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Cuthbert Edmund Swan 1870-1931 A Lion and Lioness Stalking Their Prey at Dusk "c E Swan " Oil on Canvas 25 X 29 Cm.
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for sale €3,276     $3,556
£2,800

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Cuthbert Edmund Swan 1870-1931 A Lion and Lioness Stalking Their Prey at Dusk "c E Swan " Oil on Canvas 25 X 29 Cm.

19th century
For Sale by Artware Fineart
Description

Cuthbert Edmund Swan 1870-1931

A Lion and Lioness stalking their prey at dusk

"C E Swan "

oil on canvas

25 x 29 cm.

Cuthbert Edmund Swan was born in Ballyragget, Co Kilkenny, Ireland. He was educated at Seaford College, Sussex before he and his brother Edwin went on to study at the Academie Julien in Paris. On their return to London they settled in Camden Town. Cuthbert Edmund Swan was a teacher of drawing at the Central School of Arts and Crafts, especially animals. The latter was Irish, the son of John Macallan Swan, who had himself built up a career as a painter of animals, mainly big cats. Cuthbert followed in his father’s footsteps and he, too, was preoccupied with the study and depiction of zoo animals, notably the lions, jaguars, pumas and other big cats, which he regularly exhibited at the RA and other venues.It seems that Cuthbert and his brother, Edwin Swan, probably in the late 1880s, had studied at the Académie Julian in Paris - part of that tide of British students washing over the Channel, eager to become acquainted with some of the most radical art and art teaching available in western Europe at the time. Here, of course, students would meet fellow artists from many different countries and would also encounter some of the most exciting art of the day, notably, the work of the Impressionists. Within the Académie, the emphasis was on scrutinising an image, memorising, recalling and drawing from memory, until the student acquired considerable fluency and could then – of greatest importance – employ that skill as a vehicle for personal expressiveness. Furthermore, when Cuthbert and Edwin Swan arrived back in England, they settled in Camden Town for a while and met and painted with Walter Sickert, Lucien Pissarro and the young Robert Bevan (also lately returned form the Académie Julian).

He spent some time in India and was particularly fond of painting big cats, especially leopards. He taught animal drawing at the Central School of Arts and Crafts and exhibited at the Royal Academy, Royal Society of Oil Painters, Paris Salon and elsewhere. Works by him are in the collections of Birmingham Museum and Art Gallery, Llandudno Museum and elsewhere.

He was the son of the eminent painter and sculptor John Macallan Swan R.A. who spent considerable time at London Zoo studying and drawing animals there, particularly the big cats. Before becoming an artist and teacher of animal drawings for L C C School of Arts and Crafts, Cuthbert Swan had been a sailor and a scene painter. He specialised in animals working in oils, watercolours and pastels to produce his paintings and, despite working in India for a while, spent most of his life in Hampstead. He became a member of the Feline School.

He exhibited 66 times in England at the Royal Academy (from 1893) and the Royal Institute of Oil Painters plus others at the Paris Salon, with titles such as "Duke - a study of a lion"; "Jaguars at Play" and "Puma and cubs". His brother Edwin was a portrait painter.

Bibliography

Dictionary of British Animal Painters – J.C. Wood

Dictionary of British Artists Working 1900-1950 - Grant Waters

Dictionary of Victorian Painters - Christopher Wood

Dictionary of British Artists 1880-1940 - Johnson and Greutzner

Physical Dimensions
Height
25cm (9.84")
Width
29cm (11.42")
Depth
2cm (0.79")
Declaration

Artware Fineart has dated this Antique Lion Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1095789
Dealers Internal Reference
4777
Description
Cuthbert Edmund Swan 1870-1931

A Lion and Lioness stalking their prey at dusk

"C E Swan "

oil on canvas

25 x 29 cm.

Cuthbert Edmund Swan was born in Ballyragget, Co Kilkenny, Ireland.

He was educated at Seaford College, Sussex before he and his brother Edwin went on to study at the Academie Julien in Paris.
Artware Fineart

On their return to London they settled in Camden Town. Cuthbert Edmund Swan was a teacher of drawing at the Central School of Arts and Crafts, especially animals. The latter was Irish, the son of John Macallan Swan, who had himself built up a career as a painter of animals, mainly big cats. Cuthbert followed in his father’s footsteps and he, too, was preoccupied with the study and depiction of zoo animals, notably the lions, jaguars, pumas and other big cats, which he regularly exhibited at the RA and other venues.It seems that Cuthbert and his brother, Edwin Swan, probably in the late 1880s, had studied at the Académie Julian in Paris - part of that tide of British students washing over the Channel, eager to become acquainted with some of the most radical art and art teaching available in western Europe at the time. Here, of course, students would meet fellow artists from many different countries and would also encounter some of the most exciting art of the day, notably, the work of the Impressionists. Within the Académie, the emphasis was on scrutinising an image, memorising, recalling and drawing from memory, until the student acquired considerable fluency and could then – of greatest importance – employ that skill as a vehicle for personal expressiveness. Furthermore, when Cuthbert and Edwin Swan arrived back in England, they settled in Camden Town for a while and met and painted with Walter Sickert, Lucien Pissarro and the young Robert Bevan (also lately returned form the Académie Julian).

fig 1. An oil painting on canvas depicting a lion and a lioness crouched low on a rocky terrain in a mountainous landscape at dusk.
fig 1. Cuthbert Edmund Swan 1870-1931 A Lion and Lioness Stalking Their Prey at Dusk "c E Swan " Oil on Canvas 25 X 29 Cm.

He spent some time in India and was particularly fond of painting big cats, especially leopards. He taught animal drawing at the Central School of Arts and Crafts and exhibited at the Royal Academy, Royal Society of Oil Painters, Paris Salon and elsewhere. Works by him are in the collections of Birmingham Museum and Art Gallery, Llandudno Museum and elsewhere.

fig 2. An oil painting on canvas depicting a lion and a lioness crouched low on a rocky terrain in a mountainous landscape at dusk.
fig 2. Cuthbert Edmund Swan 1870-1931 A Lion and Lioness Stalking Their Prey at Dusk "c E Swan " Oil on Canvas 25 X 29 Cm.

He was the son of the eminent painter and sculptor John Macallan Swan R.A. who spent considerable time at London Zoo studying and drawing animals there, particularly the big cats. Before becoming an artist and teacher of animal drawings for L C C School of Arts and Crafts, Cuthbert Swan had been a sailor and a scene painter. He specialised in animals working in oils, watercolours and pastels to produce his paintings and, despite working in India for a while, spent most of his life in Hampstead. He became a member of the Feline School.

fig 3. An oil painting on canvas depicting a lion and a lioness crouched low on a rocky terrain in a mountainous landscape at dusk.
fig 3. Cuthbert Edmund Swan 1870-1931 A Lion and Lioness Stalking Their Prey at Dusk "c E Swan " Oil on Canvas 25 X 29 Cm.

He exhibited 66 times in England at the Royal Academy (from 1893) and the Royal Institute of Oil Painters plus others at the Paris Salon, with titles such as "Duke - a study of a lion"; "Jaguars at Play" and "Puma and cubs". His brother Edwin was a portrait painter.

fig 4. An oil painting on canvas depicting a lion and a lioness crouched low on a rocky terrain in a mountainous landscape at dusk.
fig 4. Cuthbert Edmund Swan 1870-1931 A Lion and Lioness Stalking Their Prey at Dusk "c E Swan " Oil on Canvas 25 X 29 Cm.

Bibliography

Dictionary of British Animal Painters – J.C. Wood

Dictionary of British Artists Working 1900-1950 - Grant Waters

Dictionary of Victorian Painters - Christopher Wood

Dictionary of British Artists 1880-1940 - Johnson and Greutzner

Height
25cm (9.84")
Width
29cm (11.42")
Depth
2cm (0.79")
Date of Manufacture

Artware Fineart has dated this Antique Lion Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1095789
Dealers Internal Ref
4777
Artware Fineart
Sellingantiques verified Since Sep 2008
Dealer Profile

You can view the stock and full dealer information on the Artware Fineart Profile Page

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An oil painting on canvas depicting a lion and a lioness crouched low on a rocky terrain in a mountainous landscape at dusk.
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Archive I An oil painting on canvas depicting a lion and a lioness crouched low on a rocky terrain in a mountainous landscape at dusk.

Cuthbert Edmund Swan 1870-1931 A Lion and Lioness Stalking Their Prey at Dusk "c E Swan " Oil on Canvas 25 X 29 Cm.

Archive II An oil painting on canvas depicting a lion and a lioness crouched low on a rocky terrain in a mountainous landscape at dusk. View II
Archive III An oil painting on canvas depicting a lion and a lioness crouched low on a rocky terrain in a mountainous landscape at dusk. View III
Archive IV An oil painting on canvas depicting a lion and a lioness crouched low on a rocky terrain in a mountainous landscape at dusk. View IV
Archive V An oil painting on canvas depicting a lion and a lioness crouched low on a rocky terrain in a mountainous landscape at dusk. View V
Archive VI An oil painting on canvas depicting a lion and a lioness crouched low on a rocky terrain in a mountainous landscape at dusk. View VI
Archive VII An oil painting on canvas depicting a lion and a lioness crouched low on a rocky terrain in a mountainous landscape at dusk. View VII
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An oil painting on canvas depicting a lion and a lioness crouched low on a rocky terrain in a mountainous landscape at dusk.
Cuthbert Edmund Swan 1870-1931 A Lion and Lioness stalking their prey at dusk "C E Swan " oil on canvas 25 x 29 cm.
Ref: SA1095789
An oil painting on canvas depicting a lion and a lioness crouched low on a rocky terrain in a mountainous landscape at dusk.
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Animalier oil paintings from this period are defined by their realistic representation of wild beasts, anatomically accurate forms, and dramatic atmospheric settings. Artists often captured animals in natural habitats using rich earth tones and painterly brushwork.

Artworks of this era were typically created using natural oil pigments bound with linseed oil on hand-stretched cotton or linen canvas. Canvas surfaces were primed with traditional gesso layers prior to paint application.

Authenticity is verified by assessing age-appropriate craquelure across the varnish layer, checking for historical canvas stretchers, inspecting backboard condition, and analyzing artist signatures under ultra-violet light.

Display the painting alongside rich dark timber furniture, brass lighting fixtures, or framed in contemporary alcoves to add historical depth and texture to living spaces, studies, or dining rooms.

Keep the oil canvas away from direct sunlight, excess moisture, and sudden temperature fluctuations. Dust the surface very gently with a soft dry brush and consult a professional conservator for any varnish cleaning or repair.
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