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Portrait of Mary Hume C.1735; Attributed to Thomas Murray
Roy Precious - Antiques & Fine Art
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Portrait of Mary Hume C.1735; Attributed to Thomas Murray

18th century
Description

Oil on canvas in good quality period carved and giltwood frame.

Mary Hume (1715-1740) was painted in probably 1735 to commemorate her betrothal to Nicholas Loftus, later 2nd Viscount Loftus of Ely and then 1st Earl of Ely. The marriage followed on 18 August 1736; the union was to be short.

Nicholas Loftus was the eldest son of Nicholas Loftus of Loftus Hall, County Wexford and his daughter Anne Ponsonby, daughter of the the 1st Viscount Duncannon.

The Loftus family was wealthy and long-established in Ireland, being descended from Archbishop Adam Loftus (Lord Chancellor of Ireland and founding Provost of Trinity College Dublin).

Mary was the eldest daughter and co-heiress of Sir Gustavus Hume, 3rd Bt, who was an enormously wealthy landowner with vast estates in County Fermanagh, where he had commissioned Richard Castle to design him a neo-classical mansion, Castle Hume. Hume had been High Sheriff of that county in 1701.

Nicholas Loftus took the suffix Hume when he married.

Mary bore a son, another Nicholas, in 1738, but died in 1740 aged 25.

{Our thanks to Simon Loftus, a direct descendant, for the above information}

THOMAS MURRAY (1663-1735), Portrait painter.

Scottish-born Murray moved to London and studied with a member of the De Critz family before becoming a pupil of eminent portraitist John Riley. In 1703, he painted Queen Anne for the Society of the Middle Temple in London, showing her crowned and in royal robes. His many full-length oil paintings include a portrait of John, 1st Duke of Atholl.

Several of his portraits are in the National Portrait Gallery and include such luminaries as William III and Sir John Vanbrugh, the architect and playwright.

SIZE: 36.75 x 32 inches inc. frame.

PROVENANCE: *by family descent.

*With Roy Precious Fine Art.

*Collection of a Fellow of a Cambridge College.

Declaration

Roy Precious - Antiques & Fine Art has dated this piece to the 1700s.

Reference Numbers
Sellingantiques Reference
SA304125
Dealers Internal Reference
8851
Description
Oil on canvas in good quality period carved and giltwood frame.
Mary Hume (1715-1740) was painted in probably 1735 to commemorate her betrothal to Nicholas Loftus, later 2nd Viscount Loftus of Ely and then 1st Earl of Ely.
Roy Precious - Antiques & Fine Art

The marriage followed on 18 August 1736; the union was to be short.

fig 1. Portrait of Mary Hume c.1735; Attributed to Thomas Murray
fig 1. Portrait of Mary Hume C.1735; Attributed to Thomas Murray

Nicholas Loftus was the eldest son of Nicholas Loftus of Loftus Hall, County Wexford and his daughter Anne Ponsonby, daughter of the the 1st Viscount Duncannon.

The Loftus family was wealthy and long-established in Ireland, being descended from Archbishop Adam Loftus (Lord Chancellor of Ireland and founding Provost of Trinity College Dublin).

fig 2. Portrait of Mary Hume c.1735; Attributed to Thomas Murray
fig 2. Portrait of Mary Hume C.1735; Attributed to Thomas Murray

Mary was the eldest daughter and co-heiress of Sir Gustavus Hume, 3rd Bt, who was an enormously wealthy landowner with vast estates in County Fermanagh, where he had commissioned Richard Castle to design him a neo-classical mansion, Castle Hume. Hume had been High Sheriff of that county in 1701.

fig 3. Portrait of Mary Hume c.1735; Attributed to Thomas Murray
fig 3. Portrait of Mary Hume C.1735; Attributed to Thomas Murray

Nicholas Loftus took the suffix Hume when he married.

Mary bore a son, another Nicholas, in 1738, but died in 1740 aged 25.

{Our thanks to Simon Loftus, a direct descendant, for the above information}

THOMAS MURRAY (1663-1735), Portrait painter.

Scottish-born Murray moved to London and studied with a member of the De Critz family before becoming a pupil of eminent portraitist John Riley. In 1703, he painted Queen Anne for the Society of the Middle Temple in London, showing her crowned and in royal robes. His many full-length oil paintings include a portrait of John, 1st Duke of Atholl.

Several of his portraits are in the National Portrait Gallery and include such luminaries as William III and Sir John Vanbrugh, the architect and playwright.

SIZE: 36.75 x 32 inches inc. frame.

PROVENANCE: *by family descent.

With Roy Precious Fine Art.

Collection of a Fellow of a Cambridge College.

Date of Manufacture

Roy Precious - Antiques & Fine Art has dated this piece to the 1700s.

Reference Numbers
Sellingantiques Ref
SA304125
Dealers Internal Ref
8851
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

Dealer Profile

You can view the stock and full dealer information on the Roy Precious - Antiques & Fine Art Profile Page

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Portrait of Mary Hume c.1735; Attributed to Thomas Murray
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Archive I Portrait of Mary Hume c.1735; Attributed to Thomas Murray

Portrait of Mary Hume C.1735; Attributed to Thomas Murray

Archive II Portrait of Mary Hume c.1735; Attributed to Thomas Murray View II
Archive III Portrait of Mary Hume c.1735; Attributed to Thomas Murray View III
Archive IV Portrait of Mary Hume c.1735; Attributed to Thomas Murray View IV
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Location
Wiltshire
United Kingdom
Dealer Profile Page sellingantiques.co.uk/rp
Verified Since Mar 2003
Items For Sale 95
Items Sold 679
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Verified Since Mar 2003
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Location: Wiltshire, United Kingdom
Verified
Mar 2003
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Portrait of Mary Hume c.1735; Attributed to Thomas Murray
Portrait of Mary Hume c.1735; Attributed to Thomas Murray
Ref: SA304125
Portrait of Mary Hume c.1735; Attributed to Thomas Murray
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