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ID #SA1053792
FOR SALE
£680
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Samuel Cotes, Portrait of a Gentleman, 1777
Wigs on the Green
for sale €796     $864
£680
Wigs on the Green

Wigs on the Green

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    Small portraiture of character & historical interest
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Samuel Cotes, Portrait of a Gentleman, 1777

18th century
Description

This gentleman's florid complexion suggests he may have indulged in an extra glass of port before sitting for his portrait! Dressed in a turquoise coat trimmed with gold braid and with his powdered wig neatly tied with black ribbon, he is now only known by the three initials - C.W.C. - scratched onto the reverse of the frame.

*

The portrait is signed S C and dated 1777. It is set in the original gold bracelet style frame with the addition of a hanging ring.

*

Samuel Cotes trained initially as an apothecary under his father but chose instead to follow his older brother’s example by becoming a professional artist. He exhibited miniatures from 1760. Cotes enjoyed a long career and was in his 85th year when he died at his London home in March 1818.

*

APHA Registration: H6KF5QC1

*

Physical Dimensions
Height
4cm (1.57")
Width
3cm (1.18")
Declaration

Wigs on the Green has dated this Georgian Portrait Miniature Pendant to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1053792
Dealers Internal Reference
9054M
Dealers Notes

All prices include UK postage. International shipping will be at cost.

Description
This gentleman's florid complexion suggests he may have indulged in an extra glass of port before sitting for his portrait! Dressed in a turquoise coat trimmed with gold braid and with his powdered wig neatly tied with black ribbon, he is now only known by the three initials - C.W.C. - scratched onto the reverse of the frame.
fig 1. An oval Georgian portrait miniature depicting a gentleman in a blue coat and powdered hair, housed in a gold pendant casing.
fig 1. Samuel Cotes, Portrait of a Gentleman, 1777

The portrait is signed S C and dated 1777. It is set in the original gold bracelet style frame with the addition of a hanging ring.

“
Samuel Cotes trained initially as an apothecary under his father but chose instead to follow his older brother’s example by becoming a professional artist.
Wigs on the Green

He exhibited miniatures from 1760. Cotes enjoyed a long career and was in his 85th year when he died at his London home in March 1818.

APHA Registration: H6KF5QC1

Height
4cm (1.57")
Width
3cm (1.18")
Date of Manufacture

Wigs on the Green has dated this Georgian Portrait Miniature Pendant to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1053792
Dealers Internal Ref
9054M
Wigs on the Green
Wigs on the Green
Sellingantiques verified Since May 2020

Small portraiture of character & historical interest

Dealer Profile

You can view the stock and full dealer information on the Wigs on the Green Profile Page

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An oval Georgian portrait miniature depicting a gentleman in a blue coat and powdered hair, housed in a gold pendant casing.
1 / 2
Archive I An oval Georgian portrait miniature depicting a gentleman in a blue coat and powdered hair, housed in a gold pendant casing.

Samuel Cotes, Portrait of a Gentleman, 1777

Archive II An oval Georgian portrait miniature depicting a gentleman in a blue coat and powdered hair, housed in a gold pendant casing. View II
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Wigs on the Green
Wigs on the Green
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Profile: sellingantiques.co.uk/wigsonthegreen
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An oval Georgian portrait miniature depicting a gentleman in a blue coat and powdered hair, housed in a gold pendant casing.
Samuel Cotes, Portrait of a Gentleman, 1777
Ref: SA1053792
An oval Georgian portrait miniature depicting a gentleman in a blue coat and powdered hair, housed in a gold pendant casing.
Detail View 1
Archival Detail

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FAQs

Portrait miniatures reached a peak of popularity during the Georgian era, serving as portable keepsakes of family members, lovers, or notable figures before photography existed. Typically painted in watercolour on thin sheets of ivory or vellum, these delicate works of art were often worn as jewellery or kept in protective leather cases.

Artists during this period predominantly used watercolour ground with gouache, applied using fine squirrel or sable hair brushes onto thin wafers of elephant ivory or vellum. These paintings were encased under protective glass rims and set into gold, pinchbeck, or silver-gilt frames featuring suspension loops.

Authentic pieces display distinct period details, such as characteristic 18th-century hairstyles, powdered wigs, and attire, along with subtle monograms or dates painted directly onto the background surface. Examining the reverse side for original gold fittings, woven hair panels, or hand-engraved inscriptions also helps verify authenticity.

These delicate artworks can be displayed within a curated gallery wall, grouped alongside antique engravings, or positioned inside glass cabinet showcases. Their small scale also makes them ideal focal points when arranged on wall brackets or displayed on desktop easel stands.

Portrait miniatures must be kept out of direct sunlight and high-ultraviolet light environments to prevent the watercolour pigments from fading. Because ivory substrate expands and contracts with atmospheric changes, maintain a stable relative humidity level and clean only the outer glass enclosure with a dry, soft cloth.
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