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Mezzotint Portrait of Sir Charles Napier 2nd Baronet (1673-1743) - By John Smith After J Sommer.
The Mezzotint Man
for sale €936     $1,016
£800
The Mezzotint Man

The Mezzotint Man

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Mezzotint Portrait of Sir Charles Napier 2nd Baronet (1673-1743) - By John Smith After J Sommer.

18th century
Description

SIR CHARLES NAPIER 2ND BARONET (1673-1743) - BY JOHN SMITH AFTER J SOMMER

Fine and comparatively rare mezzotint portrait of Sir Charles Napier 2nd Baronet (1673-1743) and an unknown boy, by John Smith, after J Sommer.

A print of Sir Charles Napier, 2nd Baronet, wearing armour, with a Black page holding a plumed helmet his sword hilt shaped like a lion’s head. They stand by a tent in a military encampment with a battle scene in the background.

The Black servant or page wears a pearl earring and he is unlikely to represent an identifiable individual. Instead, the inclusion of Black figures as servants, attendants, or enslaved people in portraits of European sitters was a common visual motif in the 17th and 18th centuries.

The submissive presence of such figures (often shown in acts of service such as holding clothes, umbrellas or trays) was deployed as a visual status symbol. The Black figures often emphasise the status of the main sitter by being positioned behind or looking up to them, establishing a physical as well as a racial hierarchy.

These figures are often dressed in clothing considered ‘exotic’ by contemporary Europeans such as turbans, silks, and caftans, further representing the luxurious fantasy and wealth that was felt to be embodied by the Black presence.

This mezzotint is in a fine state of conservation and is housed in a quality ebonised frame with museum quality mount.

Date: c.1700

Framed Dimensions: 49cm x 39cm

Price: £800

All prices include UK mainland delivery. For other territories please ask.

Physical Dimensions
Height
49cm (19.29")
Width
39cm (15.35")
Depth
2cm (0.79")
Declaration

The Mezzotint Man has dated this Antique Mezzotint Portrait Print to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1225568
Description
SIR CHARLES NAPIER 2ND BARONET (1673-1743) - BY JOHN SMITH AFTER J SOMMER
Fine and comparatively rare mezzotint portrait of Sir Charles Napier 2nd Baronet (1673-1743) and an unknown boy, by John Smith, after J Sommer.
The Mezzotint Man
fig 1. Framed black and white mezzotint portrait depicting a man in full body armour with a powdered periwig alongside an attendant.
fig 1. Mezzotint Portrait of Sir Charles Napier 2nd Baronet (1673-1743) - By John Smith After J Sommer.

A print of Sir Charles Napier, 2nd Baronet, wearing armour, with a Black page holding a plumed helmet his sword hilt shaped like a lion’s head. They stand by a tent in a military encampment with a battle scene in the background.

fig 2. Framed black and white mezzotint portrait depicting a man in full body armour with a powdered periwig alongside an attendant.
fig 2. Mezzotint Portrait of Sir Charles Napier 2nd Baronet (1673-1743) - By John Smith After J Sommer.

The Black servant or page wears a pearl earring and he is unlikely to represent an identifiable individual. Instead, the inclusion of Black figures as servants, attendants, or enslaved people in portraits of European sitters was a common visual motif in the 17th and 18th centuries.

fig 3. Framed black and white mezzotint portrait depicting a man in full body armour with a powdered periwig alongside an attendant.
fig 3. Mezzotint Portrait of Sir Charles Napier 2nd Baronet (1673-1743) - By John Smith After J Sommer.

The submissive presence of such figures (often shown in acts of service such as holding clothes, umbrellas or trays) was deployed as a visual status symbol. The Black figures often emphasise the status of the main sitter by being positioned behind or looking up to them, establishing a physical as well as a racial hierarchy.

These figures are often dressed in clothing considered ‘exotic’ by contemporary Europeans such as turbans, silks, and caftans, further representing the luxurious fantasy and wealth that was felt to be embodied by the Black presence.

This mezzotint is in a fine state of conservation and is housed in a quality ebonised frame with museum quality mount.

Date: c.1700

Framed Dimensions: 49cm x 39cm

Price: £800

All prices include UK mainland delivery. For other territories please ask.

Height
49cm (19.29")
Width
39cm (15.35")
Depth
2cm (0.79")
Date of Manufacture

The Mezzotint Man has dated this Antique Mezzotint Portrait Print to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1225568
The Mezzotint Man
The Mezzotint Man
Sellingantiques verified Since Mar 2026

Dealers in fine antiquarian portrait prints

Dealer Profile

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Framed black and white mezzotint portrait depicting a man in full body armour with a powdered periwig alongside an attendant.
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Archive I Framed black and white mezzotint portrait depicting a man in full body armour with a powdered periwig alongside an attendant.

Mezzotint Portrait of Sir Charles Napier 2nd Baronet (1673-1743) - By John Smith After J Sommer.

Archive II Framed black and white mezzotint portrait depicting a man in full body armour with a powdered periwig alongside an attendant. View II
Archive III Framed black and white mezzotint portrait depicting a man in full body armour with a powdered periwig alongside an attendant. View III
Archive IV Framed black and white mezzotint portrait depicting a man in full body armour with a powdered periwig alongside an attendant. View IV
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The Mezzotint Man
The Mezzotint Man
Verified Since Mar 2026
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Location: North Yorkshire, United Kingdom
Verified
Mar 2026
For Sale
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Framed black and white mezzotint portrait depicting a man in full body armour with a powdered periwig alongside an attendant.
MEZZOTINT PORTRAIT OF SIR CHARLES NAPIER 2ND BARONET (1673-1743) - BY JOHN SMITH AFTER J SOMMER.
Ref: SA1225568
Framed black and white mezzotint portrait depicting a man in full body armour with a powdered periwig alongside an attendant.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

A mezzotint is a tonal printmaking technique from the intaglio family, widely used in the seventeenth and eighteenth centuries to reproduce fine oil portraits with deep, velvety blacks and soft gradations of light.

Mezzotints were created by roughening a copper plate with a metal rocker tool, smoothing areas to control light levels, and applying ink before pressing onto rag paper.

Authentic mezzotints feature visible plate marks, continuous tone variations rather than modern dot patterns, and characteristic aging, such as foxing or laid paper chain lines.

A framed portrait print works well when positioned within a curated gallery wall in a hallway or hung individually above a dark wood sideboard or library desk.

Frame paper art using acid-free mounting materials and conservation glass, avoiding display in direct sunlight, high humidity, or areas with fluctuating temperature.
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