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ID #SA221567
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Portrait of a Young Gentleman of the Blunt Family C.1750, Follower of Thomas Hudson.
Roy Precious - Antiques & Fine Art
for sale €3,452     $3,747
£2,950
Roy Precious - Antiques & Fine Art

Roy Precious - Antiques & Fine Art

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    Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.
Id #SA221567
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Portrait of a Young Gentleman of the Blunt Family C.1750, Follower of Thomas Hudson.

18th century
Description

Oil on unlined canvas in a later gilded period style frame.

A good quality 18th century portrait of a gentleman, traditionally held to be Sir Henry Blunt as a young man.

The traditional identification is unlikely, as Sir Henry, the second baronet, was born in 1696 and died in 1759.

The sitter is more likely to be Sir Charles William Blunt, 3rd Baronet (1731-1802).

He was the son of Sir Henry Blunt, 2nd Bt. and Dorothy Nutt. He was baptised on 24 September 1731 at St. Lawrence Poultney, London, England. He was admitted to the Middle Temple.

He married Elizabeth Peers, daughter of Richard Peers and Anna Sophia Symons, on 22 July 1764 at St. George's Church, Queen's Square, London, England. They had nine children and lived at Clery, Hampshire, England.

Blunt died on 29 August 1802 at age 70 at Pullah, near Calcutta, India. He was buried in Calcutta, India

THOMAS HUDSON (1701 – 26 January 1779) was an English portrait painter.

Hudson was born in Devon in 1701.His exact birthplace is unknown. He studied under Jonathan Richardson in London and against his wishes, married Richardson's daughter at some point before 1725.

Hudson was most prolific between 1740 and 1760 and, from 1745 until 1755 was the most successful London portraitist.

He had many assistants, and employed the specialist drapery painter Joseph Van Aken. Joshua Reynolds, Joseph Wright and the drapery painter Peter Toms were his students.

SIZE: 41 x 33.5 inches inc. frame.

PROVENANCE: *By descent.

*Sold at auction 3 March 1982.

*Private Collection, London.

Declaration

Roy Precious - Antiques & Fine Art has dated this Georgian Oil Portrait Painting to the 1750s.

Reference Numbers
Sellingantiques Reference
SA221567
Dealers Internal Reference
8749
Description
Oil on unlined canvas in a later gilded period style frame.
A good quality 18th century portrait of a gentleman, traditionally held to be Sir Henry Blunt as a young man.
Roy Precious - Antiques & Fine Art

The traditional identification is unlikely, as Sir Henry, the second baronet, was born in 1696 and died in 1759.

fig 1. An 18th-century oil painting depicting a young man in Georgian attire set within an oval aperture inside a gilded rectangular frame.
fig 1. Portrait of a Young Gentleman of the Blunt Family C.1750, Follower of Thomas Hudson.

The sitter is more likely to be Sir Charles William Blunt, 3rd Baronet (1731-1802).

He was the son of Sir Henry Blunt, 2nd Bt. and Dorothy Nutt. He was baptised on 24 September 1731 at St. Lawrence Poultney, London, England. He was admitted to the Middle Temple.

fig 2. An 18th-century oil painting depicting a young man in Georgian attire set within an oval aperture inside a gilded rectangular frame.
fig 2. Portrait of a Young Gentleman of the Blunt Family C.1750, Follower of Thomas Hudson.

He married Elizabeth Peers, daughter of Richard Peers and Anna Sophia Symons, on 22 July 1764 at St. George's Church, Queen's Square, London, England. They had nine children and lived at Clery, Hampshire, England.

fig 3. An 18th-century oil painting depicting a young man in Georgian attire set within an oval aperture inside a gilded rectangular frame.
fig 3. Portrait of a Young Gentleman of the Blunt Family C.1750, Follower of Thomas Hudson.

Blunt died on 29 August 1802 at age 70 at Pullah, near Calcutta, India. He was buried in Calcutta, India

THOMAS HUDSON (1701 – 26 January 1779) was an English portrait painter.

Hudson was born in Devon in 1701.His exact birthplace is unknown. He studied under Jonathan Richardson in London and against his wishes, married Richardson's daughter at some point before 1725.

fig 4. An 18th-century oil painting depicting a young man in Georgian attire set within an oval aperture inside a gilded rectangular frame.
fig 4. Portrait of a Young Gentleman of the Blunt Family C.1750, Follower of Thomas Hudson.

Hudson was most prolific between 1740 and 1760 and, from 1745 until 1755 was the most successful London portraitist.

He had many assistants, and employed the specialist drapery painter Joseph Van Aken. Joshua Reynolds, Joseph Wright and the drapery painter Peter Toms were his students.

SIZE: 41 x 33.5 inches inc. frame.

PROVENANCE: *By descent.

Sold at auction 3 March 1982.

Private Collection, London.

Date of Manufacture

Roy Precious - Antiques & Fine Art has dated this Georgian Oil Portrait Painting to the 1750s.

Reference Numbers
Sellingantiques Ref
SA221567
Dealers Internal Ref
8749
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

Dealer Profile

You can view the stock and full dealer information on the Roy Precious - Antiques & Fine Art Profile Page

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An 18th-century oil painting depicting a young man in Georgian attire set within an oval aperture inside a gilded rectangular frame.
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Archive I An 18th-century oil painting depicting a young man in Georgian attire set within an oval aperture inside a gilded rectangular frame.

Portrait of a Young Gentleman of the Blunt Family C.1750, Follower of Thomas Hudson.

Archive II An 18th-century oil painting depicting a young man in Georgian attire set within an oval aperture inside a gilded rectangular frame. View II
Archive III An 18th-century oil painting depicting a young man in Georgian attire set within an oval aperture inside a gilded rectangular frame. View III
Archive IV An 18th-century oil painting depicting a young man in Georgian attire set within an oval aperture inside a gilded rectangular frame. View IV
Archive V An 18th-century oil painting depicting a young man in Georgian attire set within an oval aperture inside a gilded rectangular frame. View V
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Roy Precious - Antiques & Fine Art
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An 18th-century oil painting depicting a young man in Georgian attire set within an oval aperture inside a gilded rectangular frame.
Portrait of a Young Gentleman of the Blunt family c.1750, Follower of Thomas Hudson.
Ref: SA221567
An 18th-century oil painting depicting a young man in Georgian attire set within an oval aperture inside a gilded rectangular frame.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

During the 18th century, British portraiture focused on formal poses, detailed costume rendering, and subtle lighting to convey the social status of the sitter, heavily influenced by artists like Thomas Hudson and Sir Joshua Reynolds.

Mid-18th-century portraits were typically executed using oil paints on woven linen canvas, mounted on wooden stretchers and framed within gilded timber or plaster mouldings.

Authentic pieces from this era display natural craquelure patterns across the paint surface, historic wooden stretcher frames, and evidence of hand-carved details or aged gilding on the frame.

A Georgian portrait can be positioned above a mantlepiece or sideboard to create a focal point, combining traditional visual structure with contemporary furnishings for balanced contrast.

Keep the canvas away from direct sunlight, radiators, and high humidity, dusting the frame gently with a soft dry brush rather than applying liquid cleaning solutions.
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