes.

Artists commonly used oil-based pigments applied to stretched linen canvas or rigid wooden panels, which were prepared with a gesso ground layer prior to painting.

Authentic works from this period typically display age-appropriate craquelure across the paint surface, historic varnish discolouration, period stretcher construction, and authentic signatures.

A vertical figurative oil painting can be installed on a narrow feature wall, above a console table, or framed within traditional wall moulding to create a focal point.

Keep the painting away from direct sunlight, heating sources, and fluctuating humidity levels, clean the surface only with a dry soft brush, and consult a qualified conservator for restoration.
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