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ID #SA1226925
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Genre Oil Painting of Two Girls Feeding Piglets & Chickens by George Augustus Holmes
Benton Fine Art
for sale €6,903     $7,493
£5,900
Benton Fine Art

Benton Fine Art

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Genre Oil Painting of Two Girls Feeding Piglets & Chickens by George Augustus Holmes

19th century
For Sale by Benton Fine Art
Description

George Augustus Holmes

British, (1828-1911)

Circle of Friends

Oil on canvas, signed with initials & dated (18)75

Image size: 20.5 inches x 15.5 inches

Size including frame: 32.75 inches x 27.75 inches

Provenance: MS Nathan, Queen Victoria St, London; Sutcliffe Galleries

A charming genre painting featuring two girls feeding piglets & other farm animals by George Augustus Holmes. A girl is depicted standing by the door of a rustic barn holding a feeding bucket as a younger girl waits by her side. As she prepares to distribute the food, a drove of piglets together with a cockerel, hen and chicks rush to form a circle around them. Meanwhile, the younger girl can be seen clutching at her sister’s apron to steady herself as the animals close in. A work entitled, ‘Circle of Friends’ was exhibited at the Royal Academy in 1875, no. 454 and could well be one in the same.

George Augustus Mortimer Leigh Holmes was born in Marylebone, London on 23 April, 1828 to the miniature painter James Holmes (1777-1860) and his wife Ann. His brother Edward Henry Rickman Holmes (1825-1898) was a landscape and portrait painter. Little is known about his early education, but judging from the quality of both his work and that of his brother, they most likely received tuition from their father who taught art for a time.

He worked mainly in oil and specialised in painting genre scenes often featuring children and animals. He exhibited the Royal Academy from 1852-1909 and at the major London galleries including the British Institution, Grosvenor Gallery, Fine Art Society and Royal Institute of Oil Painters. He became a member of the Society of British Artists in 1863 where he exhibited 110 works. He also exhibited at the Royal Scottish Academy, Royal Cambrian Academy, Royal Society of Artists in Birmingham, Walker Art Gallery in Liverpool and at the Manchester City Art Gallery. From 1906 to 1911 he exhibited at the Paris Salon.

He spent most of his adult life living in Chelsea. From the early 1860’s he lived at 2 Prospect Place, Cheyne Walk but by 1870 had moved to 62 Cheyne Walk, a fashionably artistic area of London where his brother Edward also lived with him. James Whistler was one of his neighbours and was also a colleague at the Society of British Artists.

He died in Chelsea on 30 March 1911. A photograph of him is in the National Portrait Gallery. Examples of his work can be found at the Victoria Gallery, Liverpool.

Presentation: The painting is housed in its wonderful original gilt frame which is in excellent condition. An inscription to the back of the canvas indicates that the painting was once owned by the art dealer Michael Samuel Nathan (b.1833) of 26 Queen Victoria Street, London. There is also an old label to the reverse for Joseph Broadbent, Carver & Gilder and fine art dealer of 34 Albion Street, Leeds who operated from the 1860’s until Joseph’s death in 1888.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
83cm (32.68")
Width
70.5cm (27.76")
Depth
10cm (3.94")
Declaration

Benton Fine Art has dated this Victorian Farmyard Oil Painting to the 1870s.

Reference Numbers
Sellingantiques Reference
SA1226925
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
George Augustus Holmes

British, (1828-1911)

Circle of Friends

Oil on canvas, signed with initials & dated (18)75

Image size: 20.5 inches x 15.5 inches

Size including frame: 32.75 inches x 27.75 inches

Provenance: MS Nathan, Queen Victoria St, London; Sutcliffe Galleries

A charming genre painting featuring two girls feeding piglets & other farm animals by George Augustus Holmes.
Benton Fine Art

A girl is depicted standing by the door of a rustic barn holding a feeding bucket as a younger girl waits by her side. As she prepares to distribute the food, a drove of piglets together with a cockerel, hen and chicks rush to form a circle around them. Meanwhile, the younger girl can be seen clutching at her sister’s apron to steady herself as the animals close in. A work entitled, ‘Circle of Friends’ was exhibited at the Royal Academy in 1875, no. 454 and could well be one in the same.

fig 1. Victorian genre oil painting depicting two children feeding farmyard piglets and poultry beside a stone barn, set in a carved gilt frame.
fig 1. Genre Oil Painting of Two Girls Feeding Piglets & Chickens by George Augustus Holmes

George Augustus Mortimer Leigh Holmes was born in Marylebone, London on 23 April, 1828 to the miniature painter James Holmes (1777-1860) and his wife Ann. His brother Edward Henry Rickman Holmes (1825-1898) was a landscape and portrait painter. Little is known about his early education, but judging from the quality of both his work and that of his brother, they most likely received tuition from their father who taught art for a time.

fig 2. Victorian genre oil painting depicting two children feeding farmyard piglets and poultry beside a stone barn, set in a carved gilt frame.
fig 2. Genre Oil Painting of Two Girls Feeding Piglets & Chickens by George Augustus Holmes

He worked mainly in oil and specialised in painting genre scenes often featuring children and animals. He exhibited the Royal Academy from 1852-1909 and at the major London galleries including the British Institution, Grosvenor Gallery, Fine Art Society and Royal Institute of Oil Painters. He became a member of the Society of British Artists in 1863 where he exhibited 110 works. He also exhibited at the Royal Scottish Academy, Royal Cambrian Academy, Royal Society of Artists in Birmingham, Walker Art Gallery in Liverpool and at the Manchester City Art Gallery. From 1906 to 1911 he exhibited at the Paris Salon.

fig 3. Victorian genre oil painting depicting two children feeding farmyard piglets and poultry beside a stone barn, set in a carved gilt frame.
fig 3. Genre Oil Painting of Two Girls Feeding Piglets & Chickens by George Augustus Holmes

He spent most of his adult life living in Chelsea. From the early 1860’s he lived at 2 Prospect Place, Cheyne Walk but by 1870 had moved to 62 Cheyne Walk, a fashionably artistic area of London where his brother Edward also lived with him. James Whistler was one of his neighbours and was also a colleague at the Society of British Artists.

fig 4. Victorian genre oil painting depicting two children feeding farmyard piglets and poultry beside a stone barn, set in a carved gilt frame.
fig 4. Genre Oil Painting of Two Girls Feeding Piglets & Chickens by George Augustus Holmes

He died in Chelsea on 30 March 1911. A photograph of him is in the National Portrait Gallery. Examples of his work can be found at the Victoria Gallery, Liverpool.

Presentation: The painting is housed in its wonderful original gilt frame which is in excellent condition. An inscription to the back of the canvas indicates that the painting was once owned by the art dealer Michael Samuel Nathan (b.1833) of 26 Queen Victoria Street, London. There is also an old label to the reverse for Joseph Broadbent, Carver & Gilder and fine art dealer of 34 Albion Street, Leeds who operated from the 1860’s until Joseph’s death in 1888.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
83cm (32.68")
Width
70.5cm (27.76")
Depth
10cm (3.94")
Date of Manufacture

Benton Fine Art has dated this Victorian Farmyard Oil Painting to the 1870s.

Reference Numbers
Sellingantiques Ref
SA1226925
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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Victorian genre oil painting depicting two children feeding farmyard piglets and poultry beside a stone barn, set in a carved gilt frame.
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Archive I Victorian genre oil painting depicting two children feeding farmyard piglets and poultry beside a stone barn, set in a carved gilt frame.

Genre Oil Painting of Two Girls Feeding Piglets & Chickens by George Augustus Holmes

Archive II Victorian genre oil painting depicting two children feeding farmyard piglets and poultry beside a stone barn, set in a carved gilt frame. View II
Archive III Victorian genre oil painting depicting two children feeding farmyard piglets and poultry beside a stone barn, set in a carved gilt frame. View III
Archive IV Victorian genre oil painting depicting two children feeding farmyard piglets and poultry beside a stone barn, set in a carved gilt frame. View IV
Archive V Victorian genre oil painting depicting two children feeding farmyard piglets and poultry beside a stone barn, set in a carved gilt frame. View V
Archive VI Victorian genre oil painting depicting two children feeding farmyard piglets and poultry beside a stone barn, set in a carved gilt frame. View VI
Archive VII Victorian genre oil painting depicting two children feeding farmyard piglets and poultry beside a stone barn, set in a carved gilt frame. View VII
Archive VIII Victorian genre oil painting depicting two children feeding farmyard piglets and poultry beside a stone barn, set in a carved gilt frame. View VIII
Archive IX Victorian genre oil painting depicting two children feeding farmyard piglets and poultry beside a stone barn, set in a carved gilt frame. View IX
Archive X Victorian genre oil painting depicting two children feeding farmyard piglets and poultry beside a stone barn, set in a carved gilt frame. View X
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Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
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Sep 2012
For Sale
210
Victorian genre oil painting depicting two children feeding farmyard piglets and poultry beside a stone barn, set in a carved gilt frame.
Genre oil painting of two girls feeding piglets & chickens by George Augustus Holmes
Ref: SA1226925
Victorian genre oil painting depicting two children feeding farmyard piglets and poultry beside a stone barn, set in a carved gilt frame.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Victorian genre paintings focus on everyday narrative scenes, depicting domestic life, rural landscapes, and children engaged in routine activities. Popularised during the 19th century in Britain, this movement emphasised naturalistic detail, anecdotal storytelling, and realistic representations of human expression and environment.

Artwork from this era was typically executed using oil pigments layered on stretched flax canvas or wood panels. Frames were predominantly constructed from carved timber coated with plaster or gesso and finished with applied gold leaf or bronze powders.

Authentic period paintings display natural signs of age such as uniform fine surface cracking known as craquelure, natural darkening of the varnish, and oxidisation on the reverse of the canvas or stretcher bars. Labels, artist signatures, and original period gilded frames also aid authentication.

A Victorian painting can be displayed as a focal piece above a sideboard or mantelpiece to contrast with contemporary furniture. Pairing rich gilded frames with neutral walls or deeply pigmented paint schemes creates visual balance and highlights the historic detail of the artwork.

Display the painting away from direct sunlight, radiators, and areas of variable humidity to prevent cracking or warping. Clean the canvas surface only through professional restoration techniques, and dust the gilded frame gently using a soft, dry microfibre brush.
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