Roy Precious - Antiques & Fine Art has dated this Baroque Oval Portrait Painting to the 1700s.
Verso: old label identifying the sitter.
This is an extremely charming portrait of a wealthy young boy.
This was called 'raising the sitter' and the idea was that the image would not date so quickly and become old fashioned in appearance.

George is standing in a landscape, probably the mythical Land of Arcady, or Arcadia, (a rustic paradise where beauty, love and truth reigned). This was a fashionable conceit of the time. Thus his bow and arrows seem likely to relate to Cupid, God of Love, rather than for hunting.

ROBERT BYNG (1666 - 1720) was born in Wiltshire, but is buried in Oxford where he died in 1720, having lived there since before 1714.
He was a pupil of, and very strongly influenced by, Sir Godfrey Kneller (Principal Painter to the King and the most distinguished Baroque portraitist in England). Byng was especially noted for his portraits of children.

Byng's earliest dated portraits are c.1697; one of his younger brothers, Edward, was drapery painter to Kneller and his principal assistant.
SIZE: 38 x 32 inches including the frame.
PROVENANCE: Collection of R.M. Chambers, Harley Street, London.
The Simon Carter Gallery, Woodbridge, Suffolk.
Bought by M.R. Soames, Carton, Suffolk, in July 1985 for £985.
Roy Precious - Antiques & Fine Art has dated this Baroque Oval Portrait Painting to the 1700s.
Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.
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