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Portrait of a Gentleman C.1750: Attributed to Andrea Soldi.
Roy Precious - Antiques & Fine Art
for sale €4,440     $4,820
£3,795
Roy Precious - Antiques & Fine Art

Roy Precious - Antiques & Fine Art

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Portrait of a Gentleman C.1750: Attributed to Andrea Soldi.

18th century
Description

Oil on canvas later mounted on board, in ebonised and gilt frame.

ANDREA SOLDI (1703-1771) was an Italian portraitist active in Britain.

The only remaining source for this painter's early years is George Vertue, who in 1738 stated he was "about thirty-five or rather more", had been born in Florence and had come to England in about 1736 on the advice of British merchants belonging to the Levant Company, who had commissioned their portraits from him during his travels in the Middle East. From 1738 to 1744 he won much success in London's art market and among Italophile noblemen back from their Grand Tour, being preferred to both English portrait practice (fluctuating between Rococo and Kneller-like styles) and to other Italian portraitists in England at the time, such as the Cavaliere Rusca (worked in London 1738–39), and Andrea Casali (worked in London 1741–66). Beginning "above thirty portraits" from April to August 1738 alone (according to Vertue), Soldi's only serious rival was Jean-Baptiste van Loo (in London 1737–42). Particular patrons included the 2nd Duke of Manchester, 3rd Duke of Manchester, 3rd Duke of Beaufort and 4th Viscount Fauconberg. Soldi died in London.

SIZE:35 x 30 inches inc. frame.

PROVENANCE:With Jess Aplin Antiques, Cambridge.

From where acquired by Christopher Hogwood CBE.

CHRISTOPHER JARVIS HALEY HOGWOOD, conductor, harpsichordist and musicologist, born 10 September 1941; died 24 September 2014 at home in Cambridge.

Founder of the early music ensemble the Academy of Ancient Music, he was an authority on historically informed performance and a leading figure in the early music revival of the late 20th century.

At the time of his death, Hogwood was Honorary Professor of Music in the University of Cambridge, Consultant Visiting Professor of historical performance in the Royal Academy of Music and visiting professor at King's College London. He was an Honorary Fellow of Jesus College, Cambridge and Pembroke College, Cambridge.

In 1989, Hogwood was appointed a Commander of the Order of the British Empire (CBE). He was the recipient of the Halle Handel Prize in 2008.

Physical Dimensions
Height
89cm (35.04")
Width
76.5cm (30.12")
Depth
6cm (2.36")
Declaration

Roy Precious - Antiques & Fine Art has dated this Georgian Portrait Oil Painting to the 1750s.

Reference Numbers
Sellingantiques Reference
SA330162
Dealers Internal Reference
8873
Description
Oil on canvas later mounted on board, in ebonised and gilt frame.

ANDREA SOLDI (1703-1771) was an Italian portraitist active in Britain.

The only remaining source for this painter's early years is George Vertue, who in 1738 stated he was "about thirty-five or rather more", had been born in Florence and had come to England in about 1736 on the advice of British merchants belonging to the Levant Company, who had commissioned their portraits from him during his travels in the Middle East. From 1738 to 1744 he won much success in London's art market and among Italophile noblemen back from their Grand Tour, being preferred to both English portrait practice (fluctuating between Rococo and Kneller-like styles) and to other Italian portraitists in England at the time, such as the Cavaliere Rusca (worked in London 1738–39), and Andrea Casali (worked in London 1741–66).

Beginning "above thirty portraits" from April to August 1738 alone (according to Vertue), Soldi's only serious rival was Jean-Baptiste van Loo (in London 1737–42).
Roy Precious - Antiques & Fine Art

Particular patrons included the 2nd Duke of Manchester, 3rd Duke of Manchester, 3rd Duke of Beaufort and 4th Viscount Fauconberg. Soldi died in London.

fig 1. An 18th-century oil painting depicting a gentleman wearing a white wig and cravat framed inside a dark moulded timber frame with a gold inner slip.
fig 1. Portrait of a Gentleman C.1750: Attributed to Andrea Soldi.

SIZE:35 x 30 inches inc. frame.

PROVENANCE:With Jess Aplin Antiques, Cambridge.

From where acquired by Christopher Hogwood CBE.

CHRISTOPHER JARVIS HALEY HOGWOOD, conductor, harpsichordist and musicologist, born 10 September 1941; died 24 September 2014 at home in Cambridge.

fig 2. An 18th-century oil painting depicting a gentleman wearing a white wig and cravat framed inside a dark moulded timber frame with a gold inner slip.
fig 2. Portrait of a Gentleman C.1750: Attributed to Andrea Soldi.

Founder of the early music ensemble the Academy of Ancient Music, he was an authority on historically informed performance and a leading figure in the early music revival of the late 20th century.

At the time of his death, Hogwood was Honorary Professor of Music in the University of Cambridge, Consultant Visiting Professor of historical performance in the Royal Academy of Music and visiting professor at King's College London. He was an Honorary Fellow of Jesus College, Cambridge and Pembroke College, Cambridge.

In 1989, Hogwood was appointed a Commander of the Order of the British Empire (CBE). He was the recipient of the Halle Handel Prize in 2008.

Height
89cm (35.04")
Width
76.5cm (30.12")
Depth
6cm (2.36")
Date of Manufacture

Roy Precious - Antiques & Fine Art has dated this Georgian Portrait Oil Painting to the 1750s.

Reference Numbers
Sellingantiques Ref
SA330162
Dealers Internal Ref
8873
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

Dealer Profile

You can view the stock and full dealer information on the Roy Precious - Antiques & Fine Art Profile Page

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An 18th-century oil painting depicting a gentleman wearing a white wig and cravat framed inside a dark moulded timber frame with a gold inner slip.
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Archive I An 18th-century oil painting depicting a gentleman wearing a white wig and cravat framed inside a dark moulded timber frame with a gold inner slip.

Portrait of a Gentleman C.1750: Attributed to Andrea Soldi.

Archive II An 18th-century oil painting depicting a gentleman wearing a white wig and cravat framed inside a dark moulded timber frame with a gold inner slip. View II
Archive III An 18th-century oil painting depicting a gentleman wearing a white wig and cravat framed inside a dark moulded timber frame with a gold inner slip. View III
Archive IV An 18th-century oil painting depicting a gentleman wearing a white wig and cravat framed inside a dark moulded timber frame with a gold inner slip. View IV
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Verified Since Mar 2003
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An 18th-century oil painting depicting a gentleman wearing a white wig and cravat framed inside a dark moulded timber frame with a gold inner slip.
Portrait of a Gentleman c.1750: Attributed to Andrea Soldi.
Ref: SA330162
An 18th-century oil painting depicting a gentleman wearing a white wig and cravat framed inside a dark moulded timber frame with a gold inner slip.
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

During the mid-18th century Georgian era, portraiture aimed to convey social status, wealth, and composure, often featuring sitters in powdered wigs, drapery, and formal attire. Prominent artists influenced by European traditions brought sophisticated chiaroscuro and elegant brushwork to British society portraits.

Paintings from this era were typically executed using oil pigments applied to hand-woven linen or hemp canvas stretched over wooden strainers. Frames were crafted from carved or moulded wood, finished with water gilding, oil gilding, or dark ebonised varnish.

Authentic works from the 18th century often exhibit natural age craquelure across the paint surface, original stretcher bars with hand-forged nails, and signs of historical lining or oxidisation on the reverse. The composition, canvas texture, and pigment layers should reflect period-specific techniques.

A Georgian oil portrait adds dramatic historical weight when hung above a modern console table or mantelpiece, contrasting clean contemporary architecture with rich heritage textures. Pairing traditional portraiture with minimalist surroundings or layered dark academia interiors highlights the artworks depth.

Maintain stable humidity and temperature levels, keeping the canvas away from direct heat sources and strong sunlight. Surface dusting should be performed gently with a soft badger-hair brush, avoiding commercial chemical cleaners or water.
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