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Portrait of a Young Gentleman C.1685; Attributed to Johann Kerseboom.
Roy Precious - Antiques & Fine Art
for sale €5,792     $6,287
£4,950
Roy Precious - Antiques & Fine Art

Roy Precious - Antiques & Fine Art

Sellingantiques Verified Since Mar 2003
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    Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.
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Portrait of a Young Gentleman C.1685; Attributed to Johann Kerseboom.

17th century
Description

Oil on canvas in later giltwood frame.

The fashionable and expensively dressed sitter looks confidently out of the frame as if surveying his extensive lands.

His high wig (from which fashion came the expression 'big-wig' for someone important), his silks, his sword and particularly his stance, all make this the archetypal Baroque portrait.

The pose and treatment of the material are typical of Kerseboom. The hugely expensive lace is depicted with great care and skill.

This type of portrait was usually on a larger scale e.g. 50 x 40 inches; the fact that this is 'in small' suggests that it was for the 'cabinet'...the intimate room for favoured possessions that was so fashionable during the Baroque period. Perhaps painted for a wife or lover?

JOHN (JOHANN) KERSEBOOM (working 1680s - 1708) Born in Solingen, the Rhineland; came to England in the 1680s he quickly acquired a large portrait clientele. His patterns derive from Lely and Kneller, but his heads have recognisable individuality. He charged £16 10s for a framed 50 x 40 in 1694.

SIZE:canvas size; 20 x 16 inches.

24.25 x 20 inches inc. frame.

PROVENANCE: Private Collection.

Physical Dimensions
Height
62cm (24.41")
Width
51cm (20.08")
Depth
6cm (2.36")
Declaration

Roy Precious - Antiques & Fine Art has dated this 17th Century Oil Portrait to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA290691
Dealers Internal Reference
9322
Description
Oil on canvas in later giltwood frame.
The fashionable and expensively dressed sitter looks confidently out of the frame as if surveying his extensive lands.
Roy Precious - Antiques & Fine Art

His high wig (from which fashion came the expression 'big-wig' for someone important), his silks, his sword and particularly his stance, all make this the archetypal Baroque portrait.

fig 1. An oil portrait depicting a young gentleman with a dark wig, lace cravat, and blue drapery set inside a moulded gilt frame.
fig 1. Portrait of a Young Gentleman C.1685; Attributed to Johann Kerseboom.

The pose and treatment of the material are typical of Kerseboom. The hugely expensive lace is depicted with great care and skill.

This type of portrait was usually on a larger scale e.g. 50 x 40 inches; the fact that this is 'in small' suggests that it was for the 'cabinet'...the intimate room for favoured possessions that was so fashionable during the Baroque period. Perhaps painted for a wife or lover?

fig 2. An oil portrait depicting a young gentleman with a dark wig, lace cravat, and blue drapery set inside a moulded gilt frame.
fig 2. Portrait of a Young Gentleman C.1685; Attributed to Johann Kerseboom.

JOHN (JOHANN) KERSEBOOM (working 1680s - 1708) Born in Solingen, the Rhineland; came to England in the 1680s he quickly acquired a large portrait clientele. His patterns derive from Lely and Kneller, but his heads have recognisable individuality. He charged £16 10s for a framed 50 x 40 in 1694.

SIZE:canvas size; 20 x 16 inches.

24.25 x 20 inches inc. frame.

PROVENANCE: Private Collection.

Height
62cm (24.41")
Width
51cm (20.08")
Depth
6cm (2.36")
Date of Manufacture

Roy Precious - Antiques & Fine Art has dated this 17th Century Oil Portrait to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA290691
Dealers Internal Ref
9322
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

Dealer Profile

You can view the stock and full dealer information on the Roy Precious - Antiques & Fine Art Profile Page

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An oil portrait depicting a young gentleman with a dark wig, lace cravat, and blue drapery set inside a moulded gilt frame.
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Archive I An oil portrait depicting a young gentleman with a dark wig, lace cravat, and blue drapery set inside a moulded gilt frame.

Portrait of a Young Gentleman C.1685; Attributed to Johann Kerseboom.

Archive II An oil portrait depicting a young gentleman with a dark wig, lace cravat, and blue drapery set inside a moulded gilt frame. View II
Archive III An oil portrait depicting a young gentleman with a dark wig, lace cravat, and blue drapery set inside a moulded gilt frame. View III
Archive IV An oil portrait depicting a young gentleman with a dark wig, lace cravat, and blue drapery set inside a moulded gilt frame. View IV
Archive V An oil portrait depicting a young gentleman with a dark wig, lace cravat, and blue drapery set inside a moulded gilt frame. View V
Archive VI An oil portrait depicting a young gentleman with a dark wig, lace cravat, and blue drapery set inside a moulded gilt frame. View VI
Archive VII An oil portrait depicting a young gentleman with a dark wig, lace cravat, and blue drapery set inside a moulded gilt frame. View VII
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Roy Precious - Antiques & Fine Art
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Location: Wiltshire, United Kingdom
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An oil portrait depicting a young gentleman with a dark wig, lace cravat, and blue drapery set inside a moulded gilt frame.
Portrait of a Young Gentleman c.1685; Attributed to Johann Kerseboom.
Ref: SA290691
An oil portrait depicting a young gentleman with a dark wig, lace cravat, and blue drapery set inside a moulded gilt frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Late 17th-century Baroque portraiture typically features aristocratic sitters rendered with theatrical drapery, elaborate full-bottomed wigs, and rich fabrics, reflecting status and patronage during the Restoration period.

Paintings from this period were prepared using oil paints ground with linseed oil applied directly to linen canvas, usually presented within carved pine or plaster giltwood frames.

Authentic period paintings show uniform age-related craquelure across the paint layer, historical canvas weave patterns, hand-hewn stretchers, and natural varnish oxidisation visible under ultraviolet inspection.

An oil portrait serves as a strong focal point when displayed above a sideboard, fireplace mantel, or console table, providing a historical counterpoint to clean contemporary furnishings.

Position the canvas away from direct sunlight, radiators, and areas of high humidity, and clean the painted surface using only dry, light dusting with a soft natural hair brush.
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