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ID #SA694575
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Bronze of a Faun with the Infant Bacchus
Carlton House Antiques
for sale €6,435     $6,985
£5,500

Carlton House Antiques

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Bronze of a Faun with the Infant Bacchus

19th century
Description

A Bronze of a Faun with the infant Bacchus, by Michele Amodio of Naples (1817-1913) after the antique (circa 1870).

This wonderful, lively group shows the infant Bacchus sitting atop a faun's shoulder.

The young God tempts the faun with a bunch of grapes in one hand, whilst he clutches his hair with the other. On the stump next to his feet lie insignia of the God - the pan pipes, shepherd's staff and a goat skin. The stump is also decorated with grapes and leaves.

The original bronze is a Roman copy of a Greek sculpture carved from marble around 200 BC.

This bronze group was cast towards the end of the 19th century. Bacchus, son of Jupiter, was the Roman God of wine, agriculture and fertility - equivalent to the Greek God Dionysus.

Faun and Satyr are confusing terms of descriptions. Generally fauns are Roman and Satyrs Greek.

Both, Half human and half goat, with large ears, cloven hooves and tails. Even more confusing is that during the Hellenistic period they were portrayed as handsome young men, carefree and romantic. In one form or another the term faun and stayr appear in both Greek and Roman mythology!

The group is in fine original condition with good patination.

Physical Dimensions
Height
74cm (29.13")
Width
19cm (7.48")
Depth
26cm (10.24")
Declaration

Carlton House Antiques has dated this Bronze Faun Bacchus Sculpture to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA694575
Description
A Bronze of a Faun with the infant Bacchus, by Michele Amodio of Naples (1817-1913) after the antique (circa 1870).

This wonderful, lively group shows the infant Bacchus sitting atop a faun's shoulder.

The young God tempts the faun with a bunch of grapes in one hand, whilst he clutches his hair with the other.
Carlton House Antiques

On the stump next to his feet lie insignia of the God - the pan pipes, shepherd's staff and a goat skin. The stump is also decorated with grapes and leaves.

fig 1. A dark patinated bronze sculpture depicting a male faun holding cymbals with the infant Bacchus seated on his shoulders, mounted on a rectangular plinth base.
fig 1. Bronze of a Faun with the Infant Bacchus

The original bronze is a Roman copy of a Greek sculpture carved from marble around 200 BC.

This bronze group was cast towards the end of the 19th century. Bacchus, son of Jupiter, was the Roman God of wine, agriculture and fertility - equivalent to the Greek God Dionysus.

fig 2. A dark patinated bronze sculpture depicting a male faun holding cymbals with the infant Bacchus seated on his shoulders, mounted on a rectangular plinth base.
fig 2. Bronze of a Faun with the Infant Bacchus

Faun and Satyr are confusing terms of descriptions. Generally fauns are Roman and Satyrs Greek.

Both, Half human and half goat, with large ears, cloven hooves and tails. Even more confusing is that during the Hellenistic period they were portrayed as handsome young men, carefree and romantic. In one form or another the term faun and stayr appear in both Greek and Roman mythology!

The group is in fine original condition with good patination.

Height
74cm (29.13")
Width
19cm (7.48")
Depth
26cm (10.24")
Date of Manufacture

Carlton House Antiques has dated this Bronze Faun Bacchus Sculpture to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA694575
Carlton House Antiques
Sellingantiques verified Since Jun 2016
Dealer Profile

You can view the stock and full dealer information on the Carlton House Antiques Profile Page

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A dark patinated bronze sculpture depicting a male faun holding cymbals with the infant Bacchus seated on his shoulders, mounted on a rectangular plinth base.
1 / 6
Archive I A dark patinated bronze sculpture depicting a male faun holding cymbals with the infant Bacchus seated on his shoulders, mounted on a rectangular plinth base.

Bronze of a Faun with the infant Bacchus

Archive II A dark patinated bronze sculpture depicting a male faun holding cymbals with the infant Bacchus seated on his shoulders, mounted on a rectangular plinth base. View II
Archive III A dark patinated bronze sculpture depicting a male faun holding cymbals with the infant Bacchus seated on his shoulders, mounted on a rectangular plinth base. View III
Archive IV A dark patinated bronze sculpture depicting a male faun holding cymbals with the infant Bacchus seated on his shoulders, mounted on a rectangular plinth base. View IV
Archive V A dark patinated bronze sculpture depicting a male faun holding cymbals with the infant Bacchus seated on his shoulders, mounted on a rectangular plinth base. View V
Archive VI A dark patinated bronze sculpture depicting a male faun holding cymbals with the infant Bacchus seated on his shoulders, mounted on a rectangular plinth base. View VI
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Carlton House Antiques
Verified Since Jun 2016
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Location: London, United Kingdom
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A dark patinated bronze sculpture depicting a male faun holding cymbals with the infant Bacchus seated on his shoulders, mounted on a rectangular plinth base.
Bronze of a Faun with the infant Bacchus
Ref: SA694575
A dark patinated bronze sculpture depicting a male faun holding cymbals with the infant Bacchus seated on his shoulders, mounted on a rectangular plinth base.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

During the eighteenth and nineteenth centuries, European travellers on the Grand Tour collected small-scale bronze replicas of classical Greco-Roman sculptures. Scenes featuring fauns and the infant Bacchus were popular motifs derived from classical mythology and ancient Roman statues discovered in Italy.

Classical figural bronzes were traditionally crafted using lost-wax casting (cire perdue) or sand casting techniques. Following the casting process, metalworkers refined details by hand-chasing and applied chemical patination to create dark brown, green, or black surface finishes.

Authentic period bronzes display precise hand-chasing on detailed areas such as hair and foliage, smooth wear on raised points from handling, and subtle variations in the patina. They also feature traditional mounting methods and historical casting seams inside hollow bases.

A classical bronze sculpture can be placed on a polished mantelpiece, console table, or within a modern bookcase. The dark metal finish provides structural weight and visual contrast when set against light walls or clean-lined furniture.

Bronze sculptures should be dusted regularly using a soft, dry cloth or a soft-bristled brush. Avoid using liquid cleansers or chemical polish, and apply a thin coat of clear microcrystalline wax annually to protect the metal surface from oxidisation.
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