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John Michael Wright, 1617 – 1694 Portrait Richard Corbet, Ma, 1569- Barrister in Law
Artware Fineart
for sale €3,276     $3,556
£2,800

Artware Fineart

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John Michael Wright, 1617 – 1694 Portrait Richard Corbet, Ma, 1569- Barrister in Law

17th century
For Sale by Artware Fineart
Description

John Michael Wright, 1617 – 1694

Portrait Richard Corbet, MA, 1569- Barrister in Law

Signed/Inscribed:

Inscribed verso 'J Michael Wright, Pictor Regis pinxit 1635" and inscribed on the front " R.C.M.A. Aeta Suae 66"

oil on canvas

30 x 25in. (76 x 63.5cm.)

Reginald Corbet Adderley Hall Market Drayton in Shropshire,

Purchased at the House sale in 1946, thence by descent.

Notes

Younger brother of SIR JOHN CORBET, 1st Baronet, of Stoke, the Corbet family had a long tradition of lawyers.

Sir John Corbet, 1st Baronet of Stoke upon Tern (1594 – July 1662) was an English politician who represented Shropshire in the House of Commons of the long Parliament. A moderate Puritan, he was noted before the English Civil War for his campaigns against extra-parliamentary taxation, which led to his imprisonment, and for waging a long running dispute over control of his parish church at Adderley. He was a notable member of the Shropshire county committee, responsible for pursuing the war against the royalists. Part of a Presbyterian middle group in Parliament, he was one of those secluded from parliament by Pride's Purge, and was stripped of his remaining public offices after the Restoration.

Physical Dimensions
Height
76cm (29.92")
Width
64cm (25.20")
Depth
2cm (0.79")
Declaration

Artware Fineart has dated this 17th Century Oil Portrait to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA837600
Dealers Internal Reference
4439
Description
John Michael Wright, 1617 – 1694

Portrait Richard Corbet, MA, 1569- Barrister in Law

Signed/Inscribed:

Inscribed verso 'J Michael Wright, Pictor Regis pinxit 1635" and inscribed on the front " R.C.M.A. Aeta Suae 66"

fig 1. A seventeenth-century oil painting depicting a gentleman in a black gown and white collar holding a leather-bound book against a dark background.
fig 1. John Michael Wright, 1617 – 1694 Portrait Richard Corbet, Ma, 1569- Barrister in Law

oil on canvas

30 x 25in. (76 x 63.5cm.)

Reginald Corbet Adderley Hall Market Drayton in Shropshire,

Purchased at the House sale in 1946, thence by descent.

Notes

Younger brother of SIR JOHN CORBET, 1st Baronet, of Stoke, the Corbet family had a long tradition of lawyers.
Artware Fineart
fig 2. A seventeenth-century oil painting depicting a gentleman in a black gown and white collar holding a leather-bound book against a dark background.
fig 2. John Michael Wright, 1617 – 1694 Portrait Richard Corbet, Ma, 1569- Barrister in Law

Sir John Corbet, 1st Baronet of Stoke upon Tern (1594 – July 1662) was an English politician who represented Shropshire in the House of Commons of the long Parliament. A moderate Puritan, he was noted before the English Civil War for his campaigns against extra-parliamentary taxation, which led to his imprisonment, and for waging a long running dispute over control of his parish church at Adderley. He was a notable member of the Shropshire county committee, responsible for pursuing the war against the royalists. Part of a Presbyterian middle group in Parliament, he was one of those secluded from parliament by Pride's Purge, and was stripped of his remaining public offices after the Restoration.

Height
76cm (29.92")
Width
64cm (25.20")
Depth
2cm (0.79")
Date of Manufacture

Artware Fineart has dated this 17th Century Oil Portrait to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA837600
Dealers Internal Ref
4439
Artware Fineart
Sellingantiques verified Since Sep 2008
Dealer Profile

You can view the stock and full dealer information on the Artware Fineart Profile Page

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A seventeenth-century oil painting depicting a gentleman in a black gown and white collar holding a leather-bound book against a dark background.
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Archive I A seventeenth-century oil painting depicting a gentleman in a black gown and white collar holding a leather-bound book against a dark background.

John Michael Wright, 1617 – 1694 Portrait Richard Corbet, Ma, 1569- Barrister in Law

Archive II A seventeenth-century oil painting depicting a gentleman in a black gown and white collar holding a leather-bound book against a dark background. View II
Archive III A seventeenth-century oil painting depicting a gentleman in a black gown and white collar holding a leather-bound book against a dark background. View III
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A seventeenth-century oil painting depicting a gentleman in a black gown and white collar holding a leather-bound book against a dark background.
John Michael Wright, 1617 – 1694 Portrait Richard Corbet, MA, 1569- Barrister in Law
Ref: SA837600
A seventeenth-century oil painting depicting a gentleman in a black gown and white collar holding a leather-bound book against a dark background.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Seventeenth-century British portraiture is defined by its dramatic contrast of light and shadow, formal sitter poses, and attention to drapery and fabrics. Artworks from this era often reflected the political, social, and academic status of the subject through symbolic clothing and props such as books or scrolls.

Artists during this period typically applied hand-ground pigments mixed with drying oils, such as linseed or walnut oil, onto hand-stretched linen canvas or wooden panels. Canvas grounds were often prepared with lead white and earth pigments to create a smooth, durable base.

Authentication involves examining natural craquelure patterns, canvas weave density, wooden stretcher age, and chemical analysis of the pigments. Pigments must align with materials available during the seventeenth century, such as bone black, ochres, and lead-tin yellow.

An antique portrait can serve as a focal point above a fireplace mantelpiece, sideboard, or within a paneled study. Juxtaposing historic oil paintings with sleek, minimalist furniture creates visual tension and adds depth to modern spaces.

Oil paintings require a stable relative humidity between 40% and 55% and consistent ambient temperatures to prevent canvas expansion and paint flaking. They should be displayed away from direct sunlight, heating sources, and excessive moisture.
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