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ID #SA627440
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Circle of Richard Cosway, 1742 - 1821 Portrait of a Young Lady Holding Her Child
Artware Fineart
for sale €702     $762
£600

Artware Fineart

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Circle of Richard Cosway, 1742 - 1821 Portrait of a Young Lady Holding Her Child

19th century
For Sale by Artware Fineart
Description

Circle of Richard Cosway, 1742 - 1821

Portrait of a Young lady Holding her Child

pencil and watercolour

25 x 20 cm. (9.3/4 x 7.3/4in.)

Born in Tiverton, Devon, the son of a schoolmaster, he was initially educated at Blundell's School but allowed to travel to London aged just 12 to take lessons in learning. He won a prize from the Society of Artists in 1754 and by 1760 had established his own business. He exhibited his first works aged just 20 in 1762 and was soon in demand. Such was his success, that still not 30, Cosway was elected one of the founder members of the Royal Academy (he is included in a group portrait of the 1768 founders, though some accounts suggest he was appointed an Academician three years later, in 1771. He painted the future King George IV in 1780 and was appointed Painter to the Prince of Wales[1] in 1785—the only time this title was ever awarded. His subjects included the Prince's first wife, Maria Anne Fitzherbert, and various English and French aristocrats, including Madame du Barry, mistress of King Louis XV of France. Cosway's pupils included Andrew Plimer (1763–1837). From 1995 to 1996, the National Portrait Gallery in London held an exhibition entitled Richard and Maria Cosway: Regency Artists of Taste and Fashion, with 250 works on display. On 18 January 1781, Cosway married the Anglo-Italian artist Maria Hadfield. Maria was a composer, musician and authority on girls' education and was much admired by Thomas Jefferson, who wrote letters to her decrying her marriage to another man and kept an engraving made from one of Cosway's paintings of Maria at Monticello. The Cosways' marriage is thought to be an arranged marriage and later a marriage of convenience due to his being 20 years her senior. Richard was "well known as a libertine and commonly described as resembling a monkey." The film Jefferson in Paris depicts Maria Cosway's romance with Thomas Jefferson and also depicts Richard Cosway as effeminate, something which is not certain historically. Richard realized his wife's talent and helped her to develop it.In 1784, the Cosways moved into Schomberg House, Pall Mall, which became a fashionable salon for London society.[1] In 1791 they moved to a larger house in Stratford Place. However, the marriage did not last, eventually being annulled. In later life, Cosway also suffered from mental disorders and spent some time in various institutions. He died in London in 1821 and was buried at Marylebone New Church. Sir John Soane bought more than 30 objects put up for sale at auction after Cosway's death

Physical Dimensions
Height
25cm (9.84")
Width
20cm (7.87")
Depth
1cm (0.39")
Declaration

Artware Fineart has dated this Georgian Oval Portrait Miniature to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA627440
Dealers Internal Reference
3433
Description
Circle of Richard Cosway, 1742 - 1821

Portrait of a Young lady Holding her Child

pencil and watercolour

25 x 20 cm. (9.3/4 x 7.3/4in.)

Born in Tiverton, Devon, the son of a schoolmaster, he was initially educated at Blundell's School but allowed to travel to London aged just 12 to take lessons in learning.
Artware Fineart

He won a prize from the Society of Artists in 1754 and by 1760 had established his own business. He exhibited his first works aged just 20 in 1762 and was soon in demand. Such was his success, that still not 30, Cosway was elected one of the founder members of the Royal Academy (he is included in a group portrait of the 1768 founders, though some accounts suggest he was appointed an Academician three years later, in 1771. He painted the future King George IV in 1780 and was appointed Painter to the Prince of Wales[1] in 1785—the only time this title was ever awarded. His subjects included the Prince's first wife, Maria Anne Fitzherbert, and various English and French aristocrats, including Madame du Barry, mistress of King Louis XV of France. Cosway's pupils included Andrew Plimer (1763–1837). From 1995 to 1996, the National Portrait Gallery in London held an exhibition entitled Richard and Maria Cosway: Regency Artists of Taste and Fashion, with 250 works on display. On 18 January 1781, Cosway married the Anglo-Italian artist Maria Hadfield. Maria was a composer, musician and authority on girls' education and was much admired by Thomas Jefferson, who wrote letters to her decrying her marriage to another man and kept an engraving made from one of Cosway's paintings of Maria at Monticello. The Cosways' marriage is thought to be an arranged marriage and later a marriage of convenience due to his being 20 years her senior. Richard was "well known as a libertine and commonly described as resembling a monkey." The film Jefferson in Paris depicts Maria Cosway's romance with Thomas Jefferson and also depicts Richard Cosway as effeminate, something which is not certain historically. Richard realized his wife's talent and helped her to develop it.In 1784, the Cosways moved into Schomberg House, Pall Mall, which became a fashionable salon for London society.[1] In 1791 they moved to a larger house in Stratford Place. However, the marriage did not last, eventually being annulled. In later life, Cosway also suffered from mental disorders and spent some time in various institutions. He died in London in 1821 and was buried at Marylebone New Church. Sir John Soane bought more than 30 objects put up for sale at auction after Cosway's death

Height
25cm (9.84")
Width
20cm (7.87")
Depth
1cm (0.39")
Date of Manufacture

Artware Fineart has dated this Georgian Oval Portrait Miniature to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA627440
Dealers Internal Ref
3433
Artware Fineart
Sellingantiques verified Since Sep 2008
Dealer Profile

You can view the stock and full dealer information on the Artware Fineart Profile Page

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An oval Georgian portrait miniature depicting a mother holding her child, presented in a carved giltwood frame with bead moulding.
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Archive I An oval Georgian portrait miniature depicting a mother holding her child, presented in a carved giltwood frame with bead moulding.

Circle of Richard Cosway, 1742 - 1821 Portrait of a Young Lady Holding Her Child

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Artware Fineart
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An oval Georgian portrait miniature depicting a mother holding her child, presented in a carved giltwood frame with bead moulding.
Circle of Richard Cosway, 1742 - 1821 Portrait of a Young lady Holding her Child
Ref: SA627440
An oval Georgian portrait miniature depicting a mother holding her child, presented in a carved giltwood frame with bead moulding.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Portrait miniatures gained immense popularity in 18th-century Britain as intimate keepsakes depicting family members or loved ones, often executed in watercolour, pencil, or pastel on paper, vellum, or ivory substrates.

Artists typically employed watercolour, gouache, or graphite on thin ivory disks, vellum, or heavy paper, which were then set into carved giltwood, brass, or gold frames sealed with glass covers.

Authentic period miniatures display delicate stippling or hatching techniques, period-correct hairstyle and clothing fashions, and natural signs of age such as gentle frame patination or light pigment fading rather than artificial weathering.

These compact artworks function well integrated into a gallery wall, styled on an open bookshelf alongside ceramics, or displayed on a mantlepiece to add historical character to contemporary living spaces.

Display the artwork away from direct sunlight, fluctuating humidity, and direct heat sources to prevent fading of pencil and watercolour pigments or structural degradation of the paper substrate.
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