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Pair of Sea Scapes by John Moore of Ipswich (1821-1902)
Jane Short Antiques
for sale €965     $1,048
£825
Jane Short Antiques

Jane Short Antiques

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Pair of Sea Scapes by John Moore of Ipswich (1821-1902)

19th century
Description

A pair of atmospheric seascapes in oil on board depicting sailing boats in a squall off the coastline, probably Suffolk.

They are in very good original condition and housed in walnut frames with a gilded inner slip.

Each one signed by the artist.

Circa 1870.

The artist, John Moore, was well known for his maritime paintings and is so rooted to his locality that he was called John Moore of Ipswich, although he was born in Woodbridge. 2021 marks 200 years since his birth and a chance to celebrate Moore's artworks. There are over 40 paintings by Moore in the Ipswich collection and his work has been gifted, purchased, and left in bequests over the years.Moore was born in Woodbridge, Suffolk and baptised in February 1821. The son of Martin Moore, a plumber, painter and decorator and Elizabeth Warren.

The young John was apprenticed to the trade of plumbing and signwriting but not much is known about his early life. Woodbridge had an interesting community of artists and it could be that Moore became familiar with the work of Thomas Churchyard, George James Rowe and the many places for sketching by the River Deben.

He is likely to have been self-taught as an artist and we have no record of formal art training.

By 1871 the family had moved to Ipswich, perhaps prompted by the possibility of finally being able to establish himself as a painter. Moore now worked solely as an artist in oils and his son John, who was blind, became a basket-maker. Unfortunately, in 1877 Caroline died and Moore re-married in 1878, Harriet Kersey (1838-1900) at St Mary's Church, Woodridge.

Ipswich's busy port provided perfect subject matter for Moore and there were many wealthy clients from the various maritime and industrial trades. Local families of the time would support notable artists of the region and Moore was engaged by the Cobbold family to paint scenes in Scotland and Northumberland.Moore quickly became involved in the Ipswich artistic community and joined the Ipswich Art Club at its formation in 1874.

His small landscapes sold for ??5, and up to 30 guineas or more for larger, important works. When the first exhibition of the Ipswich Fine Art Club was reviewed in the East Anglian Daily Times in 1875, John Moore was described as one of the best marine painters and a successor to Clarkson Stanfield. Edward Packard (1843-1932), founder of the Art Club and later President, was a very influential figure in Ipswich business and cultural circles and bought several art works by Moore.

The Moore paintings in the Ipswich collection provide a clear overview of his life and work. There are the notable maritime scenes on a grand scale and Ipswich scenes from the town and docks.Moore lived in Tower Ditches for several years and when he painted this view of his neighbourhood it would have been very familiar to him.Moore eventually went to live with a friend at Diss and in 1902 passed away having ?wielded the brush with unabated vigour till almost the very last. He is buried in Ipswich Cemetery.

Ipswich Journal, 12th April 1902.

We can deliver free of charge in UK mainland and can calculate the cost for international delivery.

Payments by bank transfer or PayPal.

Physical Dimensions
Height
43cm (16.93")
Width
48cm (18.90")
Depth
4cm (1.57")
Declaration

Jane Short Antiques has dated these Victorian Marine Oil Paintings to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1221579
Dealers Internal Reference
A5182
Description
A pair of atmospheric seascapes in oil on board depicting sailing boats in a squall off the coastline, probably Suffolk.

They are in very good original condition and housed in walnut frames with a gilded inner slip.

fig 1. A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips.
fig 1. Pair of Sea Scapes by John Moore of Ipswich (1821-1902)

Each one signed by the artist.

Circa 1870.

The artist, John Moore, was well known for his maritime paintings and is so rooted to his locality that he was called John Moore of Ipswich, although he was born in Woodbridge.
Jane Short Antiques

2021 marks 200 years since his birth and a chance to celebrate Moore's artworks. There are over 40 paintings by Moore in the Ipswich collection and his work has been gifted, purchased, and left in bequests over the years.Moore was born in Woodbridge, Suffolk and baptised in February 1821. The son of Martin Moore, a plumber, painter and decorator and Elizabeth Warren.

fig 2. A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips.
fig 2. Pair of Sea Scapes by John Moore of Ipswich (1821-1902)

The young John was apprenticed to the trade of plumbing and signwriting but not much is known about his early life. Woodbridge had an interesting community of artists and it could be that Moore became familiar with the work of Thomas Churchyard, George James Rowe and the many places for sketching by the River Deben.

fig 3. A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips.
fig 3. Pair of Sea Scapes by John Moore of Ipswich (1821-1902)

He is likely to have been self-taught as an artist and we have no record of formal art training.

By 1871 the family had moved to Ipswich, perhaps prompted by the possibility of finally being able to establish himself as a painter. Moore now worked solely as an artist in oils and his son John, who was blind, became a basket-maker. Unfortunately, in 1877 Caroline died and Moore re-married in 1878, Harriet Kersey (1838-1900) at St Mary's Church, Woodridge.

fig 4. A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips.
fig 4. Pair of Sea Scapes by John Moore of Ipswich (1821-1902)

Ipswich's busy port provided perfect subject matter for Moore and there were many wealthy clients from the various maritime and industrial trades. Local families of the time would support notable artists of the region and Moore was engaged by the Cobbold family to paint scenes in Scotland and Northumberland.Moore quickly became involved in the Ipswich artistic community and joined the Ipswich Art Club at its formation in 1874.

fig 5. A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips.
fig 5. Pair of Sea Scapes by John Moore of Ipswich (1821-1902)

His small landscapes sold for ??5, and up to 30 guineas or more for larger, important works. When the first exhibition of the Ipswich Fine Art Club was reviewed in the East Anglian Daily Times in 1875, John Moore was described as one of the best marine painters and a successor to Clarkson Stanfield. Edward Packard (1843-1932), founder of the Art Club and later President, was a very influential figure in Ipswich business and cultural circles and bought several art works by Moore.

fig 6. A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips.
fig 6. Pair of Sea Scapes by John Moore of Ipswich (1821-1902)

The Moore paintings in the Ipswich collection provide a clear overview of his life and work. There are the notable maritime scenes on a grand scale and Ipswich scenes from the town and docks.Moore lived in Tower Ditches for several years and when he painted this view of his neighbourhood it would have been very familiar to him.Moore eventually went to live with a friend at Diss and in 1902 passed away having ?wielded the brush with unabated vigour till almost the very last. He is buried in Ipswich Cemetery.

Ipswich Journal, 12th April 1902.

We can deliver free of charge in UK mainland and can calculate the cost for international delivery.

Payments by bank transfer or PayPal.

Height
43cm (16.93")
Width
48cm (18.90")
Depth
4cm (1.57")
Date of Manufacture

Jane Short Antiques has dated these Victorian Marine Oil Paintings to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1221579
Dealers Internal Ref
A5182
Jane Short Antiques
Jane Short Antiques
Sellingantiques verified Since Mar 2020

30 years of expertise in 17th- to early 20th-century furniture and fine art

Dealer Profile

You can view the stock and full dealer information on the Jane Short Antiques Profile Page

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A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips.
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Archive I A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips.

Pair of Sea Scapes by John Moore of Ipswich (1821-1902)

Archive II A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips. View II
Archive III A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips. View III
Archive IV A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips. View IV
Archive V A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips. View V
Archive VI A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips. View VI
Archive VII A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips. View VII
Archive VIII A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips. View VIII
Archive IX A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips. View IX
Archive X A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips. View X
Archive XI A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips. View XI
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Suffolk
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Jane Short Antiques
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Verified Since Mar 2020
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A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips.
Pair of Sea Scapes by John Moore of Ipswich (1821-1902)
Ref: SA1221579
A pair of Victorian marine oil paintings depicting sailing boats navigating choppy seas, encased in wide burr wood frames with gilded slips.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

British marine painting of the 19th century typically focuses on coastal craft, merchant shipping, and stormy sea environments, reflecting the maritime heritage of the era. Artists focused on atmospheric light, wave dynamics, and detailed nautical rigging using realistic natural tones.

Artists during the Victorian era primarily painted with oil paints on stretched linen canvas or wooden panels. Framing often featured timber veneers, such as burr walnut or oak, accented with gilded slip borders.

Authenticity is evaluated through evidence of natural age, such as fine craquelure in the varnish layer, age-appropriate timber oxidation on the reverse, artist signatures, and period-correct framing techniques.

Framed seascapes bring architectural texture and depth to traditional or transitional interiors. They work effectively paired together vertically in narrow wall spans or mounted horizontally above wooden sideboards.

Keep artwork away from direct sunlight, excess moisture, and fluctuating heat sources. Dust the frame and surface gently using a soft, dry camel-hair brush, avoiding liquid cleaners or abrasive cloths.
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