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Oil Painting Highlands Sgùrr Nan Gillean Skye by William Beattie Brown
Cheshire Antiques Consultant Ltd
for sale €9,360     $10,160
£8,000
Cheshire Antiques Consultant Ltd

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Oil Painting Highlands Sgùrr Nan Gillean Skye by William Beattie Brown

19th century
Description

1 Fine Scottish Work of Art Victorian Oil Painting Scottish Highlands Sgùrr nan Gillean Isle of Skye.

Subject beautiful traditional Scottish Highland mountain landscape views of Sgùrr nan Gillean on Isle Of Skye.

Title "Sgùrr nan Gillean Skye".

Signed in the bottom corner by the known Associate of the Royal Scottish Academy artist William Beattie-Brown A.R.S.A (1831-1909).

Set in a decorative gilt frame whiv enhances further this painting.

Having such impressive dramatic perspective, in the foreground your focus is first drawn to the various sized small and large stone rocks & boulders, sloping grassland vegetation, magnificent views of the mountains. Overhead overcast clouds descending creates a dramatic atmosphere of intrigue and mystery especially with spots of white light coming through the lower clouds, which meets the peaks of Sgùrr nan Gillean (top left), Am Basteir (top middle) and Sgurr a'Bhasteir (top right) from Sligachan. Out of visual sight a stream runs through the valley.

The use of colour is exceptional with this artwork.

Sgùrr nan Gillean is a peak in the northern part of the Cuillin mountains on the Isle of Skye in Scotland. With a height of 966 metres (3,169 feet), it is one of eleven Munros in the Cuillins. It is the Munro peak nearest to the settlement of Sligachan, and its impressive triangular profile makes it one of the most recognizable of the Cuillins.

The most popular route of ascent, known as the Tourist Route, follows a path leading south and west from Sligachan, crossing a burn known as the Allt Dearg Beag (small red burn). The route continues up into a corrie, the Coire Rhiabhach. The ascent of the coire headwall is on loose rock and scree. The continuation up the southeast ridge to the summit is exposed, and calls for scrambling ability. The path up is very narrow so calls for single file when a party ascends. The top is a ridge which must be traversed to reach the final summit, and like the climb, needs some scrambling ability. All sides are very exposed, and extra care is needed if mist descends. The small airy summit platform is surprisingly smooth and flat with outstanding views.

Oil on canvas.

Title SGÙRR NAN GILLEAN, SKYE By William Beattie-Brown R.S.A (1831-1909)

Biography of the artist Born in the neighbourhood of Haddington in 1831, Associate of the Royal Scottish Academy Mr. Brown was early brought to Leith and received his education at the High School there. He seems to have exhibited first in 1852, when a picture of his “On the Water of Leith,’ was placed in the Scottish Academy’ Exhibition, and from that date his name was seldom or never absent from the Academy’s catalogues, In 1862 his picture “Sunrise—The Carrier's Cart,’ increased his reputation both amongst the public and in Art circles. During his earlier career his subjects were mostly drawn from the neighbourhood of Edinburgh, or from the border of Neidpath and Roslin, associated with his contributions to counties, as 1s evinced by the names of Tweed and Jed, the Academy’s exhibitions; but, from about 1860 onwards, though he frequently drew his material from the Scottish Lowlands—and, on occasion, from England and the Continent.

Mr. Beattie Brown was best known as a painter of Highland scenery, in the delineation of which he struck a note which secured for him a wide popularity amongst his fellow-countrymen. Though he held strongly individual views in regard to the affairs of the Academy, which he never failed to state with courage, his cheerful and buoyant disposition gained him many friends both within and beyond the ranks of his professional brethren. Mr. Beattie Brown was elected an Associate of the Academy in 1871, and attained full honours in 1884.Transcribed from the 1909 RSA Annual Report. He was a pioneer among the Scottish 'out-of-door' artists, frequently completing his pictures directly from nature.

Physical Dimensions
Height
66.5cm (26.18")
Width
92cm (36.22")
Depth
5.5cm (2.17")
Declaration

Cheshire Antiques Consultant Ltd has dated this Scottish Highland Oil Painting to the Victorian era.

Reference Numbers
Sellingantiques Reference
SA965856
Dealers Internal Reference
415
Dealers Notes

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Description
1 Fine Scottish Work of Art Victorian Oil Painting Scottish Highlands Sgùrr nan Gillean Isle of Skye.
Subject beautiful traditional Scottish Highland mountain landscape views of Sgùrr nan Gillean on Isle Of Skye.
Cheshire Antiques Consultant Ltd
fig 1. An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame.
fig 1. Oil Painting Highlands Sgùrr Nan Gillean Skye by William Beattie Brown

Title "Sgùrr nan Gillean Skye".

Signed in the bottom corner by the known Associate of the Royal Scottish Academy artist William Beattie-Brown A.R.S.A (1831-1909).

Set in a decorative gilt frame whiv enhances further this painting.

fig 2. An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame.
fig 2. Oil Painting Highlands Sgùrr Nan Gillean Skye by William Beattie Brown

Having such impressive dramatic perspective, in the foreground your focus is first drawn to the various sized small and large stone rocks & boulders, sloping grassland vegetation, magnificent views of the mountains. Overhead overcast clouds descending creates a dramatic atmosphere of intrigue and mystery especially with spots of white light coming through the lower clouds, which meets the peaks of Sgùrr nan Gillean (top left), Am Basteir (top middle) and Sgurr a'Bhasteir (top right) from Sligachan. Out of visual sight a stream runs through the valley.

fig 3. An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame.
fig 3. Oil Painting Highlands Sgùrr Nan Gillean Skye by William Beattie Brown

The use of colour is exceptional with this artwork.

Sgùrr nan Gillean is a peak in the northern part of the Cuillin mountains on the Isle of Skye in Scotland. With a height of 966 metres (3,169 feet), it is one of eleven Munros in the Cuillins. It is the Munro peak nearest to the settlement of Sligachan, and its impressive triangular profile makes it one of the most recognizable of the Cuillins.

fig 4. An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame.
fig 4. Oil Painting Highlands Sgùrr Nan Gillean Skye by William Beattie Brown

The most popular route of ascent, known as the Tourist Route, follows a path leading south and west from Sligachan, crossing a burn known as the Allt Dearg Beag (small red burn). The route continues up into a corrie, the Coire Rhiabhach. The ascent of the coire headwall is on loose rock and scree. The continuation up the southeast ridge to the summit is exposed, and calls for scrambling ability. The path up is very narrow so calls for single file when a party ascends. The top is a ridge which must be traversed to reach the final summit, and like the climb, needs some scrambling ability. All sides are very exposed, and extra care is needed if mist descends. The small airy summit platform is surprisingly smooth and flat with outstanding views.

fig 5. An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame.
fig 5. Oil Painting Highlands Sgùrr Nan Gillean Skye by William Beattie Brown

Oil on canvas.

Title SGÙRR NAN GILLEAN, SKYE By William Beattie-Brown R.S.A (1831-1909)

Biography of the artist Born in the neighbourhood of Haddington in 1831, Associate of the Royal Scottish Academy Mr. Brown was early brought to Leith and received his education at the High School there. He seems to have exhibited first in 1852, when a picture of his “On the Water of Leith,’ was placed in the Scottish Academy’ Exhibition, and from that date his name was seldom or never absent from the Academy’s catalogues, In 1862 his picture “Sunrise—The Carrier's Cart,’ increased his reputation both amongst the public and in Art circles. During his earlier career his subjects were mostly drawn from the neighbourhood of Edinburgh, or from the border of Neidpath and Roslin, associated with his contributions to counties, as 1s evinced by the names of Tweed and Jed, the Academy’s exhibitions; but, from about 1860 onwards, though he frequently drew his material from the Scottish Lowlands—and, on occasion, from England and the Continent.

fig 6. An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame.
fig 6. Oil Painting Highlands Sgùrr Nan Gillean Skye by William Beattie Brown

Mr. Beattie Brown was best known as a painter of Highland scenery, in the delineation of which he struck a note which secured for him a wide popularity amongst his fellow-countrymen. Though he held strongly individual views in regard to the affairs of the Academy, which he never failed to state with courage, his cheerful and buoyant disposition gained him many friends both within and beyond the ranks of his professional brethren. Mr. Beattie Brown was elected an Associate of the Academy in 1871, and attained full honours in 1884.Transcribed from the 1909 RSA Annual Report. He was a pioneer among the Scottish 'out-of-door' artists, frequently completing his pictures directly from nature.

Height
66.5cm (26.18")
Width
92cm (36.22")
Depth
5.5cm (2.17")
Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Scottish Highland Oil Painting to the Victorian era.

Reference Numbers
Sellingantiques Ref
SA965856
Dealers Internal Ref
415
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

Dealer Profile

You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame.
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Archive I An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame.

Oil Painting Highlands Sgùrr Nan Gillean Skye by William Beattie Brown

Archive II An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View II
Archive III An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View III
Archive IV An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View IV
Archive V An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View V
Archive VI An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View VI
Archive VII An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View VII
Archive VIII An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View VIII
Archive IX An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View IX
Archive X An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View X
Archive XI An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XI
Archive XII An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XII
Archive XIII An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XIII
Archive XIV An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XIV
Archive XV An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XV
Archive XVI An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XVI
Archive XVII An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XVII
Archive XVIII An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XVIII
Archive XIX An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XIX
Archive XX An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XX
Archive XXI An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XXI
Archive XXII An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XXII
Archive XXIII An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XXIII
Archive XXIV An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XXIV
Archive XXV An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XXV
Archive XXVI An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XXVI
Archive XXVII An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XXVII
Archive XXVIII An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XXVIII
Archive XXIX An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XXIX
Archive XXX An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame. View XXX
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Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Verified Since Jan 2021
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Location: 71-75 Shelton Street, Covent Garden, London, WC2H 9JQ, United Kingdom, , By appointment
Verified
Jan 2021
For Sale
250
Sold
214
An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame.
Oil Painting Highlands Sgùrr nan Gillean Skye By William Beattie Brown
Ref: SA965856
An oil painting depicting a rocky Scottish mountain landscape under a cloudy sky, presented in an ornate gilded wood frame.
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Scottish landscape paintings of this period typically depict dramatic natural scenery, such as rugged mountains, lochs, and moorlands, reflecting the Romantic movements focus on nature and regional identity.

Artists utilised oil pigments bound with drying oils, applied onto stretched canvas or wooden panels, and presented in carved, gilded wooden frames finished with gesso and gold leaf.

Authentic pieces display natural craquelure across the paint surface, characteristic canvas ageing on the reverse, original period framing techniques, and verifiable artist signatures or monograms.

Position the artwork as a focal point above a mantelpiece or sideboard, combining the ornate gilt frame with clean contemporary lines or dark wood furniture to create visual balance.

Keep the artwork away from direct sunlight, radiators, and fluctuating humidity, dusting the frame gently with a dry brush and consulting a professional conservator for surface cleaning.
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