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Edmund John Niemann, 1813–1876 Panorama of the Medway from Upnor Hill with Chatham and Dockyard in the Distance & Rochester Beyond
Artware Fineart
for sale €11,700     $12,700
£10,000

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Edmund John Niemann, 1813–1876 Panorama of the Medway from Upnor Hill with Chatham and Dockyard in the Distance & Rochester Beyond

19th century
For Sale by Artware Fineart
Description

Edmund John Niemann, 1813–1876

Panorama of the Medway from Upnor Hill with Chatham and Dockyard in the distance & Rochester beyond

Signed/Inscribed:

and dated "E J Niemann Chatham 59"

oil on panel

35 x 92 cm. x 13.3/4 x 36.1/4in.

This extensive Panorama shows the key Chatham Covered Slips and H.M. Dockyard centrally in the distance, with St Mary's Church just to the right of the dockyard before the major expansion northward onto St Mary's Island (left) from c. 1860 with the shipbuilding sheds of the 1840s and early 50s which four out of five (the most southerly of two early wooden ones was later lost to fire). The kiln in the right foreground is for the terracotta works, to the immediate left of the terracotta works is the "New London Stone Obelisk" marking the limit of the city of London over the river, this was erected in 1836. There is a small Littles shipbuilding yard by Upnor Castle & Barracks seen in the far right , this may have been part of the dockyard’s activities. In the far top right hand section is the Windmill and Star Hill at Rochester with Rochester Cathedral and the Castle in the far distance.

Notes

The Medway area has a long and varied history dominated originally by the city of Rochester and later by the naval and military establishments principally in Chatham and Gillingham.

Rochester was established on an Iron Age site by the Romans,who called it Durobrivae (meaning "stronghold by the bridge"), to control the point where Watling Street (now the A2) crossed the River Medway. Rochester later became a walled town and, under later Saxon influence, a mint was established here. The first cathedral was built by Bishop Justus in 604 and rebuilt under the Normans by Bishop Gundulf, who also built the castle that stands opposite the cathedral. Rochester was also an important point for people travelling the Pilgrims' Way, which stretches from Winchester to the shrine of Thomas Becket at Canterbury. The Pilgrims' Way crossed the Medway near Cuxton.

In Rochester, parts of the Roman city wall are still in evidence, and the city has many fine buildings, such as the Guildhall (today a museum), which was built in 1687 and is among the finest 17th-century civic buildings in Kent; the Corn Exchange, built in 1698, originally the Butcher's Market; the small Tudor house of Watts Charity endowed by Sir Richard Watts to house "six poor travelers" for one night each; Satis House and Old Hall, both visited by Queen Elizabeth I, built in 1573.

The Royal Navy opened a anchorage dockyard in Gillingham (Jillingham Water) during the reign of Henry VIII, in 1567 the Royal Naval Dockyard was established in Medway. Although it is called Chatham dockyard, two-thirds of the dockyard lie within Gillingham. The dockyard was closed in 1984, with the loss of eight thousand jobs at the dockyard itself and many more in local supply industries, contributing to a mid-1980s Medway unemployment rate of sixteen percent. It was protected by a series of forts including Fort Amherst and the Lines, Fort Pitt and Fort Borstal. The majority of surviving buildings in the Historic Dockyard are Georgian. It was here that HMS Victory, Admiral Lord Nelson's flagship at Trafalgar, was built and launched in 1765. Sir Francis Drake learned his seamanship on the Medway; Sir John Hawkins founded a hospital in Chatham for seamen, and Nelson began his Navy service at Chatham at the age of 12. Other notable sea-faring and naval figures, such as William Adams, were raised on the Medway but apprenticed elsewhere. The river was further protected by such fortifications as Upnor Castle which, in 1667 in varying accounts says it was partly successful in thwarting the Dutch raid on the dockyard, or the commanding officer fled without firing on the Dutch.

Another warship built at Chatham that still exists is HMS Unicorn (a 46-gun "Leda" class frigate) laid down in February 1822, and launched 30 March 1824. She never saw active servi

Physical Dimensions
Height
35cm (13.78")
Width
92cm (36.22")
Depth
2cm (0.79")
Declaration

Artware Fineart has dated this Victorian Panoramic Landscape Painting to the 1850s.

Reference Numbers
Sellingantiques Reference
SA540798
Dealers Internal Reference
3991
Description
Edmund John Niemann, 1813–1876

Panorama of the Medway from Upnor Hill with Chatham and Dockyard in the distance & Rochester beyond

Signed/Inscribed:

and dated "E J Niemann Chatham 59"

oil on panel

35 x 92 cm. x 13.3/4 x 36.1/4in.

This extensive Panorama shows the key Chatham Covered Slips and H.M.

Dockyard centrally in the distance, with St Mary's Church just to the right of the dockyard before the major expansion northward onto St Mary's Island (left) from c.
Artware Fineart

1860 with the shipbuilding sheds of the 1840s and early 50s which four out of five (the most southerly of two early wooden ones was later lost to fire). The kiln in the right foreground is for the terracotta works, to the immediate left of the terracotta works is the "New London Stone Obelisk" marking the limit of the city of London over the river, this was erected in 1836. There is a small Littles shipbuilding yard by Upnor Castle & Barracks seen in the far right , this may have been part of the dockyard’s activities. In the far top right hand section is the Windmill and Star Hill at Rochester with Rochester Cathedral and the Castle in the far distance.

fig 1. A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky.
fig 1. Edmund John Niemann, 1813–1876 Panorama of the Medway from Upnor Hill with Chatham and Dockyard in the Distance & Rochester Beyond

Notes

The Medway area has a long and varied history dominated originally by the city of Rochester and later by the naval and military establishments principally in Chatham and Gillingham.

Rochester was established on an Iron Age site by the Romans,who called it Durobrivae (meaning "stronghold by the bridge"), to control the point where Watling Street (now the A2) crossed the River Medway. Rochester later became a walled town and, under later Saxon influence, a mint was established here. The first cathedral was built by Bishop Justus in 604 and rebuilt under the Normans by Bishop Gundulf, who also built the castle that stands opposite the cathedral. Rochester was also an important point for people travelling the Pilgrims' Way, which stretches from Winchester to the shrine of Thomas Becket at Canterbury. The Pilgrims' Way crossed the Medway near Cuxton.

fig 2. A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky.
fig 2. Edmund John Niemann, 1813–1876 Panorama of the Medway from Upnor Hill with Chatham and Dockyard in the Distance & Rochester Beyond

In Rochester, parts of the Roman city wall are still in evidence, and the city has many fine buildings, such as the Guildhall (today a museum), which was built in 1687 and is among the finest 17th-century civic buildings in Kent; the Corn Exchange, built in 1698, originally the Butcher's Market; the small Tudor house of Watts Charity endowed by Sir Richard Watts to house "six poor travelers" for one night each; Satis House and Old Hall, both visited by Queen Elizabeth I, built in 1573.

fig 3. A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky.
fig 3. Edmund John Niemann, 1813–1876 Panorama of the Medway from Upnor Hill with Chatham and Dockyard in the Distance & Rochester Beyond

The Royal Navy opened a anchorage dockyard in Gillingham (Jillingham Water) during the reign of Henry VIII, in 1567 the Royal Naval Dockyard was established in Medway. Although it is called Chatham dockyard, two-thirds of the dockyard lie within Gillingham. The dockyard was closed in 1984, with the loss of eight thousand jobs at the dockyard itself and many more in local supply industries, contributing to a mid-1980s Medway unemployment rate of sixteen percent. It was protected by a series of forts including Fort Amherst and the Lines, Fort Pitt and Fort Borstal. The majority of surviving buildings in the Historic Dockyard are Georgian. It was here that HMS Victory, Admiral Lord Nelson's flagship at Trafalgar, was built and launched in 1765. Sir Francis Drake learned his seamanship on the Medway; Sir John Hawkins founded a hospital in Chatham for seamen, and Nelson began his Navy service at Chatham at the age of 12. Other notable sea-faring and naval figures, such as William Adams, were raised on the Medway but apprenticed elsewhere. The river was further protected by such fortifications as Upnor Castle which, in 1667 in varying accounts says it was partly successful in thwarting the Dutch raid on the dockyard, or the commanding officer fled without firing on the Dutch.

Another warship built at Chatham that still exists is HMS Unicorn (a 46-gun "Leda" class frigate) laid down in February 1822, and launched 30 March 1824. She never saw active servi

Height
35cm (13.78")
Width
92cm (36.22")
Depth
2cm (0.79")
Date of Manufacture

Artware Fineart has dated this Victorian Panoramic Landscape Painting to the 1850s.

Reference Numbers
Sellingantiques Ref
SA540798
Dealers Internal Ref
3991
Artware Fineart
Sellingantiques verified Since Sep 2008
Dealer Profile

You can view the stock and full dealer information on the Artware Fineart Profile Page

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A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky.
1 / 14
Archive I A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky.

Edmund John Niemann, 1813–1876 Panorama of the Medway from Upnor Hill with Chatham and Dockyard in the Distance & Rochester Beyond

Archive II A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky. View II
Archive III A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky. View III
Archive IV A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky. View IV
Archive V A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky. View V
Archive VI A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky. View VI
Archive VII A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky. View VII
Archive VIII A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky. View VIII
Archive IX A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky. View IX
Archive X A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky. View X
Archive XI A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky. View XI
Archive XII A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky. View XII
Archive XIII A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky. View XIII
Archive XIV A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky. View XIV
Enlarged Archival View
Telephone 07958 699 645
Location
18 La Gare
51 Surrey Row
London
SE1 0BZ
United Kingdom
Verified Since Sep 2008
Items For Sale 243
Items Sold 223
Artware Fineart
Verified Since Sep 2008
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Location: 18 La Gare , 51 Surrey Row , London , SE1 0BZ , United Kingdom
Verified
Sep 2008
For Sale
243
Sold
223
A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky.
Edmund John Niemann, 1813–1876 Panorama of the Medway from Upnor Hill with Chatham and Dockyard in the distance & Rochester beyond
Ref: SA540798
A panoramic 19th-century oil painting showing two seated figures overlooking a wide river with boats, green hills, and a blue cloudy sky.
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Victorian landscape oil paintings typically feature detailed depictions of countryside scenes, riverways, and maritime trade, capturing the light and atmosphere of 19th-century Britain.

Artists during this era predominantly used oil-based pigments applied to natural linen or cotton canvas, supported by timber stretcher bars and framed in gilded moulding.

Authentic period paintings display uniform surface craquelure, natural discolouration of historical varnish, and stretchers or labels showing age-related patination.

A wide panoramic landscape painting works effectively hung above a sideboard, mantelpiece, or long sofa, serving as a framed focal point that grounds the room.

Display the artwork away from direct sunlight, dampness, and heat sources, dusting the surface gently with a dry, soft brush rather than cleaning solvents.
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