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Portrait of a Nobleman C. 1768; Studio or Circle of Pompeo Batoni.
Roy Precious - Antiques & Fine Art
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Roy Precious - Antiques & Fine Art

Roy Precious - Antiques & Fine Art

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Portrait of a Nobleman C. 1768; Studio or Circle of Pompeo Batoni.

18th century
Description

Oil on canvas in a fine carved frame.

The unknown sitter is in a characteristic pose much favoured by Batoni; the red jacket and waistcoat, with simple gold lace decoration, are also of a type and colour that occur many times in the artist's portrait of English gentlemen on the Grand Tour.

POMPEO GIROLAMO BATONI (25 January 1708 – 4 February 1787) was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" led the artist to specialize in portraits. Batoni won international fame largely thanks to his customers, mostly British of noble origin. Such Grand Tour portraits by Batoni were in British private collections, thus ensuring the genre's popularity in Great Britain. One generation later, Sir Joshua Reynolds would take up this tradition and become the leading English portrait painter. Although Batoni was considered the best Italian painter of his time, contemporary chronicles mention his rivalry with Anton Raphael Mengs.

In 1760 the painter Benjamin West, while visiting Rome would complain that Italian artists "talked of nothing, looked at nothing but the works of Pompeo Batoni".

In addition to art-loving nobility, Batoni's subjects included the kings and queens of Poland, Portugal and Prussia, the Holy Roman Emperors Joseph II and Leopold II (a fact which earned him noble dignity), as well the popes Benedict XIV, Clement XIII and Pius VI, Elector Karl Theodor of Bavaria, and many more. He also received numerous orders for altarpieces for churches in Italy (Rome, Brescia, Lucca, Parma, etc.), as well as for mythological and allegorical subjects.

Batoni's style took inspiration and incorporated elements of classical antiquity, French Rococo, Bolognese classicism, and the work of artists such as Nicolas Poussin, Claude Lorrain, and especially Raphael. As such Pompeo Batoni is considered a precursor of Neoclassicism.

SIZE: 28 x 22.75 inches framed.

PROVENANCE: An East Sussex private collection, purchased more then 50 years ago from 'a large London auction house'.

Physical Dimensions
Height
71cm (27.95")
Width
58cm (22.83")
Depth
6cm (2.36")
Declaration

Roy Precious - Antiques & Fine Art has dated this piece to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA898306
Dealers Internal Reference
9260
Description
Oil on canvas in a fine carved frame.

The unknown sitter is in a characteristic pose much favoured by Batoni; the red jacket and waistcoat, with simple gold lace decoration, are also of a type and colour that occur many times in the artist's portrait of English gentlemen on the Grand Tour.

POMPEO GIROLAMO BATONI (25 January 1708 – 4 February 1787) was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures.

The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" led the artist to specialize in portraits.
Roy Precious - Antiques & Fine Art

Batoni won international fame largely thanks to his customers, mostly British of noble origin. Such Grand Tour portraits by Batoni were in British private collections, thus ensuring the genre's popularity in Great Britain. One generation later, Sir Joshua Reynolds would take up this tradition and become the leading English portrait painter. Although Batoni was considered the best Italian painter of his time, contemporary chronicles mention his rivalry with Anton Raphael Mengs.

fig 1. Portrait of a Nobleman c. 1768; Studio or Circle of Pompeo Batoni.
fig 1. Portrait of a Nobleman C. 1768; Studio or Circle of Pompeo Batoni.

In 1760 the painter Benjamin West, while visiting Rome would complain that Italian artists "talked of nothing, looked at nothing but the works of Pompeo Batoni".

In addition to art-loving nobility, Batoni's subjects included the kings and queens of Poland, Portugal and Prussia, the Holy Roman Emperors Joseph II and Leopold II (a fact which earned him noble dignity), as well the popes Benedict XIV, Clement XIII and Pius VI, Elector Karl Theodor of Bavaria, and many more. He also received numerous orders for altarpieces for churches in Italy (Rome, Brescia, Lucca, Parma, etc.), as well as for mythological and allegorical subjects.

fig 2. Portrait of a Nobleman c. 1768; Studio or Circle of Pompeo Batoni.
fig 2. Portrait of a Nobleman C. 1768; Studio or Circle of Pompeo Batoni.

Batoni's style took inspiration and incorporated elements of classical antiquity, French Rococo, Bolognese classicism, and the work of artists such as Nicolas Poussin, Claude Lorrain, and especially Raphael. As such Pompeo Batoni is considered a precursor of Neoclassicism.

SIZE: 28 x 22.75 inches framed.

PROVENANCE: An East Sussex private collection, purchased more then 50 years ago from 'a large London auction house'.

Height
71cm (27.95")
Width
58cm (22.83")
Depth
6cm (2.36")
Date of Manufacture

Roy Precious - Antiques & Fine Art has dated this piece to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA898306
Dealers Internal Ref
9260
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

Dealer Profile

You can view the stock and full dealer information on the Roy Precious - Antiques & Fine Art Profile Page

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Portrait of a Nobleman c. 1768; Studio or Circle of Pompeo Batoni.
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Archive I Portrait of a Nobleman c. 1768; Studio or Circle of Pompeo Batoni.

Portrait of a Nobleman C. 1768; Studio or Circle of Pompeo Batoni.

Archive II Portrait of a Nobleman c. 1768; Studio or Circle of Pompeo Batoni. View II
Archive III Portrait of a Nobleman c. 1768; Studio or Circle of Pompeo Batoni. View III
Archive IV Portrait of a Nobleman c. 1768; Studio or Circle of Pompeo Batoni. View IV
Enlarged Archival View
Location
Wiltshire
United Kingdom
Dealer Profile Page sellingantiques.co.uk/rp
Verified Since Mar 2003
Items For Sale 95
Items Sold 679
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Verified Since Mar 2003
View Dealer Info
Location: Wiltshire, United Kingdom
Verified
Mar 2003
For Sale
95
Sold
679
Portrait of a Nobleman c. 1768; Studio or Circle of Pompeo Batoni.
Portrait of a Nobleman c. 1768; Studio or Circle of Pompeo Batoni.
Ref: SA898306
Portrait of a Nobleman c. 1768; Studio or Circle of Pompeo Batoni.
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