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Venetian Townscape Oil Painting of the Doge's Palace from the Dogana by Jane Vivian
Benton Fine Art
for sale €11,466     $12,446
£9,800
Benton Fine Art

Benton Fine Art

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Venetian Townscape Oil Painting of the Doge's Palace from the Dogana by Jane Vivian

19th century
For Sale by Benton Fine Art
Description

Jane Vivian

British, (fl. 1869-1890)

Looking towards the Doge's palace from the Dogana

Oil on canvas, signed

Image size: 17.25 inches x 31.25 inches

Size including frame: 22.75 inches x 36.75 inches

A wonderful painting of the Doge's Palace and St Mark’s Square from the Dogana, Venice by Jane Vivian. The Dogana was originally the main customs stop for all ships coming into Venice. In this painting, merchants can be seen waiting for an inspection, having unloaded their wares from their boats. Meanwhile other ships continue to dock at the famous customs house.

Jane Vivian was a landscape artist best known for her Venetian scenes. Few biographical details exist, which has led to some sources listing her as the daughter of John Victor de Fleury (fl.1847-1868), a painter of landscapes and coastal scenes who has been mistakenly named James Vivian de Fleury. However, there is strong evidence to suggest she was actually connected to the Meadows family of artists and that Vivian was possibly a pseudonym of one of the children of James Edwin Meadows (1828-1893) or perhaps Meadows himself. His daughters Alice and Julia Anne Meadows were both listed as artists on the 1871 census.

It is known that she lived in London and began her exhibiting career in 1869 at the Royal Society of British Artists. She made her debut at the Royal Birmingham Society of Artists a year later in 1870. Her address at the time was listed as Essex Villa, The Avenue, Acton which was also where Meadows and his family lived during this period. She was a frequent exhibitor at the Bristol Fine Art Academy from 1871 and also exhibited at the Royal Hibernian Academy, Royal Cornwall Polytechnic Society, Falmouth, York Fine Art Exhibition and other exhibitions in Dundee, Sheffield and Worcester. She was a highly gifted artist working in both oils and watercolours. Her paintings received wide critical acclaim and were described as having a “great depth of tone” and “a sunniness and warmth about it which is perfectly captivating”.

By 1876, Vivian was living at Gainsborough House, Aldine Street, Shepherd’s Bush Green which again was also the same address as Meadows. Assuming she was a family member, she was probably taught by her father and may well have travelled with him and his brother Arthur Joseph Meadows (1843-1907)to Europe, spending time in Italy especially Venice where she produced many views of the famous city. She continued to exhibit at the Bristol Fine Art Academy until around 1892.

Vivian also painted riverscapes and lake views of other European cities such as Bruges and Rouen, however it is for her Venetian scenes that she is perhaps best known. A number of her works can be found at the Shipley Art Gallery, Newstead Abbey, Bangor, Museum of Croydon and the Haworth Art Gallery.

Presentation: The work is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
58cm (22.83")
Width
93.5cm (36.81")
Depth
7cm (2.76")
Declaration

Benton Fine Art has dated this Venetian Landscape Oil Painting to the 1880s.

Reference Numbers
Sellingantiques Reference
SA1056751
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
Jane Vivian

British, (fl. 1869-1890)

Looking towards the Doge's palace from the Dogana

Oil on canvas, signed

Image size: 17.25 inches x 31.25 inches

Size including frame: 22.75 inches x 36.75 inches

A wonderful painting of the Doge's Palace and St Mark’s Square from the Dogana, Venice by Jane Vivian.
Benton Fine Art

The Dogana was originally the main customs stop for all ships coming into Venice. In this painting, merchants can be seen waiting for an inspection, having unloaded their wares from their boats. Meanwhile other ships continue to dock at the famous customs house.

fig 1. An oil painting depicting the Venetian shoreline and Doges Palace set within an ornate gilded frame.
fig 1. Venetian Townscape Oil Painting of the Doge's Palace from the Dogana by Jane Vivian

Jane Vivian was a landscape artist best known for her Venetian scenes. Few biographical details exist, which has led to some sources listing her as the daughter of John Victor de Fleury (fl.1847-1868), a painter of landscapes and coastal scenes who has been mistakenly named James Vivian de Fleury. However, there is strong evidence to suggest she was actually connected to the Meadows family of artists and that Vivian was possibly a pseudonym of one of the children of James Edwin Meadows (1828-1893) or perhaps Meadows himself. His daughters Alice and Julia Anne Meadows were both listed as artists on the 1871 census.

fig 2. An oil painting depicting the Venetian shoreline and Doges Palace set within an ornate gilded frame.
fig 2. Venetian Townscape Oil Painting of the Doge's Palace from the Dogana by Jane Vivian

It is known that she lived in London and began her exhibiting career in 1869 at the Royal Society of British Artists. She made her debut at the Royal Birmingham Society of Artists a year later in 1870. Her address at the time was listed as Essex Villa, The Avenue, Acton which was also where Meadows and his family lived during this period. She was a frequent exhibitor at the Bristol Fine Art Academy from 1871 and also exhibited at the Royal Hibernian Academy, Royal Cornwall Polytechnic Society, Falmouth, York Fine Art Exhibition and other exhibitions in Dundee, Sheffield and Worcester. She was a highly gifted artist working in both oils and watercolours. Her paintings received wide critical acclaim and were described as having a “great depth of tone” and “a sunniness and warmth about it which is perfectly captivating”.

fig 3. An oil painting depicting the Venetian shoreline and Doges Palace set within an ornate gilded frame.
fig 3. Venetian Townscape Oil Painting of the Doge's Palace from the Dogana by Jane Vivian

By 1876, Vivian was living at Gainsborough House, Aldine Street, Shepherd’s Bush Green which again was also the same address as Meadows. Assuming she was a family member, she was probably taught by her father and may well have travelled with him and his brother Arthur Joseph Meadows (1843-1907)to Europe, spending time in Italy especially Venice where she produced many views of the famous city. She continued to exhibit at the Bristol Fine Art Academy until around 1892.

fig 4. An oil painting depicting the Venetian shoreline and Doges Palace set within an ornate gilded frame.
fig 4. Venetian Townscape Oil Painting of the Doge's Palace from the Dogana by Jane Vivian

Vivian also painted riverscapes and lake views of other European cities such as Bruges and Rouen, however it is for her Venetian scenes that she is perhaps best known. A number of her works can be found at the Shipley Art Gallery, Newstead Abbey, Bangor, Museum of Croydon and the Haworth Art Gallery.

fig 5. An oil painting depicting the Venetian shoreline and Doges Palace set within an ornate gilded frame.
fig 5. Venetian Townscape Oil Painting of the Doge's Palace from the Dogana by Jane Vivian

Presentation: The work is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
58cm (22.83")
Width
93.5cm (36.81")
Depth
7cm (2.76")
Date of Manufacture

Benton Fine Art has dated this Venetian Landscape Oil Painting to the 1880s.

Reference Numbers
Sellingantiques Ref
SA1056751
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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An oil painting depicting the Venetian shoreline and Doges Palace set within an ornate gilded frame.
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Archive I An oil painting depicting the Venetian shoreline and Doges Palace set within an ornate gilded frame.

Venetian Townscape Oil Painting of the Doge's Palace from the Dogana by Jane Vivian

Archive II An oil painting depicting the Venetian shoreline and Doges Palace set within an ornate gilded frame. View II
Archive III An oil painting depicting the Venetian shoreline and Doges Palace set within an ornate gilded frame. View III
Archive IV An oil painting depicting the Venetian shoreline and Doges Palace set within an ornate gilded frame. View IV
Archive V An oil painting depicting the Venetian shoreline and Doges Palace set within an ornate gilded frame. View V
Archive VI An oil painting depicting the Venetian shoreline and Doges Palace set within an ornate gilded frame. View VI
Archive VII An oil painting depicting the Venetian shoreline and Doges Palace set within an ornate gilded frame. View VII
Archive VIII An oil painting depicting the Venetian shoreline and Doges Palace set within an ornate gilded frame. View VIII
Archive IX An oil painting depicting the Venetian shoreline and Doges Palace set within an ornate gilded frame. View IX
Archive X An oil painting depicting the Venetian shoreline and Doges Palace set within an ornate gilded frame. View X
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Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
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An oil painting depicting the Venetian shoreline and Doges Palace set within an ornate gilded frame.
Venetian townscape oil painting of the Doge's Palace from the Dogana by Jane Vivian
Ref: SA1056751
An oil painting depicting the Venetian shoreline and Doges Palace set within an ornate gilded frame.
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

During the 19th century, British artists frequently travelled to Italy to capture topographical views of famous landmarks, continuing the tradition of the Grand Tour veduta paintings. Works depicting Venice were particularly popular among Victorian collectors due to the citys unique architecture and light.

Paintings from this era were typically executed using oil pigments applied to stretched linen or cotton canvas, wood panels, or millboard. Frames were commonly constructed from timber covered in moulded gesso and finished with real gold leaf gilding.

Authentic pieces usually display natural age-related craquelure across the paint surface, historic oxidation on the reverse of the canvas, and hand-carved or moulded gesso giltwood frames. Signatures, gallery labels, or artist stamps on the stretcher bars also aid in verification.

A large framed oil painting can serve as a focal point when hung above a mantelpiece, sideboard, or console table. Pairing traditional gilt frames with modern minimalist furniture creates a balanced contrast between historic artwork and contemporary design.

Dust the frame gently using a soft, dry brush, avoiding water or liquid cleaners that can damage gilding. The painted canvas should be kept away from direct sunlight, extreme humidity, and heat sources, with professional restoration recommended for deep cleaning.
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