Roy Precious - Antiques & Fine Art has dated this piece to the 17th Century.
This excellent portrait is typical of the height of the Baroque period; the handsome sitter relaxes in an expensive and fashionable silk 'tea gown', his costly wig flows over his shoulders as he surveys the viewer rather quizzically.
JOHN CLOSTERMAN (1660-1711) was born in Osnabruck, the son of an artist.

In 1681 Closterman came to England and entered into partnership with the established portrait painter John Riley.
By 1683 he had developed an independent practice; he was adept at baroque poses still with a slightly French influence, with rather flashily painted drapery

His clients were mainly from the intellectual and professional middle classes, and included some of the leading writers, artists, musicians and physicians of the day.
In the 1690's, as his reputation grew, he painted for more exalted and aristocratic patrons, like the Dukes of Somerset and Marlborough.

He lived in great splendour in his house in Covent Garden, London, with his wife Hannah.
In 1699, after a visit to Rome, he fell under the spell of the Antique and painted his famous full length portraits of the Earl of Shaftesbury in Classical pose.

Closterman's last documented portrait is 1704, and he devoted his last years to dealing in Old Master paintings.
An exhibition of his work was held by the National Portrait Gallery in 1981 under the title of 'Master of the Baroque Portrait'.
SIZE: 38.25 x 32.5 x 2.5 inches including the frame.
PROVENANCE: *Mrs R.D. Shafto, Bavington Hall, Capheaton, Northumberland.
Sale, Christie's, London, 1994.
Wood Dalling Hall, Norfolk (see image 7)
Roy Precious - Antiques & Fine Art has dated this piece to the 17th Century.
Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.
You can view the stock and full dealer information on the Roy Precious - Antiques & Fine Art Profile Page