A suzani is a large embroidered panel from Uzbekistan, traditionally stitched by brides as part of their dowry. These textiles usually feature bold floral or botanical motifs worked in vibrant silk threads on a cotton foundation.

How were these textiles used?

Many items served practical or ceremonial roles within nomadic life, functioning as horse blankets, storage bags, or wedding trappings. Tribal groups such as the Yomut and Tekke utilised these woven and embroidered pieces for daily transport and tent decoration.

How do I hang a textile?

Mounting requires a method that distributes weight evenly across the top edge without puncturing or straining the historic fibres. A fabric sleeve can be stitched to the reverse to slide onto a concealed rod, or a professional conservator can apply velcro backing.

How are periods identified?

Dating relies on analysing the wool spin, the chemical composition of natural dyes, and the specific tribal design canon. Pieces from the nineteenth century often display softer dye patination and distinct regional wool preparation compared to later works.

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Central Asian wall hanging pieces are traditional tribal embroideries and woven covers that bring tactile history and bold geometry into modern interiors.

Silk Embroidered Suzani, Samarkand, Circa 1860, 2.25m X 1.95m

19th century

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Silk Embroidered Suzani, Samarkand, Circa 1860, 2.25m X 1.95m

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Central Asian Wall Hanging

Silk Embroidered Suzani, Samarkand, Circa 1860, 2.25m X 1.95m

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