11,797  PAGES BROWSED TODAY PAGES TODAY 36  ANTIQUES UPLOADED TODAY NEW ARRIVALS
ID #SA256698
FOR SALE
£2,500
Email
Save
American School 19th Century portrait of Captain Reuben Marmaduke Potter 1802-1890
Artware Fineart
for sale €2,925     $3,175
£2,500

Artware Fineart

Sellingantiques Verified Since Sep 2008
View Dealers Stock Page
Id #SA256698
PDF SHARE
SAVE

American School 19th Century portrait of Captain Reuben Marmaduke Potter 1802-1890

19th century
For Sale by Artware Fineart
Description

American School 19th century

Portrait of Captain Reuben Marmaduke Potter 1802-1890

circa 1870

USA

Oil on Canvas

inscribed on a label attached to the reverse

15 x 13 in. (38.10 x 32 cm.)

POTTER, REUBEN MARMADUKE (1802–1890). Reuben Marmaduke Potter, soldier, author, and customs officer, son of Ichabod Potter, was born in Woodbridge, New Jersey, on February 14, 1802. From 1827 to 1833 he was an agent of a commercial house in Matamoros, Tamaulipas. During the Texas Revolution he was successful in obtaining a decree of amnesty from the Mexican government for twenty-one Texans who were the Matamoros prisoners. Potter arrived at Velasco, Texas, on July 20, 1837, and between 1837 to 1845 served as chief clerk, deputy collector, and collector of customs at the port of Velasco and as comptroller of customs at Galveston. In May 1841 he prepared for Mirabeau B. Lamar a Spanish translation to be carried to the people of Santa Fe by the Texan Santa Fe expedition. In 1844 Potter was appointed to carry money to Mexico for the relief of the prisoners of the Mier and Texan Santa Fe expeditionsqv. In 1846 he served as interpreter for José Antonio Navarro during the first session of the state Senate. In December 1846 Potter became secretary to Maj. Gen. Thomas S. Jessup, quartermaster general of the United States Army, and accompanied him on a tour of inspection of Mexican ports invested by United States troops during the Mexican War. Potter was appointed military storekeeper of the Quartermaster Department on March 23, 1848, and in April 1851 accompanied Henry Whiting, the assistant quartermaster general, on a tour of inspection of army posts in Texas. Potter was assigned to duty in San Antonio in December 1857 and was made a prisoner of war on April 23, 1861, when federal troops at San Antonio surrendered to Confederate forces under Ben McCulloch. After being given a parole that prohibited his entering military service or taking up arms, he reported to Washington in May 1861 and was assigned to quartermaster duties in New York. He was appointed captain on July 28, 1866, and retired from the army on June 30, 1882. Potter did considerable writing. In October 1836 he wrote the "Hymn of the Alamo," which received attention in several Texas publications. Many of his articles dealing with the history of Texas were published in Eastern papers and periodicals such as the New York Times and the Magazine of American History. Potter was considered an authority on the Alamo, and Henry A. McArdle consulted him when gathering information for his painting Dawn at the Alamo. Potter married Fidelia Burchard in Austin on March 23, 1853; they had one daughter. He died in New York on March 18, 1890, and was buried in Woodbridge, New Jersey. The monument that commemorates the establishment of Cameron County bears his name. BIBLIOGRAPHY: Francis B. Heitman, Historical Register and Dictionary of the United States Army (2 vols., Washington: GPO, 1903; rpt., Urbana: University of Illinois Press, 1965). James Henry Leach, The Life of Reuben Marmaduke Potter (M.A. thesis, University of Texas, 1939). Vertical Files, Dolph Briscoe Center for American History, University of Texas at Austin. Beryl V. Bowen

Physical Dimensions
Height
42cm (16.54")
Width
36cm (14.17")
Depth
3cm (1.18")
Declaration

Artware Fineart has dated this Antique Oil Portrait Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA256698
Dealers Internal Reference
3610
Description
American School 19th century

Portrait of Captain Reuben Marmaduke Potter 1802-1890

circa 1870

USA

Oil on Canvas

inscribed on a label attached to the reverse

15 x 13 in. (38.10 x 32 cm.)

POTTER, REUBEN MARMADUKE (1802–1890).

Reuben Marmaduke Potter, soldier, author, and customs officer, son of Ichabod Potter, was born in Woodbridge, New Jersey, on February 14, 1802.
Artware Fineart

From 1827 to 1833 he was an agent of a commercial house in Matamoros, Tamaulipas. During the Texas Revolution he was successful in obtaining a decree of amnesty from the Mexican government for twenty-one Texans who were the Matamoros prisoners. Potter arrived at Velasco, Texas, on July 20, 1837, and between 1837 to 1845 served as chief clerk, deputy collector, and collector of customs at the port of Velasco and as comptroller of customs at Galveston. In May 1841 he prepared for Mirabeau B. Lamar a Spanish translation to be carried to the people of Santa Fe by the Texan Santa Fe expedition. In 1844 Potter was appointed to carry money to Mexico for the relief of the prisoners of the Mier and Texan Santa Fe expeditionsqv. In 1846 he served as interpreter for José Antonio Navarro during the first session of the state Senate. In December 1846 Potter became secretary to Maj. Gen. Thomas S. Jessup, quartermaster general of the United States Army, and accompanied him on a tour of inspection of Mexican ports invested by United States troops during the Mexican War. Potter was appointed military storekeeper of the Quartermaster Department on March 23, 1848, and in April 1851 accompanied Henry Whiting, the assistant quartermaster general, on a tour of inspection of army posts in Texas. Potter was assigned to duty in San Antonio in December 1857 and was made a prisoner of war on April 23, 1861, when federal troops at San Antonio surrendered to Confederate forces under Ben McCulloch. After being given a parole that prohibited his entering military service or taking up arms, he reported to Washington in May 1861 and was assigned to quartermaster duties in New York. He was appointed captain on July 28, 1866, and retired from the army on June 30, 1882. Potter did considerable writing. In October 1836 he wrote the "Hymn of the Alamo," which received attention in several Texas publications. Many of his articles dealing with the history of Texas were published in Eastern papers and periodicals such as the New York Times and the Magazine of American History. Potter was considered an authority on the Alamo, and Henry A. McArdle consulted him when gathering information for his painting Dawn at the Alamo. Potter married Fidelia Burchard in Austin on March 23, 1853; they had one daughter. He died in New York on March 18, 1890, and was buried in Woodbridge, New Jersey. The monument that commemorates the establishment of Cameron County bears his name. BIBLIOGRAPHY: Francis B. Heitman, Historical Register and Dictionary of the United States Army (2 vols., Washington: GPO, 1903; rpt., Urbana: University of Illinois Press, 1965). James Henry Leach, The Life of Reuben Marmaduke Potter (M.A. thesis, University of Texas, 1939). Vertical Files, Dolph Briscoe Center for American History, University of Texas at Austin. Beryl V. Bowen

Height
42cm (16.54")
Width
36cm (14.17")
Depth
3cm (1.18")
Date of Manufacture

Artware Fineart has dated this Antique Oil Portrait Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA256698
Dealers Internal Ref
3610
Artware Fineart
Sellingantiques verified Since Sep 2008
Dealer Profile

You can view the stock and full dealer information on the Artware Fineart Profile Page

PDF SHARE
SAVE
A nineteenth-century oil portrait depicting a seated gentleman wearing a dark coat and white cravat against a dark background.
1 / 1
Archive I A nineteenth-century oil portrait depicting a seated gentleman wearing a dark coat and white cravat against a dark background.

American School 19th Century portrait of Captain Reuben Marmaduke Potter 1802-1890

FURTHER BROWSING

Visitors also looked at these ⇣

Enlarged Archival View
Telephone 07958 699 645
Location
18 La Gare
51 Surrey Row
London
SE1 0BZ
United Kingdom
Verified Since Sep 2008
Items For Sale 243
Items Sold 223
Artware Fineart
Verified Since Sep 2008
View Dealer Info
Location: 18 La Gare , 51 Surrey Row , London , SE1 0BZ , United Kingdom
Verified
Sep 2008
For Sale
243
Sold
223
A nineteenth-century oil portrait depicting a seated gentleman wearing a dark coat and white cravat against a dark background.
American School 19th century Portrait of Captain Reuben Marmaduke Potter 1802-1890
Ref: SA256698
A nineteenth-century oil portrait depicting a seated gentleman wearing a dark coat and white cravat against a dark background.
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

American School portraiture of the nineteenth century is characterised by a transition from formal European neoclassicism toward direct realism, often depicting prominent military, civic, or merchant figures with somber backgrounds and focused illumination on the sitters facial expressions.

Artists during this period primarily utilised ground mineral pigments suspended in drying oils, applied onto hand-stretched cotton or linen canvases, occasionally mounted on timber stretchers with wood keys.

Authentic period oil paintings typically display age-appropriate craquelure across the paint surface, natural yellowing of the original tree-resin varnish, hand-forged or early machine-made frame hardware, and aged timber stretcher frames.

Hang the portrait as a focal point against muted neutral or deep jewel-toned walls, balancing the classical oil painting with streamlined modern furniture or period wooden pieces to create visual contrast.

Keep the painting away from direct sunlight, extreme humidity, and heat sources. Clean the surface gently using a soft, dry camel-hair brush, and consult a professional conservator for varnish removal or structural repairs.
items
Add keywords to the filter
Price
£100
£250000
Era
Movements
Material
Origin
Stock Location
Freshness
Online Payments
Categories