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William Sydney Cooper. "Morning on the Stour" . Large Oil Painting Landscape.
William Greenwood Fine Art
for sale €4,037     $4,382
£3,450

William Greenwood Fine Art

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William Sydney Cooper. "Morning on the Stour" . Large Oil Painting Landscape.

1900 - 1920
Description

Artist: William Sydney Cooper.( 1854-1927)

Title: ''Morning on the Stour".

Signed. and dated 1901.

Inscribed verso with title on the top stretcher.

.Oil on canvas.

Size: 20'' x 36''. Framed size: 25''x 41''. Please note: The pair to this painting can be located at SA1198872.

A very good large oil painting by William Sydney Cooper.

Now painting and frame cleaned. In very good ready to hang condition. Free UK delivery.

For more info please contact us at: Tel: 01677 424830 Mob: 07885 175279

Email: williamgreenwoodfineart@gmail.com

Website: wgreenwoodfineart.co.uk

Trade enquiries welcome.

William Sidney Cooper was a British landscape artist, best known for his paintings of the countryside around Herne Bay in Kent where he lived with his wife for many years.

William trained with his Great-Uncle Thomas Sidney Cooper at his School of Art in Canterbury and became a successful artist exhibiting at the Royal Academy, the Royal Society of British Artists (Suffolk Street galleries, London) and the Royal Watercolour Society.

Much of Cooper's landscapes contain cattle (which were his speciality) and also sheep, as in his Great Uncle's work. He died in 1927 and is buried in the churchyard at Eddington, Kent.

Physical Dimensions
Height
64cm (25.20")
Width
104cm (40.94")
Depth
6cm (2.36")
Declaration

William Greenwood Fine Art has dated this Pastoral Landscape Oil Painting to the 1900s.

Reference Numbers
Sellingantiques Reference
SA1198655
Dealers Internal Reference
wgp
Description
Artist: William Sydney Cooper.( 1854-1927)

Title: ''Morning on the Stour".

Signed. and dated 1901.

Inscribed verso with title on the top stretcher.

Oil on canvas.

Size: 20'' x 36''. Framed size: 25''x 41''. Please note: The pair to this painting can be located at SA1198872.

fig 1. A large horizontal oil painting depicting cattle standing in a river lined with trees under a pale sky.
fig 1. William Sydney Cooper. "Morning on the Stour" . Large Oil Painting Landscape.

A very good large oil painting by William Sydney Cooper.

Now painting and frame cleaned. In very good ready to hang condition. Free UK delivery.

For more info please contact us at: Tel: 01677 424830 Mob: 07885 175279

fig 2. A large horizontal oil painting depicting cattle standing in a river lined with trees under a pale sky.
fig 2. William Sydney Cooper. "Morning on the Stour" . Large Oil Painting Landscape.

Email: williamgreenwoodfineart@gmail.com

Website: wgreenwoodfineart.co.uk

Trade enquiries welcome.

William Sidney Cooper was a British landscape artist, best known for his paintings of the countryside around Herne Bay in Kent where he lived with his wife for many years.
William Greenwood Fine Art
fig 3. A large horizontal oil painting depicting cattle standing in a river lined with trees under a pale sky.
fig 3. William Sydney Cooper. "Morning on the Stour" . Large Oil Painting Landscape.

William trained with his Great-Uncle Thomas Sidney Cooper at his School of Art in Canterbury and became a successful artist exhibiting at the Royal Academy, the Royal Society of British Artists (Suffolk Street galleries, London) and the Royal Watercolour Society.

Much of Cooper's landscapes contain cattle (which were his speciality) and also sheep, as in his Great Uncle's work. He died in 1927 and is buried in the churchyard at Eddington, Kent.

Height
64cm (25.20")
Width
104cm (40.94")
Depth
6cm (2.36")
Date of Manufacture

William Greenwood Fine Art has dated this Pastoral Landscape Oil Painting to the 1900s.

Reference Numbers
Sellingantiques Ref
SA1198655
Dealers Internal Ref
wgp
William Greenwood Fine Art
Sellingantiques verified Since Oct 2012
Dealer Profile

You can view the stock and full dealer information on the William Greenwood Fine Art Profile Page

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A large horizontal oil painting depicting cattle standing in a river lined with trees under a pale sky.
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Archive I A large horizontal oil painting depicting cattle standing in a river lined with trees under a pale sky.

William Sydney Cooper. "Morning on the Stour" . Large Oil Painting Landscape.

Archive II A large horizontal oil painting depicting cattle standing in a river lined with trees under a pale sky. View II
Archive III A large horizontal oil painting depicting cattle standing in a river lined with trees under a pale sky. View III
Archive IV A large horizontal oil painting depicting cattle standing in a river lined with trees under a pale sky. View IV
Archive V A large horizontal oil painting depicting cattle standing in a river lined with trees under a pale sky. View V
Archive VI A large horizontal oil painting depicting cattle standing in a river lined with trees under a pale sky. View VI
Archive VII A large horizontal oil painting depicting cattle standing in a river lined with trees under a pale sky. View VII
Archive VIII A large horizontal oil painting depicting cattle standing in a river lined with trees under a pale sky. View VIII
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DL8 2JE
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A large horizontal oil painting depicting cattle standing in a river lined with trees under a pale sky.
William Sydney Cooper. "Morning on the Stour" . Large Oil Painting Landscape.
Ref: SA1198655
A large horizontal oil painting depicting cattle standing in a river lined with trees under a pale sky.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

British pastoral landscape painting is a genre focused on depicting serene, rural scenes of the countryside, often incorporating livestock, rivers, and natural foliage. Popularised during the 18th and 19th centuries, it emphasises harmony between agricultural life and nature.

Artists traditionally used oil-based pigments applied to natural fibre canvases, such as linen or cotton, stretched over wooden frames. Paintings were often finished with natural varnish layers to protect the surface.

Authentic period paintings feature natural age-related craquelure, period-appropriate canvas weave, artist signatures or monograms, and authentic oxidation or toning on the rear stretcher wood.

Display the painting as a focal point above a mantelpiece, sideboard, or console table. Pair with warm timber furniture and contemporary lighting to balance traditional subjects with modern spatial design.

Keep the artwork away from direct sunlight, fluctuating humidity, and direct heat sources. Remove surface dust lightly using a dry, soft-bristled brush, and consult a professional conservator for deep cleaning or varnish removal.
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