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Portrait of Margaret Godolphin (B.1708) by Charles D’agar (1669-1723) Circa 1710
Miles Barton Art and Interiors
for sale €9,945     $10,795
£8,500

Miles Barton Art and Interiors

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    17th to 19th century british and european pictures and works of art
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Portrait of Margaret Godolphin (B.1708) by Charles D’agar (1669-1723) Circa 1710

18th century
Description

Margaret Godolphin was the youngest daughter of Henrietta, Duchess of Marlbough and Francis, 2nd Earl Godolphin. Henrietta succeeded to the Marlborough title on the death of her father, John Churchill, in 1722 and had four legitimate children. Very little appears to be known of her youngest daughter Margaret and it is variously mentioned that she and a brother Henry died in infancy.

Charles D’Agar was born in Paris, the son of French portrait painter Jacques D’Agar. Soon after moving to London in 1681, Jacques secured an appointment in Copenhagen as Court painter to Christian V resulting in a move for the family to Denmark. Charles, however, after further tuition traveled back to London in 1691 and established a hugely successful portrait practice.

The Marlborough family appear to have been popular patrons of D’Agar as various portraits exist by him, notably one of Henrietta with her eldest son Willam (Sothebys British Paintings 14th March 1990 lot 45) and another of two Godolphin children (Christies Cowdray Park 13-15th September 2011 lot 300). The latter is of particular interest as contrary to the traditional description the portrait clearly depicts Margaret as a very young child swathed in a blue cloak with her eldest brother William standing in the attire of a Roman soldier.

The portrait presented here shows Margaret just a few years older than that depiction, elegantly swathed in a blue dress leaning recumbent on a red silk drape amongst a landscape – a setting we see similarly used by D’Agar in other noble portraits and is probably inspired by Godfrey Kneller’s earlier portrait of Annabella, Lady Howard c.1693. The painting passed from Henrietta, 2nd Duchess of Marloborough to her grandson the 5th Duke of Leeds.

Provenance: Francis Osbourne, 5th Duke of Leeds (1751-1799) and by descent to Clotworthy Skeffington, 11th Viscount Massereene (1842-1905); English private collection

Oil on canvas held in an early 18th century frame.

Canvas: 148 x 76cm (58 x 30 in)

Frame size: 158 x 87cm (62 x 34 ½ in)

Physical Dimensions
Height
87cm (34.25")
Width
158cm (62.20")
Depth
5cm (1.97")
Declaration

Miles Barton Art and Interiors has dated this 18th Century Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1230546
Description
Margaret Godolphin was the youngest daughter of Henrietta, Duchess of Marlbough and Francis, 2nd Earl Godolphin.
Henrietta succeeded to the Marlborough title on the death of her father, John Churchill, in 1722 and had four legitimate children.
Miles Barton Art and Interiors

Very little appears to be known of her youngest daughter Margaret and it is variously mentioned that she and a brother Henry died in infancy.

fig 1. An 18th-century oil painting depicting a child in a blue dress reclining alongside crimson drapery and a flower basket within a landscape, housed in a carved dark frame.
fig 1. Portrait of Margaret Godolphin (B.1708) by Charles D’agar (1669-1723) Circa 1710

Charles D’Agar was born in Paris, the son of French portrait painter Jacques D’Agar. Soon after moving to London in 1681, Jacques secured an appointment in Copenhagen as Court painter to Christian V resulting in a move for the family to Denmark. Charles, however, after further tuition traveled back to London in 1691 and established a hugely successful portrait practice.

fig 2. An 18th-century oil painting depicting a child in a blue dress reclining alongside crimson drapery and a flower basket within a landscape, housed in a carved dark frame.
fig 2. Portrait of Margaret Godolphin (B.1708) by Charles D’agar (1669-1723) Circa 1710

The Marlborough family appear to have been popular patrons of D’Agar as various portraits exist by him, notably one of Henrietta with her eldest son Willam (Sothebys British Paintings 14th March 1990 lot 45) and another of two Godolphin children (Christies Cowdray Park 13-15th September 2011 lot 300). The latter is of particular interest as contrary to the traditional description the portrait clearly depicts Margaret as a very young child swathed in a blue cloak with her eldest brother William standing in the attire of a Roman soldier.

fig 3. An 18th-century oil painting depicting a child in a blue dress reclining alongside crimson drapery and a flower basket within a landscape, housed in a carved dark frame.
fig 3. Portrait of Margaret Godolphin (B.1708) by Charles D’agar (1669-1723) Circa 1710

The portrait presented here shows Margaret just a few years older than that depiction, elegantly swathed in a blue dress leaning recumbent on a red silk drape amongst a landscape – a setting we see similarly used by D’Agar in other noble portraits and is probably inspired by Godfrey Kneller’s earlier portrait of Annabella, Lady Howard c.1693. The painting passed from Henrietta, 2nd Duchess of Marloborough to her grandson the 5th Duke of Leeds.

Provenance: Francis Osbourne, 5th Duke of Leeds (1751-1799) and by descent to Clotworthy Skeffington, 11th Viscount Massereene (1842-1905); English private collection

Oil on canvas held in an early 18th century frame.

Canvas: 148 x 76cm (58 x 30 in)

Frame size: 158 x 87cm (62 x 34 ½ in)

Height
87cm (34.25")
Width
158cm (62.20")
Depth
5cm (1.97")
Date of Manufacture

Miles Barton Art and Interiors has dated this 18th Century Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1230546
Miles Barton Art and Interiors
Sellingantiques verified Since Aug 2026

17th to 19th century british and european pictures and works of art

Dealer Profile

You can view the stock and full dealer information on the Miles Barton Art and Interiors Profile Page

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An 18th-century oil painting depicting a child in a blue dress reclining alongside crimson drapery and a flower basket within a landscape, housed in a carved dark frame.
1 / 4
Archive I An 18th-century oil painting depicting a child in a blue dress reclining alongside crimson drapery and a flower basket within a landscape, housed in a carved dark frame.

Portrait of Margaret Godolphin (B.1708) by Charles D’agar (1669-1723) Circa 1710

Archive II An 18th-century oil painting depicting a child in a blue dress reclining alongside crimson drapery and a flower basket within a landscape, housed in a carved dark frame. View II
Archive III An 18th-century oil painting depicting a child in a blue dress reclining alongside crimson drapery and a flower basket within a landscape, housed in a carved dark frame. View III
Archive IV An 18th-century oil painting depicting a child in a blue dress reclining alongside crimson drapery and a flower basket within a landscape, housed in a carved dark frame. View IV
Enlarged Archival View
Telephone 07941 233015
Location
London and Somerset
United Kingdom
Verified Since Aug 2026
Items For Sale 3
Miles Barton Art and Interiors
Verified Since Aug 2026
View Dealer Info
Location: London and Somerset, United Kingdom
Verified
Aug 2026
For Sale
3
An 18th-century oil painting depicting a child in a blue dress reclining alongside crimson drapery and a flower basket within a landscape, housed in a carved dark frame.
Portrait of Margaret Godolphin (b.1708) by Charles D’Agar (1669-1723) circa 1710
Ref: SA1230546
An 18th-century oil painting depicting a child in a blue dress reclining alongside crimson drapery and a flower basket within a landscape, housed in a carved dark frame.
Detail View 1
Detail View 2
Detail View 3
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Portraiture from the early 18th century and Queen Anne period often features sitters posed in romanticised outdoor settings or framed by dramatic interior drapery. Artists frequently incorporated symbolic elements such as baskets of flowers, classic robes, and stylized landscape vistas to denote status and virtue.

Paintings from this era were created using oil pigments bound with linseed or walnut oil, applied directly to hand-woven linen canvas stretched over timber frames. The canvases were often mounted in hand-carved wood frames featuring gilded or dark stained finishes.

Authentic period paintings typically display an even, natural craquelure pattern across the paint surface caused by age and movement of the canvas. The reverse side usually shows darkened, aged timber stretchers, original canvas tacking edges, and signs of historic oxidisation.

Historical oil portraits serve as focal points when hung above a mantelpiece, sideboard, or integrated into a gallery wall alongside contemporary framing. Combining formal oil paintings with clean-lined modern furniture provides a balanced contrast between old and new design elements.

Keep oil paintings away from direct sunlight, extreme humidity fluctuations, and direct heat sources to prevent cracking or warping. Dust the frame gently with a dry, soft brush and consult a professional conservator for any necessary cleaning or surface restoration.
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