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Italian Renaissance School Oil on Canvas Painting - 'The Virgin and Child' / Circle of Bernardino Luini.
Period Portraits
for sale €9,360     $10,160
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Period Portraits

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Italian Renaissance School Oil on Canvas Painting - 'The Virgin and Child' / Circle of Bernardino Luini.

16th century
For Sale by Period Portraits
Description

ine and contemplative 16th century oil on canvas painting of ‘The Virgin and Child’ by an artist in the circle of Bernardino Luini (about 1480 - 1532)

Created during the peak of the High Renaissance in northern Italy, this work dates to the same historical era as the master artist himself. It features the Madonna with characteristic fair skin, elongated delicate features, downcast eyes, and wavy auburn hair which cascades over her shoulders.

A faint golden halo rings her head. She wears a vibrant crimson dress with fine vertical folds, partially covered by a dark blue mantle lined with an orange-gold fabric. Two eight-pointed gold stars are embroidered on her shoulder. Her left hand gently holds a small, dark, leather-bound prayer book close to her torso.

The young Christ Child is depicted on the left and he stands supported by Mary. He gazes towards the right wearing a simple tunic tied at the waist with a rope belt and busting behind his head is a thin radiant halo of light He holds a small red fruit (likely a symbolic apple or pomegranate).which is a symbol representing the fall of humankind, which he is destined to redeem.

During this period devotional images of the Virgin and Child were in incredibly high demand and to satisfy local patrons and buyers, commercial studios and local artists would also produce works after the master. The work we see here is a particularly stylised and richly coloured example.

Bernardino Luini (c. 1475–1532) Luini was a Lombard painter heavily influenced by Leonardo da Vinci, frequently producing works in a similar style. As the most famous Milanese painter of the early 16th century he produced frescos in Milan, and also in Saronno and Lugarno and elsewhere in Lombardy.

Luini was deeply affected by Leonardo da Vinci who was in Milan from 1483. Many of his paintings, like ‘Christ among the Doctors’ and the ‘Virgin and Child with Saint John’ derive from Leonardo compositions. Luini also adopted Leonardo's use of chiroscuro and his facial types.

Provenance: Private collection Norfolk

Higher resolution images on request.

Worldwide shipping available.

Canvas: 76cm x 64cm.

Framed: 96cm x 84cm.

Price: £8000

Declaration

Period Portraits has dated this Italian Renaissance Oil Painting to the 16th Century.

Reference Numbers
Sellingantiques Reference
SA1228036
Description
Ine and contemplative 16th century oil on canvas painting of ‘The Virgin and Child’ by an artist in the circle of Bernardino Luini (about 1480 - 1532)
Created during the peak of the High Renaissance in northern Italy, this work dates to the same historical era as the master artist himself.
Period Portraits

It features the Madonna with characteristic fair skin, elongated delicate features, downcast eyes, and wavy auburn hair which cascades over her shoulders.

fig 1. An oil on canvas painting featuring the Virgin Mary holding a small book alongside the Christ Child, enclosed in a dark ebonised frame with a gilt inner border.
fig 1. Italian Renaissance School Oil on Canvas Painting - 'The Virgin and Child' / Circle of Bernardino Luini.

A faint golden halo rings her head. She wears a vibrant crimson dress with fine vertical folds, partially covered by a dark blue mantle lined with an orange-gold fabric. Two eight-pointed gold stars are embroidered on her shoulder. Her left hand gently holds a small, dark, leather-bound prayer book close to her torso.

fig 2. An oil on canvas painting featuring the Virgin Mary holding a small book alongside the Christ Child, enclosed in a dark ebonised frame with a gilt inner border.
fig 2. Italian Renaissance School Oil on Canvas Painting - 'The Virgin and Child' / Circle of Bernardino Luini.

The young Christ Child is depicted on the left and he stands supported by Mary. He gazes towards the right wearing a simple tunic tied at the waist with a rope belt and busting behind his head is a thin radiant halo of light He holds a small red fruit (likely a symbolic apple or pomegranate).which is a symbol representing the fall of humankind, which he is destined to redeem.

fig 3. An oil on canvas painting featuring the Virgin Mary holding a small book alongside the Christ Child, enclosed in a dark ebonised frame with a gilt inner border.
fig 3. Italian Renaissance School Oil on Canvas Painting - 'The Virgin and Child' / Circle of Bernardino Luini.

During this period devotional images of the Virgin and Child were in incredibly high demand and to satisfy local patrons and buyers, commercial studios and local artists would also produce works after the master. The work we see here is a particularly stylised and richly coloured example.

fig 4. An oil on canvas painting featuring the Virgin Mary holding a small book alongside the Christ Child, enclosed in a dark ebonised frame with a gilt inner border.
fig 4. Italian Renaissance School Oil on Canvas Painting - 'The Virgin and Child' / Circle of Bernardino Luini.

Bernardino Luini (c. 1475–1532) Luini was a Lombard painter heavily influenced by Leonardo da Vinci, frequently producing works in a similar style. As the most famous Milanese painter of the early 16th century he produced frescos in Milan, and also in Saronno and Lugarno and elsewhere in Lombardy.

fig 5. An oil on canvas painting featuring the Virgin Mary holding a small book alongside the Christ Child, enclosed in a dark ebonised frame with a gilt inner border.
fig 5. Italian Renaissance School Oil on Canvas Painting - 'The Virgin and Child' / Circle of Bernardino Luini.

Luini was deeply affected by Leonardo da Vinci who was in Milan from 1483. Many of his paintings, like ‘Christ among the Doctors’ and the ‘Virgin and Child with Saint John’ derive from Leonardo compositions. Luini also adopted Leonardo's use of chiroscuro and his facial types.

fig 6. An oil on canvas painting featuring the Virgin Mary holding a small book alongside the Christ Child, enclosed in a dark ebonised frame with a gilt inner border.
fig 6. Italian Renaissance School Oil on Canvas Painting - 'The Virgin and Child' / Circle of Bernardino Luini.

Provenance: Private collection Norfolk

Higher resolution images on request.

Worldwide shipping available.

Canvas: 76cm x 64cm.

Framed: 96cm x 84cm.

Price: £8000

Date of Manufacture

Period Portraits has dated this Italian Renaissance Oil Painting to the 16th Century.

Reference Numbers
Sellingantiques Ref
SA1228036
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

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An oil on canvas painting featuring the Virgin Mary holding a small book alongside the Christ Child, enclosed in a dark ebonised frame with a gilt inner border.
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Archive I An oil on canvas painting featuring the Virgin Mary holding a small book alongside the Christ Child, enclosed in a dark ebonised frame with a gilt inner border.

Italian Renaissance School Oil on Canvas Painting - 'The Virgin and Child' / Circle of Bernardino Luini.

Archive II An oil on canvas painting featuring the Virgin Mary holding a small book alongside the Christ Child, enclosed in a dark ebonised frame with a gilt inner border. View II
Archive III An oil on canvas painting featuring the Virgin Mary holding a small book alongside the Christ Child, enclosed in a dark ebonised frame with a gilt inner border. View III
Archive IV An oil on canvas painting featuring the Virgin Mary holding a small book alongside the Christ Child, enclosed in a dark ebonised frame with a gilt inner border. View IV
Archive V An oil on canvas painting featuring the Virgin Mary holding a small book alongside the Christ Child, enclosed in a dark ebonised frame with a gilt inner border. View V
Archive VI An oil on canvas painting featuring the Virgin Mary holding a small book alongside the Christ Child, enclosed in a dark ebonised frame with a gilt inner border. View VI
Archive VII An oil on canvas painting featuring the Virgin Mary holding a small book alongside the Christ Child, enclosed in a dark ebonised frame with a gilt inner border. View VII
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An oil on canvas painting featuring the Virgin Mary holding a small book alongside the Christ Child, enclosed in a dark ebonised frame with a gilt inner border.
ITALIAN RENAISSANCE SCHOOL OIL ON CANVAS PAINTING - 'THE VIRGIN AND CHILD' / CIRCLE OF BERNARDINO LUINI.
Ref: SA1228036
An oil on canvas painting featuring the Virgin Mary holding a small book alongside the Christ Child, enclosed in a dark ebonised frame with a gilt inner border.
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Italian Renaissance religious paintings are defined by classical symmetry, naturalistic human forms, and harmonious compositions. Artists from this era frequently used techniques such as sfumato and chiaroscuro to create spatial depth and realistic volume in sacred figures.

Paintings from the Italian Renaissance were primarily created using oil pigments or egg tempera ground from natural minerals applied to wooden panels or stretched linen canvas. Frames were typically handcrafted from timber and finished with gold leaf or dark paints.

Authentic works from this period show specific signs of age including natural craquelure across the paint surface, historic stretcher or panel construction, and period-correct pigments verified through technical analysis. Attribution often relies on stylistic comparison to known masters and workshop circles.

A Renaissance painting creates a focal point when hung against a neutral or dark backdrop in a library, dining area, or entryway. Pairing historical figurative artwork with clean contemporary furniture highlights the tonal depth of the composition.

Antique oil paintings must be kept away from direct sunlight, excess humidity, and sudden temperature fluctuations to prevent cracking or warping. Surface cleaning should only be conducted by a professional art conservator using specialised solvents.
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