Artware Fineart has dated this Georgian Sporting Oil Painting to the 19th Century.
A Sportsman Walking up Grouse, with his Double Barreled, Percussion Shot Gun
oil on canvas
21 x 16 in. (54 x 41 cm.)
Thomas Page’s The Art of Shooting Flying Explained of 1767 (a longer and more technical work than those of Blome and Markland) recommended 32in for early season work and, for “after Michaelmas, the birds by that time… grown so shy, that your shoots must be at longer distances”, 39in, adding, “if you intend one gun to serve for all purposes… a three feet barrel or thereabouts” would be ad-visable.
While the flintlock and trigger-to-bang time continually improved, the next major innovation was the addition of a second barrel. The earliest examples of guns with barrels held together by soldering rather than the stock were French side-by-sides of the 1730s. However, these were slow to catch on in England, the Shooting Directory of 1804 dep-recating their usefulness and equating their French origin with “a great many other foolish things”. Nevertheless, the great English gunmakers Ezekiel Baker, Henry Nock and the Mantons were already producing superb examples, which, with the formerly full-length stock (as long as the barrels) reduced to a “half-stock” (resembling a fore-end), looked much like modern guns.
Rapidity of fire increased with the application of percussion ignition early in the 19th century, especially with the perfected percussion cap of about 1830. However, it was the introduction of a fully functional hinged breech in the 1830s and then of cartridges containing primer, propellant and projectile – and reliable firing pins – that saw the birth of the modern shotgun.
A top hat, beaver hat, high hat, silk hat, cylinder hat, chimney pot hat or stove pipe hat,sometimes also known by the nickname "topper", is a tall, flat-crowned, broad-brimmed hat, worn by men from the latter part of the 18th to the middle of the 20th century. The first silk top hat in England is credited to George Dunnage, a hatter from Middlesex, in 1793. The invention of the top hat is often erroneously credited to a haberdasher named John Hetherington. Within 30 years top hats had become popular with all social classes, with even workmen wearing them. At that time those worn by members of the upper classes were usually made of felted beaver fur; the generic name "stuff hat" was applied to hats made from various non-fur felts. The hats became part of the uniforms worn by policemen and postmen (to give them the appearance of authority); since these people spent most of their time outdoors, their hats were topped with black oilcloth. The Top hat was usually black but the sporting varities were grey, brown and white.
Artist Biography
Benjamin Marshall, (1768–1835), painter and racing journalist, was born on 8 November 1768 at Seagrave, Leicestershire, the only surviving son of eight children born to Charles Marshall and his wife, Elizabeth (d. 1772). Benjamin Marshall married Mary Saunders (d. 1827) of Ratby on 12 November 1789 and is recorded as being a schoolmaster in the will of his brother-in-law, dated 1791. However, he must have already shown a talent for portraiture for in the same year, on the recommendation of William Pochin of Barkby Hall, MP for the county, he was apprenticed to the portrait painter Lemuel Francis Abbott.
It is said that Ben Marshall (as he was known) was so impressed by Sawrey Gilpin'slife-size painting Death of a Fox, exhibited at the Royal Academy in 1793, that he decided to change from portraiture to sporting subjects (Sporting Magazine, Aug 1835, 298). By 1795 the Marshalls were living in London at Beaumont Street, Marylebone, their elder son, Charles, having been born the previous year. Soon after their arrival Marshall met William Taplin, the author of The Gentleman's Stable Directo
Artware Fineart has dated this Georgian Sporting Oil Painting to the 19th Century.
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Benjamin Marshall, 1768 - 1835 A Sportsman Walking up Grouse, with his Double Barreled, Flint Lock Shot Gun
