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ID #SA1230107
FOR SALE
£13,800
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18th Century George II Period Carved Gesso and Giltwood Mirror of Excellent Proportions
Loveday Antiques
for sale €16,146     $17,526
£13,800
Loveday Antiques

Loveday Antiques

Sellingantiques Verified Since Mar 2012
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    Specialist furniture dealers 18th-20th century
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    Loveday Antiques is a registered member of LAPADA  BADA  CINOA
Id #SA1230107
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18th Century George II Period Carved Gesso and Giltwood Mirror of Excellent Proportions

18th century
For Sale by Loveday Antiques
Description

A fine 18th Century George II Period Giltwood mirror with swan neck pediment and central cartouche retaining its original vauxhall soft bevelled mirror plate.

English, c.1730

This wonderful giltwood mirror was made around the time of King George II's accession to the throne and represents a particular form of Palladianism that was popular with the connoisseurs of this period. Gilded throughout, the piece has a beautifully carved broken scroll pediment, the centre filled with a cartouche with additional shell form relief decoration. The ends of the scrolls terminate in floral motifs, leaf form carving spilling from the centre of the flowers. Behind these carved elements are scrolling features rising up from the frieze, forming waves which are reminiscent of the Vitruvian scroll motif that was also very popular at this time.

The frieze section is very narrow and ornamented with raised mouldings with further formalised leaf carving on them and with cut gesso strapwork decoration which runs around the edge of the plate. This strapwork, though at its roots inspired by the French baroque ornamentists such as Jean Berain, is in a very different taste. It features diamond-form motifs interspersed with abstract leaf motifs, this naturalism anticipating the rococo taste which was soon to take over as the fashionable type of decoration in Europe. At the base of the mirror are two more floral roundels and a finely shaped lower apron with more fine gesso cutting, including panels of diaper work, and another raised scallop shell. There is a beaded moulding in the centre of the piece which surrounds the original soft bevelled vauxhall rectangular looking glass. A Vauxhall bevelled mirror plate is a glass mirror plate made at the Vauxhall glass works in South London. Vauxhall was a prestigious glass works in the 17th and 18th centuries and rare to find originals.

Considering that mirror designs typically drew from a relatively small palette of decorative motifs, the skill of the best designers lay in their ability to combine these motifs in the most sensitive way possible without overloading and unbalancing the piece. The ratio of plate to decoration is essential to the success of any mirror design and the present piece is very well proportioned and balanced. The use of different forms of decoration such as strapwork, floral motifs, scrolls, diaper, beading in one single piece is testament to the imagination of this particular designer. Although it is difficult to make any meaningful attribution to a particular designer, it is worth mentioning that many aspects of this design appear in a series of mirror designs by Joseph Sanderson which are preserved in the V&A. One example is particularly close in feeling

https://collections.vam.ac.uk/item/O124946/design-sanderson-joseph/

Sanderson was active c.1730-40 and his only recorded project was at Barrington Hall in Essex. He was clearly a designer of great skill and a fine draughtsman and our mirror is of a similar level of quality as those presented in his fine drawings.

Another mirror of comparable form and quality was in the collection of the Worshipful Company of Mercers at Trinity College, Greenwich, when featured in Oliver Brackett's book English Furniture Illustrated, published in 1959, plate CXIV. Another mirror with close similarities to our piece was illustrated by the great dealer Stair and Company in their 1989 catalogue and had provenance to the Earl of Haddington, East Lothian, Scotland. Finally, a mirror previously from the collection of Sir Simon Sainsbury was sold at Christie's on the 20th of November 2008 in the Dealing in Excellence sale of the stock of top dealers Hotspur and Jeremy. This mirror, lot 11 in the sale, made 25,000 including premium.

This fine mirror is a collectors' piece and a great example of the fine quality pieces produced by the best workshops of this period.

Physical Dimensions
Height
141cm (55.51")
Width
83cm (32.68")
Depth
13cm (5.12")
Declaration

Loveday Antiques has dated this George II Giltwood Mirror to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1230107
Dealers Internal Reference
3060
Dealers Notes

Loveday Antiques is a family run business originally established since 1969 in London.

Now in its second generation, Loveday Antiques specialises in an eclectic mix of 18th to 20th Century European furniture and works of art, with a strong emphasis on quality, uniqueness and colour.

As proud members of BADA & LAPADA, the largest association for professional art and antique dealers in the United Kingdom and members of CINOA, the worldwide association for antique dealers you can buy from us with 100% confidence and reassurance as we are committed to upholding and abiding by the strict standards of each association.

Our clients can rest assured that each item is as described and photographed.

All Items are sold with 100% satisfaction 14 day money back guarantee, return delivery will be charged for.

We deliver within the UK for usually between £60-£80 and ship worldwide with professional bespoke crating via air to almost all locations. Please contact us at Loveday Antiques with your full postal address for a very competitive quote.

Delivery within the mainland UK will usually be with 7 to 14 days but please allow up to 28 days. We also ship worldwide with a professional bespoke crating service and large International couriers via air and sea to almost all locations. Please contact us at Loveday Antiques with your full postal address for a very competitive quote.

GOODS

All items listed are in excellent condition having been restored using traditional methods by experienced cabinet makers and polishers keeping the original colour and patina wherever possible.

Please bear in mind you may find the usual markings with antique furniture that are commensurate with age which all add to beauty and uniqueness of the item.

VIEWINGS

We have a reputation for being long established antique dealers in London having had showrooms concurrently running in Islington, Chelsea and Ascot. We have relocated our new showroom, due to London overheads, easily reached between A1 or A10 to just outside of Hertford, Hertfordshire.

We will happily arrange for clients to be collected travelling via train. Local stations being Hertford North, Stevenage and Ware, all being a 10 minute drive from us.

Please contact us for location and appointments.

Telephone: 01438 869 819

Payments accepted are Bank Transfer, Cheque, Major Credit Cards or Cash.

Opening Times

Monday to Saturday 9.00am - 5.30pm Please email or call beforehand to make an appointment.

If outside of these times again please call to make an appointment

We have more than 40 years experience in supplying Antique furniture to the trade, public and interior designers from all parts of the world so please buy with confidence as we have passed the test of time.

Description
A fine 18th Century George II Period Giltwood mirror with swan neck pediment and central cartouche retaining its original vauxhall soft bevelled mirror plate.

English, c.1730

This wonderful giltwood mirror was made around the time of King George II's accession to the throne and represents a particular form of Palladianism that was popular with the connoisseurs of this period.

Gilded throughout, the piece has a beautifully carved broken scroll pediment, the centre filled with a cartouche with additional shell form relief decoration.
Loveday Antiques

The ends of the scrolls terminate in floral motifs, leaf form carving spilling from the centre of the flowers. Behind these carved elements are scrolling features rising up from the frieze, forming waves which are reminiscent of the Vitruvian scroll motif that was also very popular at this time.

fig 1. An 18th-century George II carved gesso and giltwood wall mirror featuring a broken arch pediment with a central shell motif and foxed glass plate.
fig 1. 18th Century George II Period Carved Gesso and Giltwood Mirror of Excellent Proportions

The frieze section is very narrow and ornamented with raised mouldings with further formalised leaf carving on them and with cut gesso strapwork decoration which runs around the edge of the plate. This strapwork, though at its roots inspired by the French baroque ornamentists such as Jean Berain, is in a very different taste. It features diamond-form motifs interspersed with abstract leaf motifs, this naturalism anticipating the rococo taste which was soon to take over as the fashionable type of decoration in Europe. At the base of the mirror are two more floral roundels and a finely shaped lower apron with more fine gesso cutting, including panels of diaper work, and another raised scallop shell. There is a beaded moulding in the centre of the piece which surrounds the original soft bevelled vauxhall rectangular looking glass. A Vauxhall bevelled mirror plate is a glass mirror plate made at the Vauxhall glass works in South London. Vauxhall was a prestigious glass works in the 17th and 18th centuries and rare to find originals.

fig 2. An 18th-century George II carved gesso and giltwood wall mirror featuring a broken arch pediment with a central shell motif and foxed glass plate.
fig 2. 18th Century George II Period Carved Gesso and Giltwood Mirror of Excellent Proportions

Considering that mirror designs typically drew from a relatively small palette of decorative motifs, the skill of the best designers lay in their ability to combine these motifs in the most sensitive way possible without overloading and unbalancing the piece. The ratio of plate to decoration is essential to the success of any mirror design and the present piece is very well proportioned and balanced. The use of different forms of decoration such as strapwork, floral motifs, scrolls, diaper, beading in one single piece is testament to the imagination of this particular designer. Although it is difficult to make any meaningful attribution to a particular designer, it is worth mentioning that many aspects of this design appear in a series of mirror designs by Joseph Sanderson which are preserved in the V&A. One example is particularly close in feeling

fig 3. An 18th-century George II carved gesso and giltwood wall mirror featuring a broken arch pediment with a central shell motif and foxed glass plate.
fig 3. 18th Century George II Period Carved Gesso and Giltwood Mirror of Excellent Proportions

https://collections.vam.ac.uk/item/O124946/design-sanderson-joseph/

Sanderson was active c.1730-40 and his only recorded project was at Barrington Hall in Essex. He was clearly a designer of great skill and a fine draughtsman and our mirror is of a similar level of quality as those presented in his fine drawings.

fig 4. An 18th-century George II carved gesso and giltwood wall mirror featuring a broken arch pediment with a central shell motif and foxed glass plate.
fig 4. 18th Century George II Period Carved Gesso and Giltwood Mirror of Excellent Proportions

Another mirror of comparable form and quality was in the collection of the Worshipful Company of Mercers at Trinity College, Greenwich, when featured in Oliver Brackett's book English Furniture Illustrated, published in 1959, plate CXIV. Another mirror with close similarities to our piece was illustrated by the great dealer Stair and Company in their 1989 catalogue and had provenance to the Earl of Haddington, East Lothian, Scotland. Finally, a mirror previously from the collection of Sir Simon Sainsbury was sold at Christie's on the 20th of November 2008 in the Dealing in Excellence sale of the stock of top dealers Hotspur and Jeremy. This mirror, lot 11 in the sale, made 25,000 including premium.

This fine mirror is a collectors' piece and a great example of the fine quality pieces produced by the best workshops of this period.

Height
141cm (55.51")
Width
83cm (32.68")
Depth
13cm (5.12")
Date of Manufacture

Loveday Antiques has dated this George II Giltwood Mirror to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1230107
Dealers Internal Ref
3060
Loveday Antiques
Loveday Antiques
Sellingantiques verified Since Mar 2012

Specialist furniture dealers 18th-20th century

Dealer Profile

You can view the stock and full dealer information on the Loveday Antiques Profile Page

Trade Associations

Loveday Antiques is a registered member of LAPADA  BADA  CINOA

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An 18th-century George II carved gesso and giltwood wall mirror featuring a broken arch pediment with a central shell motif and foxed glass plate.
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Archive I An 18th-century George II carved gesso and giltwood wall mirror featuring a broken arch pediment with a central shell motif and foxed glass plate.

18th Century George II Period Carved Gesso and Giltwood Mirror of Excellent Proportions

Archive II An 18th-century George II carved gesso and giltwood wall mirror featuring a broken arch pediment with a central shell motif and foxed glass plate. View II
Archive III An 18th-century George II carved gesso and giltwood wall mirror featuring a broken arch pediment with a central shell motif and foxed glass plate. View III
Archive IV An 18th-century George II carved gesso and giltwood wall mirror featuring a broken arch pediment with a central shell motif and foxed glass plate. View IV
Archive V An 18th-century George II carved gesso and giltwood wall mirror featuring a broken arch pediment with a central shell motif and foxed glass plate. View V
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Telephone 01438 869819
Location
Benington
Hertfordshire
United Kingdom
Verified Since Mar 2012
Items For Sale 81
Items Sold 943
Loveday Antiques
Loveday Antiques
Verified Since Mar 2012
View Dealer Info
Location: Benington, Hertfordshire, United Kingdom
Verified
Mar 2012
For Sale
81
Sold
943
An 18th-century George II carved gesso and giltwood wall mirror featuring a broken arch pediment with a central shell motif and foxed glass plate.
18th Century George II Period Carved Gesso and Giltwood Mirror Of Excellent Proportions
Ref: SA1230107
An 18th-century George II carved gesso and giltwood wall mirror featuring a broken arch pediment with a central shell motif and foxed glass plate.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

George II mirrors, produced between 1727 and 1760, feature architectural elements such as broken arch pediments, central shell motifs, incised gesso work, and gilded wood finishes.

Craftsmen carved a timber base frame, applied layers of gesso chalk paste, hand-carved surface details into the gesso, and applied gold leaf over a clay bole substrate.

Authentic period pieces exhibit hand-carved joinery on backboards, natural surface craquelure in the gesso, mercury glass plates with age foxing, and worn gilding revealing the bole base.

Positioning a giltwood mirror above a fireplace mantel or console table reflects natural light and creates a historical focal point against contemporary neutral wall finishes.

Dust the frame gently using a soft, dry brush or feather duster, avoiding moisture, solvent cleaners, or damp cloths which strip gold leaf and dissolve water-soluble gesso.
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