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Portrait of a Member of the Cocks/woodroffe Family C.1710; Attributed to Hans Hysing.
Roy Precious - Antiques & Fine Art
for sale €4,622     $5,017
£3,950
Roy Precious - Antiques & Fine Art

Roy Precious - Antiques & Fine Art

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    Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.
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Portrait of a Member of the Cocks/woodroffe Family C.1710; Attributed to Hans Hysing.

18th century
Description

Oil on canvas in a good early 19th century frame. In the background a faint rural scene of woodland.

This is a charming portrait of a young lady, painted in Hysing's direct but informal style, very similar to his master Michael Dahl.

The sitter has been called Margaret Woodroffe, nee Cocks, but the portrait style and clothing are too early for that. Margaret Cocks was born in 1739, married Solomon Woodroffe in 1757, and died in 1809. It is possible that this was her mother.

VERSO: a handwritten label by a member of the family that includes the words 'Her son, Thomas Woodroffe was Aunts Gilbert's Father. Aunt Gilbert was our great great Aunt."

This 'skipping' of a generation or two is quite common in family histories which are often passed on with no serious research.

Regardless of the sitter's exact identity, this is a good portrait, typical of the artist and of its time.

HANS HYSING or Huyssing (1678-1752/1753), born at Stockholm in Sweden. He came to England in 1700 as assistant to his fellow Swede Michael Dahl, the portrait-painter, with whom he lived for many years.

He succeeded after Dahl's death to his practice, and adopted his manner. He was patronised by the family of George II, and painted the queen, the three royal princesses, and George III as a boy.

Many of his portraits, including Sir Robert Walpole, the speaker Arthur Onslow, Dr. John Theophilus Desaguliers, James Gibbs (the architect), were engraved in mezzotint by John Faber (1695-1756), and others. George Vertue describes portraits by him of the French engraver Joseph Goupy as 'well painted, much in Mr. Dahl's later manner.'

SIZE: 36 x 30.5 inches, including the frame.

PROVENANCE: By family descent, then to a private Westmoreland collection.

Physical Dimensions
Height
91.5cm (36.02")
Width
77.5cm (30.51")
Depth
6.5cm (2.56")
Declaration

Roy Precious - Antiques & Fine Art has dated this 18th Century Oil Portrait to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA874793
Dealers Internal Reference
9259/6
Description
Oil on canvas in a good early 19th century frame. In the background a faint rural scene of woodland.
This is a charming portrait of a young lady, painted in Hysing's direct but informal style, very similar to his master Michael Dahl.
Roy Precious - Antiques & Fine Art
fig 1. An early 18th-century oil portrait of a woman in a blue dress featuring a gold leaf wood frame.
fig 1. Portrait of a Member of the Cocks/woodroffe Family C.1710; Attributed to Hans Hysing.

The sitter has been called Margaret Woodroffe, nee Cocks, but the portrait style and clothing are too early for that. Margaret Cocks was born in 1739, married Solomon Woodroffe in 1757, and died in 1809. It is possible that this was her mother.

fig 2. An early 18th-century oil portrait of a woman in a blue dress featuring a gold leaf wood frame.
fig 2. Portrait of a Member of the Cocks/woodroffe Family C.1710; Attributed to Hans Hysing.

VERSO: a handwritten label by a member of the family that includes the words 'Her son, Thomas Woodroffe was Aunts Gilbert's Father. Aunt Gilbert was our great great Aunt."

This 'skipping' of a generation or two is quite common in family histories which are often passed on with no serious research.

fig 3. An early 18th-century oil portrait of a woman in a blue dress featuring a gold leaf wood frame.
fig 3. Portrait of a Member of the Cocks/woodroffe Family C.1710; Attributed to Hans Hysing.

Regardless of the sitter's exact identity, this is a good portrait, typical of the artist and of its time.

HANS HYSING or Huyssing (1678-1752/1753), born at Stockholm in Sweden. He came to England in 1700 as assistant to his fellow Swede Michael Dahl, the portrait-painter, with whom he lived for many years.

fig 4. An early 18th-century oil portrait of a woman in a blue dress featuring a gold leaf wood frame.
fig 4. Portrait of a Member of the Cocks/woodroffe Family C.1710; Attributed to Hans Hysing.

He succeeded after Dahl's death to his practice, and adopted his manner. He was patronised by the family of George II, and painted the queen, the three royal princesses, and George III as a boy.

Many of his portraits, including Sir Robert Walpole, the speaker Arthur Onslow, Dr. John Theophilus Desaguliers, James Gibbs (the architect), were engraved in mezzotint by John Faber (1695-1756), and others. George Vertue describes portraits by him of the French engraver Joseph Goupy as 'well painted, much in Mr. Dahl's later manner.'

SIZE: 36 x 30.5 inches, including the frame.

PROVENANCE: By family descent, then to a private Westmoreland collection.

Height
91.5cm (36.02")
Width
77.5cm (30.51")
Depth
6.5cm (2.56")
Date of Manufacture

Roy Precious - Antiques & Fine Art has dated this 18th Century Oil Portrait to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA874793
Dealers Internal Ref
9259/6
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

Dealer Profile

You can view the stock and full dealer information on the Roy Precious - Antiques & Fine Art Profile Page

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An early 18th-century oil portrait of a woman in a blue dress featuring a gold leaf wood frame.
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Archive I An early 18th-century oil portrait of a woman in a blue dress featuring a gold leaf wood frame.

Portrait of a Member of the Cocks/woodroffe Family C.1710; Attributed to Hans Hysing.

Archive II An early 18th-century oil portrait of a woman in a blue dress featuring a gold leaf wood frame. View II
Archive III An early 18th-century oil portrait of a woman in a blue dress featuring a gold leaf wood frame. View III
Archive IV An early 18th-century oil portrait of a woman in a blue dress featuring a gold leaf wood frame. View IV
Archive V An early 18th-century oil portrait of a woman in a blue dress featuring a gold leaf wood frame. View V
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United Kingdom
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Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Verified Since Mar 2003
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Location: Wiltshire, United Kingdom
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An early 18th-century oil portrait of a woman in a blue dress featuring a gold leaf wood frame.
Portrait of a Member of the Cocks/Woodroffe Family c.1710; Attributed to Hans Hysing.
Ref: SA874793
An early 18th-century oil portrait of a woman in a blue dress featuring a gold leaf wood frame.
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Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Early 18th-century British portraiture often reflects the influence of Baroque aesthetics, characterised by soft lighting, formal posture, and rich drapery. High-status subjects were frequently depicted in vibrant silk attire with muted landscape backgrounds.

Artists utilised hand-ground oil pigments applied to hand-stretched linen or cotton canvas support frames. The finished canvases were housed in carved wooden frames finished with burnished gold leaf gilding.

Authentic works from this period typically exhibit age-appropriate craquelure patterns across the paint layer, stretcher wear lines, and historical frame construction like lap joints or wooden pegs.

Position the framed portrait as a focal point above a contemporary console table or sideboard to create contrast between historical artwork and clean modern lines.

Keep the painting away from direct sunlight, high humidity, and extreme temperature fluctuations. Dust gently with a soft, dry camel-hair brush and consult a professional restorer for surface cleaning or varnish removal.
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