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Landscape Oil Painting of a Horse & Cart on a Country Track, by James Edwin Meadows
Benton Fine Art
for sale €4,563     $4,953
£3,900
Benton Fine Art

Benton Fine Art

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Landscape Oil Painting of a Horse & Cart on a Country Track, by James Edwin Meadows

19th century
For Sale by Benton Fine Art
Description

James Edwin Meadows

British, (1826-1893)

A Country Track

Oil on canvas, signed & dated 1861

Image size: 29.5 inches x 47.5 inches

Size including frame: 36.5 inches x 54.5 inches

A large scale landscape painting of a horse and cart outside a cottage by James Edwin Meadows. A farmer and his dog can be seen standing next to a team of horses and cart on a country track. As he stops outside a cottage, three children can be seen watching on by the front gate. At the time of this painting, Meadows was living at Acton Cottage in Acton.

James Edwin Meadows or James Edward Meadows was born in Mountnessing, Essex in 1826 to James Meadows Snr (1798-1864) and Ann Cross. He came from a family of artists; his father was a talented painter of inshore and coastal scenes and his brothers William George Meadows (1825-1907), Alfred John (1833-1894), Edwin Lewis Meadows (1838-1907) and Arthur Joseph Meadows (1843-1907) were all artists. The family lived in Old Town, Clapham and later 12 Coborn Street in Bow. His father taught all of his sons to paint and was an influence on their style and subject matter.

Meadows began exhibiting at the Royal Society of British Artists in 1853 and by the time of his marriage to Eliza Ann Rackcliffe, a widow, on 10 March, 1854, had established himself as an artist. The couple spent the first few years of their married life living at Harleyford Street in Kennington from where he made his debut at the Royal Academy in the summer of 1854. He began exhibiting at the British Institution from 1855 and also exhibited at some of the major provincial galleries such as Walker Art Galleries, Liverpool, Manchester City Art Gallery and the Royal Hibernian Academy.

By 1861, he was living with his wife and four children at Acton Cottage, Acton Green, later moving to Essex Villa in Acton in 1864. Two of his daughters Alice and Julia Anne also became artists and may well have helped him in his studio. Sometime during the mid to late 1870’s he made his final move to Gainsborough house at no 2 Aldine street, Shepherd’s Bush where he remained for the rest of his life. There is strong evidence to suggest a connection between the artist Jane Vivian, who exhibited from both these addresses and the Meadows family. It is possible that Vivian was a pseudonym of one of his children, or perhaps Meadows himself.

From his base in London, he travelled around England painting landscape views of Essex, Kent, Sussex, Surrey and the Isle of Wight for which he became best known. The composition of his paintings are highly appealing, often containing figures, cottages, dogs and other animals such as ducks, which have made his works as popular and sought after today as they were in his lifetime. During the last decade of his life, as well as continuing to paint he also became a professor of painting. He died at his home in Aldine Street on 21 July, 1893. Examples of his work can be found in the Wolverhampton Art Gallery and the Ramsgate Library.

Presentation: The work is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
93cm (36.61")
Width
138cm (54.33")
Depth
6cm (2.36")
Declaration

Benton Fine Art has dated this Victorian Landscape Oil Painting to the 1860s.

Reference Numbers
Sellingantiques Reference
SA520126
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
James Edwin Meadows

British, (1826-1893)

A Country Track

Oil on canvas, signed & dated 1861

Image size: 29.5 inches x 47.5 inches

Size including frame: 36.5 inches x 54.5 inches

A large scale landscape painting of a horse and cart outside a cottage by James Edwin Meadows. A farmer and his dog can be seen standing next to a team of horses and cart on a country track. As he stops outside a cottage, three children can be seen watching on by the front gate. At the time of this painting, Meadows was living at Acton Cottage in Acton.

James Edwin Meadows or James Edward Meadows was born in Mountnessing, Essex in 1826 to James Meadows Snr (1798-1864) and Ann Cross.
Benton Fine Art

He came from a family of artists; his father was a talented painter of inshore and coastal scenes and his brothers William George Meadows (1825-1907), Alfred John (1833-1894), Edwin Lewis Meadows (1838-1907) and Arthur Joseph Meadows (1843-1907) were all artists. The family lived in Old Town, Clapham and later 12 Coborn Street in Bow. His father taught all of his sons to paint and was an influence on their style and subject matter.

fig 1. A Victorian landscape oil painting depicting a horse and cart on a dirt track beside a rural cottage, housed in an ornate gold leaf frame.
fig 1. Landscape Oil Painting of a Horse & Cart on a Country Track, by James Edwin Meadows

Meadows began exhibiting at the Royal Society of British Artists in 1853 and by the time of his marriage to Eliza Ann Rackcliffe, a widow, on 10 March, 1854, had established himself as an artist. The couple spent the first few years of their married life living at Harleyford Street in Kennington from where he made his debut at the Royal Academy in the summer of 1854. He began exhibiting at the British Institution from 1855 and also exhibited at some of the major provincial galleries such as Walker Art Galleries, Liverpool, Manchester City Art Gallery and the Royal Hibernian Academy.

fig 2. A Victorian landscape oil painting depicting a horse and cart on a dirt track beside a rural cottage, housed in an ornate gold leaf frame.
fig 2. Landscape Oil Painting of a Horse & Cart on a Country Track, by James Edwin Meadows

By 1861, he was living with his wife and four children at Acton Cottage, Acton Green, later moving to Essex Villa in Acton in 1864. Two of his daughters Alice and Julia Anne also became artists and may well have helped him in his studio. Sometime during the mid to late 1870’s he made his final move to Gainsborough house at no 2 Aldine street, Shepherd’s Bush where he remained for the rest of his life. There is strong evidence to suggest a connection between the artist Jane Vivian, who exhibited from both these addresses and the Meadows family. It is possible that Vivian was a pseudonym of one of his children, or perhaps Meadows himself.

fig 3. A Victorian landscape oil painting depicting a horse and cart on a dirt track beside a rural cottage, housed in an ornate gold leaf frame.
fig 3. Landscape Oil Painting of a Horse & Cart on a Country Track, by James Edwin Meadows

From his base in London, he travelled around England painting landscape views of Essex, Kent, Sussex, Surrey and the Isle of Wight for which he became best known. The composition of his paintings are highly appealing, often containing figures, cottages, dogs and other animals such as ducks, which have made his works as popular and sought after today as they were in his lifetime. During the last decade of his life, as well as continuing to paint he also became a professor of painting. He died at his home in Aldine Street on 21 July, 1893. Examples of his work can be found in the Wolverhampton Art Gallery and the Ramsgate Library.

fig 4. A Victorian landscape oil painting depicting a horse and cart on a dirt track beside a rural cottage, housed in an ornate gold leaf frame.
fig 4. Landscape Oil Painting of a Horse & Cart on a Country Track, by James Edwin Meadows

Presentation: The work is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
93cm (36.61")
Width
138cm (54.33")
Depth
6cm (2.36")
Date of Manufacture

Benton Fine Art has dated this Victorian Landscape Oil Painting to the 1860s.

Reference Numbers
Sellingantiques Ref
SA520126
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

Relevant Links
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SAVE
A Victorian landscape oil painting depicting a horse and cart on a dirt track beside a rural cottage, housed in an ornate gold leaf frame.
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Archive I A Victorian landscape oil painting depicting a horse and cart on a dirt track beside a rural cottage, housed in an ornate gold leaf frame.

Landscape Oil Painting of a Horse & Cart on a Country Track, by James Edwin Meadows

Archive II A Victorian landscape oil painting depicting a horse and cart on a dirt track beside a rural cottage, housed in an ornate gold leaf frame. View II
Archive III A Victorian landscape oil painting depicting a horse and cart on a dirt track beside a rural cottage, housed in an ornate gold leaf frame. View III
Archive IV A Victorian landscape oil painting depicting a horse and cart on a dirt track beside a rural cottage, housed in an ornate gold leaf frame. View IV
Archive V A Victorian landscape oil painting depicting a horse and cart on a dirt track beside a rural cottage, housed in an ornate gold leaf frame. View V
Archive VI A Victorian landscape oil painting depicting a horse and cart on a dirt track beside a rural cottage, housed in an ornate gold leaf frame. View VI
Archive VII A Victorian landscape oil painting depicting a horse and cart on a dirt track beside a rural cottage, housed in an ornate gold leaf frame. View VII
Archive VIII A Victorian landscape oil painting depicting a horse and cart on a dirt track beside a rural cottage, housed in an ornate gold leaf frame. View VIII
Archive IX A Victorian landscape oil painting depicting a horse and cart on a dirt track beside a rural cottage, housed in an ornate gold leaf frame. View IX
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Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
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A Victorian landscape oil painting depicting a horse and cart on a dirt track beside a rural cottage, housed in an ornate gold leaf frame.
Landscape oil painting of a horse & cart on a country track, by James Edwin Meadows
Ref: SA520126
A Victorian landscape oil painting depicting a horse and cart on a dirt track beside a rural cottage, housed in an ornate gold leaf frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Victorian landscape art typically features serene rural views, detailed atmospheric effects, and pastoral scenes reflecting the British countryside. Artists often focused on natural light, agricultural life, and idyllic cottage settings to evoke rural tranquility.

Paintings from this period were generally created using oil pigments suspended in drying oils on stretched flax canvas or timber panels. Frames were frequently constructed from carved wood or moulded composition plaster finished with genuine gold leaf.

Authentic works often display age-appropriate craquelure across the paint surface, natural oxidisation on the canvas reverse, and artist signatures consistent with period documentation. The timber stretcher bars and frame construction also show hand-carved or period moulding techniques.

Position a framed landscape artwork above a fireplace, console table, or sideboard to serve as a visual anchor in the room. Pairing the warm tones of an ornate gilded frame with contemporary neutral walls creates an engaging visual contrast between classic and modern elements.

Keep the artwork away from direct sunlight, high humidity, and heat sources to prevent pigment fading and canvas warping. Clean the surface gently using a dry, soft-bristled brush, avoiding water or liquid cleaning solvents.
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