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Clare Leighton (1898–1989) – 'The Snail', 1935 Wood Engraving from Four Hedges, Mounted
Earl and Rymer
for sale €21     $23
£18
Earl and Rymer

Earl and Rymer

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Clare Leighton (1898–1989) – 'The Snail', 1935 Wood Engraving from Four Hedges, Mounted

1920 - 1940
For Sale by Earl and Rymer
Description

Clare Leighton (1898–1989) – 'The Snail', 1935 Wood Engraving from Four Hedges, Mounted.

1935 wood engraving by the celebrated British printmaker, Clare Leighton. This powerful work is an impression from her highly influential biographical gardening journal, Four Hedges: A Gardener’s Chronicle, printed by the Camelot Press.

This petite engraving captures a garden snail moving across a lawn, capturing the intricate whorl of the snail shell and the textured form of its body.

Perfect as a standalone piece or paired with other prints from our Clare Leighton collection.

Condition: Excellent vintage condition. The piece has been put in an appropriate modern mount which makes it ready to frame in a frame of your choosing.

Image Size: 3.5cm x 6cm. Mount Size: 13.5cm x 16.5cm.

Clare Leighton (1898–1989) was a pioneering figure in the twentieth-century revival of wood engraving. Born in London, she studied at the Slade School of Fine Art and the Central School of Arts and Crafts, where she honed a style defined by its robust energy and poetic realism. Best known for portraying the enduring spirit of the English countryside and the dignity of agrarian work, Leighton’s works are celebrated for their sweeping composition and dramatic use of light. In 1935, Four Hedges solidified her reputation as both a masterful visual artist and an empathetic writer. Today, her work is highly collectible and permanently held in major institutions globally, including the British Museum, the Victoria and Albert Museum, and the Metropolitan Museum of Art in New York.

Physical Dimensions
Height
13.5cm (5.31")
Width
16.5cm (6.50")
Declaration

Earl and Rymer has dated this Clare Leighton Wood Engraving to the 1930s.

Reference Numbers
Sellingantiques Reference
SA1220741
Dealers Internal Reference
1372-1389
Description
Clare Leighton (1898–1989) – 'The Snail', 1935 Wood Engraving from Four Hedges, Mounted.

1935 wood engraving by the celebrated British printmaker, Clare Leighton.

This powerful work is an impression from her highly influential biographical gardening journal, Four Hedges: A Gardener’s Chronicle, printed by the Camelot Press.
Earl and Rymer
fig 1. A monochrome 1935 wood engraving by Clare Leighton depicting a detailed snail on grass, displayed in a neutral window mount.
fig 1. Clare Leighton (1898–1989) – 'The Snail', 1935 Wood Engraving from Four Hedges, Mounted

This petite engraving captures a garden snail moving across a lawn, capturing the intricate whorl of the snail shell and the textured form of its body.

Perfect as a standalone piece or paired with other prints from our Clare Leighton collection.

Condition: Excellent vintage condition. The piece has been put in an appropriate modern mount which makes it ready to frame in a frame of your choosing.

Image Size: 3.5cm x 6cm. Mount Size: 13.5cm x 16.5cm.

Clare Leighton (1898–1989) was a pioneering figure in the twentieth-century revival of wood engraving. Born in London, she studied at the Slade School of Fine Art and the Central School of Arts and Crafts, where she honed a style defined by its robust energy and poetic realism. Best known for portraying the enduring spirit of the English countryside and the dignity of agrarian work, Leighton’s works are celebrated for their sweeping composition and dramatic use of light. In 1935, Four Hedges solidified her reputation as both a masterful visual artist and an empathetic writer. Today, her work is highly collectible and permanently held in major institutions globally, including the British Museum, the Victoria and Albert Museum, and the Metropolitan Museum of Art in New York.

Height
13.5cm (5.31")
Width
16.5cm (6.50")
Date of Manufacture

Earl and Rymer has dated this Clare Leighton Wood Engraving to the 1930s.

Reference Numbers
Sellingantiques Ref
SA1220741
Dealers Internal Ref
1372-1389
Earl and Rymer
Earl and Rymer
Sellingantiques verified Since Feb 2026

Earl & rymer specialise in beautiful, interesting and unusual decorative antiques and art.

Dealer Profile

You can view the stock and full dealer information on the Earl and Rymer Profile Page

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A monochrome 1935 wood engraving by Clare Leighton depicting a detailed snail on grass, displayed in a neutral window mount.
1 / 2
Archive I A monochrome 1935 wood engraving by Clare Leighton depicting a detailed snail on grass, displayed in a neutral window mount.

Clare Leighton (1898–1989) – 'The Snail', 1935 Wood Engraving from Four Hedges, Mounted

Archive II A monochrome 1935 wood engraving by Clare Leighton depicting a detailed snail on grass, displayed in a neutral window mount. View II
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Earl and Rymer
Earl and Rymer
Verified Since Feb 2026
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Location: York, Yorkshire, United Kingdom, , By appointment only.
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A monochrome 1935 wood engraving by Clare Leighton depicting a detailed snail on grass, displayed in a neutral window mount.
Clare Leighton (1898–1989) – 'The Snail', 1935 Wood Engraving from Four Hedges, Mounted
Ref: SA1220741
A monochrome 1935 wood engraving by Clare Leighton depicting a detailed snail on grass, displayed in a neutral window mount.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Wood engraving experienced a significant revival in Britain during the 1920s and 1930s, driven by artists who carved detailed compositions directly into end-grain wood blocks for fine press book illustrations and independent artwork prints.

Wood engravings are relief prints produced by carving into dense end-grain wood blocks, typically boxwood, using specialised steel tools such as gravers before being inked and printed onto paper.

Authentic prints feature sharp, high-contrast line work with subtle physical impressions on the paper surface caused by the pressure of the printing press, alongside characteristic fine cross-hatching technique.

Small monochrome artworks are effectively displayed as part of a structured gallery wall arrangement or individually within focused areas such as hallways, alcoves, or above sideboards to create a dedicated focal point.

Paper prints should be framed using acid-free mounting materials and UV-filtering glass, positioned away from direct sunlight, dampness, and fluctuating heat sources to prevent foxing or discolouration.
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