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Four Lithographs 1829 -Images of Chelsea, London - J.c Burgess -Printer William Day
Marlborough Antiques & Interiors
for sale €3,218     $3,493
£2,750
Marlborough Antiques & Interiors

Marlborough Antiques & Interiors

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Four Lithographs 1829 -Images of Chelsea, London - J.c Burgess -Printer William Day

18th century
Description

Four Lithographs Laid on Indian Paper dating 1829 from the collections of J C Burgess 'Images of Chelsea' as seen and recorded in Elizabeth Longford's 'Images of Chelsea'. plates 575, 569, 152 printed by William Day.

Day & Son: The most famous early Victorian firm of lithographic printing was by created Day and Haghe in 1829. Their lithographs were so meticulously conceived and technically advanced that in 1838, Day and Haghe were appointed 'Lithographers to the Queen'.

John Cart Burgess (1798 – 20 February 1863) was an English watercolour painter of flowers and landscapes, and an author of two books on art technique. He was part of the well-known Burgess dynasty of painters who flourished in the 18th and 19th centuries.Burgess was the son of portrait-painter, William Burgess (1749–1812), and the grandson of Thomas Burgess (fl. 1766–1786). His brothers were the painters Henry William Burgess (fl. 1809–1844) and Thomas Burgess (1784?–1807). John started off as a painter of flowers and fruit in watercolours, first exhibiting three flower pieces at the Royal Academy, London in 1812; he was then residing at 46 Sloane Square in Chelsea. He also exhibited at the Suffolk Street Gallery and the British Institution. His works were much admired, and in brilliancy and beauty of execution were said to rival those of Van Huysum. John Cart Burgess (1798–1863) is primarily famous in Chelsea for his historical, antique view titled "Chelsea From Cheyne Walk" , which depicts the River Thames at Chelsea with small boats .

Description for Chelsea From Cheyne Walk :A view of the River Thames at Chelsea at low tide with beached boats on the riverbank. One larger boat dominates the foreground with smaller boats scattered along the shoreline. The old bridge can be seen on the far right of the print.

Signature Info: No formal signature present. Printed identifier of Artist and Printer.

Condition: Very Good. Very good condition, marginal stains from old tape on verso. No further damage or signs of aging. Professionally framed to museum quality.

Description for Chelsea From Cheyne Walk: A view of the riverfront buildings at Cheyne Walk. There are pedestrians walking along the riverfront as well as some sitting on the riverside barrier. The old church can be seen in the background with shops lining the right side of the composition.

Signature Info: No formal signature present. Printed identifier of Artist and Printer.

Condition: Good. Good condition. Evidence of moisture stains, but no textural damage. No further damage or signs of aging. Professionally framed to museum quality.

Description for Chelsea From Cheyne Walk:A view of the River Thames at Chelsea at low tide with beached boats on the riverbank. The picture looks upstream with boats on the river depicted on the left and the riverbank on the left. In the centre of the composition, smoke is visible from factory chimneys.

Signature Info: No formal signature present. Printed identifier of Artist and Printer.

Condition: Very Good. Very good condition, marginal stains from old tape on verso. No further damage or signs of aging. Professionally framed to museum quality.

Description for Chelsea from the Bridge :A view on the River Thames at Chelsea, with the tower of Chelsea Old Church behind the waterfront buildings. Some small boats moored close to the houses on the waterfront with some beached boats on the riverbank depicted further to the right side of the composition.

Signature Info: No formal signature present. Printed identifier of Artist and Printer.

Condition: Good. Good condition. Evidence of moisture stains, but no textural damage. No further damage or signs of aging. Professionally framed to museum quality.

Physical Dimensions
Height
27cm (10.63")
Width
36cm (14.17")
Depth
2cm (0.79")
Declaration

Marlborough Antiques & Interiors has dated these Antique Chelsea London Lithographs to the Georgian era.

Reference Numbers
Sellingantiques Reference
SA1222829
Dealers Notes

We are primarily a web based business showing high quality antiques and decorative items in two warehouses in Lambourn Woodlands, Berkshire and Tetbury , Gloucestershire . Within easy reach of M4 Junctions and with a mainline station nearby and good private car parking facilities at all venues. We display the widest variety of antiques at all price levels, including paintings, furniture, fireside pieces and other decorative interior items. Not all our items are at any particular place so please call or email (enquiries@marlboroughantiques.com) or from our Contact page to avoid disappointment. Please view our Terms and conditions if needed at http://www.marlboroughantiques.com/terms.php.

We are very happy to discuss with clients their needs and to provide a sourcing service. We can advise on the acquisition of pieces in all areas of the fine and decorative arts, assisting clients in their search for individual pieces or for a particular item. If you have queries regarding this or any intended purchase please contact us. All items can be delivered either by postal service or by trusted and fully insured couriers; we use both for the UK market and for overseas delivery. Please inquire by email or phone to obtain a quote for delivery options. Items are described as Excellent - A1 Condition no faults, Very Good - very good condition with only very minor cosmetic issues if atall and consistent with age, Good - in good overall condition with some ageing, marks and wear consistent with age.

Description
Four Lithographs Laid on Indian Paper dating 1829 from the collections of J C Burgess 'Images of Chelsea' as seen and recorded in Elizabeth Longford's 'Images of Chelsea'. plates 575, 569, 152 printed by William Day.
Day & Son: The most famous early Victorian firm of lithographic printing was by created Day and Haghe in 1829.
Marlborough Antiques & Interiors

Their lithographs were so meticulously conceived and technically advanced that in 1838, Day and Haghe were appointed 'Lithographers to the Queen'.

fig 1. A set of four framed 1829 monochrome lithographs depicting scenes of historical Chelsea, London, set within cream mounts and dark frames.
fig 1. Four Lithographs 1829 -Images of Chelsea, London - J.c Burgess -Printer William Day

John Cart Burgess (1798 – 20 February 1863) was an English watercolour painter of flowers and landscapes, and an author of two books on art technique. He was part of the well-known Burgess dynasty of painters who flourished in the 18th and 19th centuries.Burgess was the son of portrait-painter, William Burgess (1749–1812), and the grandson of Thomas Burgess (fl. 1766–1786). His brothers were the painters Henry William Burgess (fl. 1809–1844) and Thomas Burgess (1784?–1807). John started off as a painter of flowers and fruit in watercolours, first exhibiting three flower pieces at the Royal Academy, London in 1812; he was then residing at 46 Sloane Square in Chelsea. He also exhibited at the Suffolk Street Gallery and the British Institution. His works were much admired, and in brilliancy and beauty of execution were said to rival those of Van Huysum. John Cart Burgess (1798–1863) is primarily famous in Chelsea for his historical, antique view titled "Chelsea From Cheyne Walk" , which depicts the River Thames at Chelsea with small boats .

fig 2. A set of four framed 1829 monochrome lithographs depicting scenes of historical Chelsea, London, set within cream mounts and dark frames.
fig 2. Four Lithographs 1829 -Images of Chelsea, London - J.c Burgess -Printer William Day

Description for Chelsea From Cheyne Walk :A view of the River Thames at Chelsea at low tide with beached boats on the riverbank. One larger boat dominates the foreground with smaller boats scattered along the shoreline. The old bridge can be seen on the far right of the print.

fig 3. A set of four framed 1829 monochrome lithographs depicting scenes of historical Chelsea, London, set within cream mounts and dark frames.
fig 3. Four Lithographs 1829 -Images of Chelsea, London - J.c Burgess -Printer William Day

Signature Info: No formal signature present. Printed identifier of Artist and Printer.

Condition: Very Good. Very good condition, marginal stains from old tape on verso. No further damage or signs of aging. Professionally framed to museum quality.

fig 4. A set of four framed 1829 monochrome lithographs depicting scenes of historical Chelsea, London, set within cream mounts and dark frames.
fig 4. Four Lithographs 1829 -Images of Chelsea, London - J.c Burgess -Printer William Day

Description for Chelsea From Cheyne Walk: A view of the riverfront buildings at Cheyne Walk. There are pedestrians walking along the riverfront as well as some sitting on the riverside barrier. The old church can be seen in the background with shops lining the right side of the composition.

Signature Info: No formal signature present. Printed identifier of Artist and Printer.

Condition: Good. Good condition. Evidence of moisture stains, but no textural damage. No further damage or signs of aging. Professionally framed to museum quality.

Description for Chelsea From Cheyne Walk:A view of the River Thames at Chelsea at low tide with beached boats on the riverbank. The picture looks upstream with boats on the river depicted on the left and the riverbank on the left. In the centre of the composition, smoke is visible from factory chimneys.

Signature Info: No formal signature present. Printed identifier of Artist and Printer.

Condition: Very Good. Very good condition, marginal stains from old tape on verso. No further damage or signs of aging. Professionally framed to museum quality.

Description for Chelsea from the Bridge :A view on the River Thames at Chelsea, with the tower of Chelsea Old Church behind the waterfront buildings. Some small boats moored close to the houses on the waterfront with some beached boats on the riverbank depicted further to the right side of the composition.

Signature Info: No formal signature present. Printed identifier of Artist and Printer.

Condition: Good. Good condition. Evidence of moisture stains, but no textural damage. No further damage or signs of aging. Professionally framed to museum quality.

Height
27cm (10.63")
Width
36cm (14.17")
Depth
2cm (0.79")
Date of Manufacture

Marlborough Antiques & Interiors has dated these Antique Chelsea London Lithographs to the Georgian era.

Reference Numbers
Sellingantiques Ref
SA1222829
Marlborough Antiques & Interiors
Marlborough Antiques & Interiors
Sellingantiques verified Since Jun 2012

We display a variety of antiques at all price levels, including furniture, paintings and other decorative items

Dealer Profile

You can view the stock and full dealer information on the Marlborough Antiques & Interiors Profile Page

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A set of four framed 1829 monochrome lithographs depicting scenes of historical Chelsea, London, set within cream mounts and dark frames.
1 / 5
Archive I A set of four framed 1829 monochrome lithographs depicting scenes of historical Chelsea, London, set within cream mounts and dark frames.

Four Lithographs 1829 -Images of Chelsea, London - J.C Burgess -Printer William Day

Archive II A set of four framed 1829 monochrome lithographs depicting scenes of historical Chelsea, London, set within cream mounts and dark frames. View II
Archive III A set of four framed 1829 monochrome lithographs depicting scenes of historical Chelsea, London, set within cream mounts and dark frames. View III
Archive IV A set of four framed 1829 monochrome lithographs depicting scenes of historical Chelsea, London, set within cream mounts and dark frames. View IV
Archive V A set of four framed 1829 monochrome lithographs depicting scenes of historical Chelsea, London, set within cream mounts and dark frames. View V
Enlarged Archival View
Location
3 South View Place (office only)
Blowhorn Street
Marlborough
Wiltshire
SN8 1DD
United Kingdom
Verified Since Jun 2012
Items For Sale 248
Items Sold 2,152
Marlborough Antiques & Interiors
Marlborough Antiques & Interiors
Verified Since Jun 2012
View Dealer Info
Location: 3 South View Place (office only), Blowhorn Street, Marlborough, Wiltshire, SN8 1DD, United Kingdom
Verified
Jun 2012
For Sale
248
Sold
2,152
A set of four framed 1829 monochrome lithographs depicting scenes of historical Chelsea, London, set within cream mounts and dark frames.
Four Lithographs 1829 -Images of Chelsea, London - J.C Burgess -Printer William Day
Ref: SA1222829
A set of four framed 1829 monochrome lithographs depicting scenes of historical Chelsea, London, set within cream mounts and dark frames.
Detail View 1
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Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Topographical lithography in the early 19th century involved drawing images directly onto prepared limestone blocks using greasy crayons prior to printing on paper. This technique enabled the precise reproduction of detailed architectural and landscape records for publication.

Early lithographs were printed using grease-based inks applied to fine-grained Bavarian limestone plates and transferred onto woven rag paper. Frames of this era often utilised dark wood veneers or ebonised timber with gilt slip borders.

Authentic lithographs from this period display soft tonal gradations rather than the mechanical half-tone dot patterns visible under magnification in later prints. They typically feature printed artist and publisher inscriptions along the lower margin, alongside natural paper ageing.

Arranging four uniform prints in a two-by-two grid creates a symmetrical focal point above console tables or sideboards. The neutral monochrome palette enables integration with both contemporary minimalist interiors and classic dark wood schemes.

Prints should be framed using acid-free mounting boards and UV-protective glass to prevent paper yellowing and degradation. Position them away from direct sunlight, high humidity, and direct heat sources such as radiators.
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