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ID #SA562034
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£250
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View of a Harbour - Antique Oil Painting
Rue des Fontenelles
for sale €293     $318
£250

Rue des Fontenelles

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View of a Harbour - Antique Oil Painting

1900 - 1920
Description

Signed - S Abeloos - oil on canvas mounted in an attractive wooden art deco frame. The painting shows a view of a French harbour and is inscribed on the rear ' souvenir du la manifestation

du 17-11-1923'

Sonia Abeloos , was born in Brussels in 1876 and died in Brussels in 1969. She was a Belgian painter who painted mainly landscapes , seascapes and portraits .

Abeloos was a pupil of the Brussels Academy, where she studied under the direction of Isidore Verheyden (1848-1905), Guillaume Van Strydonck (1861-1937) and Dillens and Rousseau . She was a member of the artistic circle of Brussels.

In 1966, on the occasion of her 90th birthday, the National Council of Women , of which she was the oldest, honoured her by organizing a visit to his studio. There were exhibits representative of his 70 years of activity. She has works in the museums of Schaerbeek, Ixelles (Brussels) and is referenced in the Dictionary of Belgian painters.

Dimensions - 48 x 39 cms

Physical Dimensions
Height
39cm (15.35")
Width
48cm (18.90")
Depth
4cm (1.57")
Declaration

Rue des Fontenelles has dated this Antique Harbour Oil Painting to the 1920s.

Reference Numbers
Sellingantiques Reference
SA562034
Description
Signed - S Abeloos - oil on canvas mounted in an attractive wooden art deco frame.
“
The painting shows a view of a French harbour and is inscribed on the rear ' souvenir du la manifestation.
Rue des Fontenelles

du 17-11-1923'

fig 1. An impressionist oil painting depicting a calm harbour view under a cloudy sky with sea walls and small boats in muted tones of blue, grey, and cream.
fig 1. View of a Harbour - Antique Oil Painting

Sonia Abeloos , was born in Brussels in 1876 and died in Brussels in 1969. She was a Belgian painter who painted mainly landscapes , seascapes and portraits .

Abeloos was a pupil of the Brussels Academy, where she studied under the direction of Isidore Verheyden (1848-1905), Guillaume Van Strydonck (1861-1937) and Dillens and Rousseau . She was a member of the artistic circle of Brussels.

fig 2. An impressionist oil painting depicting a calm harbour view under a cloudy sky with sea walls and small boats in muted tones of blue, grey, and cream.
fig 2. View of a Harbour - Antique Oil Painting

In 1966, on the occasion of her 90th birthday, the National Council of Women , of which she was the oldest, honoured her by organizing a visit to his studio. There were exhibits representative of his 70 years of activity. She has works in the museums of Schaerbeek, Ixelles (Brussels) and is referenced in the Dictionary of Belgian painters.

Dimensions - 48 x 39 cms

Height
39cm (15.35")
Width
48cm (18.90")
Depth
4cm (1.57")
Date of Manufacture

Rue des Fontenelles has dated this Antique Harbour Oil Painting to the 1920s.

Reference Numbers
Sellingantiques Ref
SA562034
Rue des Fontenelles
Sellingantiques verified Since Mar 2015

Specialists in french antiiques, decorative objects and french and european paintings.

Dealer Profile

You can view the stock and full dealer information on the Rue des Fontenelles Profile Page

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An impressionist oil painting depicting a calm harbour view under a cloudy sky with sea walls and small boats in muted tones of blue, grey, and cream.
1 / 8
Archive I An impressionist oil painting depicting a calm harbour view under a cloudy sky with sea walls and small boats in muted tones of blue, grey, and cream.

View of a Harbour - Antique Oil Painting

Archive II An impressionist oil painting depicting a calm harbour view under a cloudy sky with sea walls and small boats in muted tones of blue, grey, and cream. View II
Archive III An impressionist oil painting depicting a calm harbour view under a cloudy sky with sea walls and small boats in muted tones of blue, grey, and cream. View III
Archive IV An impressionist oil painting depicting a calm harbour view under a cloudy sky with sea walls and small boats in muted tones of blue, grey, and cream. View IV
Archive V An impressionist oil painting depicting a calm harbour view under a cloudy sky with sea walls and small boats in muted tones of blue, grey, and cream. View V
Archive VI An impressionist oil painting depicting a calm harbour view under a cloudy sky with sea walls and small boats in muted tones of blue, grey, and cream. View VI
Archive VII An impressionist oil painting depicting a calm harbour view under a cloudy sky with sea walls and small boats in muted tones of blue, grey, and cream. View VII
Archive VIII An impressionist oil painting depicting a calm harbour view under a cloudy sky with sea walls and small boats in muted tones of blue, grey, and cream. View VIII
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Rue des Fontenelles
Telephone 01647 432381 or 07933 200912
Location
Chagford
Devon
United Kingdom
Dealer Profile Page sellingantiques.co.uk/fontenelles
Verified Since Mar 2015
Items For Sale 155
Items Sold 1,180
Rue des Fontenelles
Verified Since Mar 2015
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Location: Chagford, Devon, United Kingdom
Profile: sellingantiques.co.uk/fontenelles
Verified
Mar 2015
For Sale
155
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An impressionist oil painting depicting a calm harbour view under a cloudy sky with sea walls and small boats in muted tones of blue, grey, and cream.
View of a Harbour - Antique Oil Painting
Ref: SA562034
An impressionist oil painting depicting a calm harbour view under a cloudy sky with sea walls and small boats in muted tones of blue, grey, and cream.
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FAQs

Maritime impressionism gained prominence in the late nineteenth and early twentieth centuries as artists moved outdoors to capture natural light, dynamic weather conditions, and modern watercraft directly on canvas. The style prioritises mood, atmospheric haze, and fluid water reflections over rigid architectural accuracy.

Artists traditionally applied oil paints composed of natural pigments and drying oils onto linen or cotton canvas stretched over wooden frames, or onto wood panels. Layered brushwork and impasto techniques were frequently employed to create texture in sky and water elements.

Authentic period paintings typically display natural age features such as subtle surface craquelure, uniform canvas aging on the reverse, hand-carved stretcher bars, and original signatures rendered in the same paint medium as the main composition.

A muted maritime painting works well hung above a timber sideboard, styled on a gallery wall alongside brass sconces, or framed in a simple tray frame to balance traditional subject matter with clean contemporary lines.

Keep oil paintings away from direct sunlight, damp environments, and intense heat sources to prevent cracking and pigment fading. Surface dust should be removed gently using a soft, dry camel-hair brush rather than liquid cleaners.
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