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Scottish Landscape Oil Painting of Highland Sheep at Loch Tay by William Watson Jnr
Benton Fine Art
for sale €4,622     $5,017
£3,950
Benton Fine Art

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Scottish Landscape Oil Painting of Highland Sheep at Loch Tay by William Watson Jnr

1900 - 1920
For Sale by Benton Fine Art
Description

William Watson Jnr

British, (1847-1921)

Evening, Loch Tay, Perthshire

Oil on canvas, signed & dated 1904, further inscribed verso

Image size: 12.5 inches x 18.5 inches

Size including frame: 23.25 inches x 29.25 inches

A beautifully painted Scottish landscape animal painting of Highland sheep at Loch Tay, Perthshire by William Watson Jnr. A herd of sheep with lambs are depicted resting on the side of a mountain overlooking Loch Tay. One of the sheep is shown gazing out across the still expanse of the loch towards the dramatic mountains beyond, while the rest of the flock repose quietly among the heather and gorse in the softening evening light. The composition captures both the calm of the Highland landscape and the quiet presence of the animals within it. Loch Tay is a freshwater loch in the central highlands and is the largest body freshwater in Perth and Kinross. The peaks that provide the backdrop to the loch include the Ben Lawers Range on the northside and the Tarmachan Ridge to the west/northwest.

William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s.

As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists.

Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen Watson (1871-1947), William Robert Charles Watson (1873-1928) and Walter James Watson (1877-1963) also became artists. Shortly after moving to the Birkenhead area, he made his debut at the Royal Academy in 1872.

The family initially lived in Seacombe, Birkenhead where the first of their children were born but by 1879 they had moved to the outskirts of Liverpool to Maghull. They later returned to the Birkenhead area living at 9 Lorne Road, Tranmere. Watson seems to have enjoyed a close relationship with his family as they all lived and worked together until around 1901 when his sons William and Walter moved away and the rest of the family relocated to 5 Slatey Road, Birkenhead. Towards the end of his life Watson moved to Wales where he lived at Hillside, Capel Garmon, Llanrwst in Denbighshire. He died at Capel Garmon on 26 March, 1921.

Watson’s scenes were mainly of the north of England, Wales and the Highlands and often featured cattle or sheep perched along stepped hillsides. He painted with consummate skill and his works are highly collectible. Many of his paintings were sold in America. Examples of his works can be found in the Atkinson Gallery, Sheffield Museum, Walker Art Gallery, Liverpool and the Williamson Art Gallery.

Presentation: The painting is housed in its original gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
59cm (23.23")
Width
74.5cm (29.33")
Depth
9cm (3.54")
Declaration

Benton Fine Art has dated this Scottish Landscape Oil Painting to the 1900s.

Reference Numbers
Sellingantiques Reference
SA1223498
Dealers Notes

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If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
William Watson Jnr

British, (1847-1921)

Evening, Loch Tay, Perthshire

Oil on canvas, signed & dated 1904, further inscribed verso

Image size: 12.5 inches x 18.5 inches

Size including frame: 23.25 inches x 29.25 inches

A beautifully painted Scottish landscape animal painting of Highland sheep at Loch Tay, Perthshire by William Watson Jnr.
Benton Fine Art

A herd of sheep with lambs are depicted resting on the side of a mountain overlooking Loch Tay. One of the sheep is shown gazing out across the still expanse of the loch towards the dramatic mountains beyond, while the rest of the flock repose quietly among the heather and gorse in the softening evening light. The composition captures both the calm of the Highland landscape and the quiet presence of the animals within it. Loch Tay is a freshwater loch in the central highlands and is the largest body freshwater in Perth and Kinross. The peaks that provide the backdrop to the loch include the Ben Lawers Range on the northside and the Tarmachan Ridge to the west/northwest.

fig 1. An oil painting depicting a flock of Highland sheep in a mountain landscape near Loch Tay, set inside an ornate carved gold leaf frame.
fig 1. Scottish Landscape Oil Painting of Highland Sheep at Loch Tay by William Watson Jnr

William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s.

fig 2. An oil painting depicting a flock of Highland sheep in a mountain landscape near Loch Tay, set inside an ornate carved gold leaf frame.
fig 2. Scottish Landscape Oil Painting of Highland Sheep at Loch Tay by William Watson Jnr

As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists.

fig 3. An oil painting depicting a flock of Highland sheep in a mountain landscape near Loch Tay, set inside an ornate carved gold leaf frame.
fig 3. Scottish Landscape Oil Painting of Highland Sheep at Loch Tay by William Watson Jnr

Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen Watson (1871-1947), William Robert Charles Watson (1873-1928) and Walter James Watson (1877-1963) also became artists. Shortly after moving to the Birkenhead area, he made his debut at the Royal Academy in 1872.

fig 4. An oil painting depicting a flock of Highland sheep in a mountain landscape near Loch Tay, set inside an ornate carved gold leaf frame.
fig 4. Scottish Landscape Oil Painting of Highland Sheep at Loch Tay by William Watson Jnr

The family initially lived in Seacombe, Birkenhead where the first of their children were born but by 1879 they had moved to the outskirts of Liverpool to Maghull. They later returned to the Birkenhead area living at 9 Lorne Road, Tranmere. Watson seems to have enjoyed a close relationship with his family as they all lived and worked together until around 1901 when his sons William and Walter moved away and the rest of the family relocated to 5 Slatey Road, Birkenhead. Towards the end of his life Watson moved to Wales where he lived at Hillside, Capel Garmon, Llanrwst in Denbighshire. He died at Capel Garmon on 26 March, 1921.

fig 5. An oil painting depicting a flock of Highland sheep in a mountain landscape near Loch Tay, set inside an ornate carved gold leaf frame.
fig 5. Scottish Landscape Oil Painting of Highland Sheep at Loch Tay by William Watson Jnr

Watson’s scenes were mainly of the north of England, Wales and the Highlands and often featured cattle or sheep perched along stepped hillsides. He painted with consummate skill and his works are highly collectible. Many of his paintings were sold in America. Examples of his works can be found in the Atkinson Gallery, Sheffield Museum, Walker Art Gallery, Liverpool and the Williamson Art Gallery.

fig 6. An oil painting depicting a flock of Highland sheep in a mountain landscape near Loch Tay, set inside an ornate carved gold leaf frame.
fig 6. Scottish Landscape Oil Painting of Highland Sheep at Loch Tay by William Watson Jnr

Presentation: The painting is housed in its original gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
59cm (23.23")
Width
74.5cm (29.33")
Depth
9cm (3.54")
Date of Manufacture

Benton Fine Art has dated this Scottish Landscape Oil Painting to the 1900s.

Reference Numbers
Sellingantiques Ref
SA1223498
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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An oil painting depicting a flock of Highland sheep in a mountain landscape near Loch Tay, set inside an ornate carved gold leaf frame.
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Archive I An oil painting depicting a flock of Highland sheep in a mountain landscape near Loch Tay, set inside an ornate carved gold leaf frame.

Scottish Landscape Oil Painting of Highland Sheep at Loch Tay by William Watson Jnr

Archive II An oil painting depicting a flock of Highland sheep in a mountain landscape near Loch Tay, set inside an ornate carved gold leaf frame. View II
Archive III An oil painting depicting a flock of Highland sheep in a mountain landscape near Loch Tay, set inside an ornate carved gold leaf frame. View III
Archive IV An oil painting depicting a flock of Highland sheep in a mountain landscape near Loch Tay, set inside an ornate carved gold leaf frame. View IV
Archive V An oil painting depicting a flock of Highland sheep in a mountain landscape near Loch Tay, set inside an ornate carved gold leaf frame. View V
Archive VI An oil painting depicting a flock of Highland sheep in a mountain landscape near Loch Tay, set inside an ornate carved gold leaf frame. View VI
Archive VII An oil painting depicting a flock of Highland sheep in a mountain landscape near Loch Tay, set inside an ornate carved gold leaf frame. View VII
Archive VIII An oil painting depicting a flock of Highland sheep in a mountain landscape near Loch Tay, set inside an ornate carved gold leaf frame. View VIII
Archive IX An oil painting depicting a flock of Highland sheep in a mountain landscape near Loch Tay, set inside an ornate carved gold leaf frame. View IX
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An oil painting depicting a flock of Highland sheep in a mountain landscape near Loch Tay, set inside an ornate carved gold leaf frame.
Scottish landscape oil painting of Highland sheep at Loch Tay by William Watson Jnr
Ref: SA1223498
An oil painting depicting a flock of Highland sheep in a mountain landscape near Loch Tay, set inside an ornate carved gold leaf frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Scottish landscape art of the 19th century frequently featured realistic depictions of the Highlands, incorporating livestock, lochs, and atmospheric weather conditions popularised during the Victorian era.

These artworks were typically executed using oil pigments on stretched canvas, presented within composite timber frames finished with plaster mouldings and gold leaf.

Authentic works often exhibit natural craquelure across the paint layer, original canvas strainers with oxidisation on tacks, artist signatures, and period brass title plaques.

A gilded landscape painting serves as a focal point above a fireplace mantel or sideboard, creating visual contrast when placed against contemporary neutral wall finishes.

Keep the artwork away from direct sunlight, excess moisture, and direct heat sources, cleaning the frame gently with a dry soft brush rather than liquid solvents.
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