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Clare Leighton (1898–1989) – 'The Hedgehog', 1935 Wood Engraving from Four Hedges, Mounted
Earl and Rymer
for sale €26     $28
£22
Earl and Rymer

Earl and Rymer

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Clare Leighton (1898–1989) – 'The Hedgehog', 1935 Wood Engraving from Four Hedges, Mounted

1920 - 1940
For Sale by Earl and Rymer
Description

Clare Leighton (1898–1989) – 'The Hedgehog', 1935 Wood Engraving from Four Hedges, Mounted.

1935 wood engraving by the celebrated British printmaker, Clare Leighton. This powerful work is an impression from her highly influential biographical gardening journal, Four Hedges: A Gardener’s Chronicle, printed by the Camelot Press.

This engraving is a study of a hedgehog, capturing the intricate, prickly texture of its quills as it moves quietly through the garden.

Perfect as a standalone piece or paired with other prints from our Clare Leighton collection.

Condition: Excellent vintage condition. The piece has been put in an appropriate modern mount which makes it ready to frame in a frame of your choosing.

Image Size: 5cm x 9cm. Mount Size: 15cm x 19.5cm.

Clare Leighton (1898–1989) was a pioneering figure in the twentieth-century revival of wood engraving. Born in London, she studied at the Slade School of Fine Art and the Central School of Arts and Crafts, where she honed a style defined by its robust energy and poetic realism. Best known for portraying the enduring spirit of the English countryside and the dignity of agrarian work, Leighton’s works are celebrated for their sweeping composition and dramatic use of light. In 1935, Four Hedges solidified her reputation as both a masterful visual artist and an empathetic writer. Today, her work is highly collectible and permanently held in major institutions globally, including the British Museum, the Victoria and Albert Museum, and the Metropolitan Museum of Art in New York.

Physical Dimensions
Height
15cm (5.91")
Width
19.5cm (7.68")
Declaration

Earl and Rymer has dated this Clare Leighton Wood Engraving to the 1930s.

Reference Numbers
Sellingantiques Reference
SA1220735
Dealers Internal Reference
1372-1389
Description
Clare Leighton (1898–1989) – 'The Hedgehog', 1935 Wood Engraving from Four Hedges, Mounted.

1935 wood engraving by the celebrated British printmaker, Clare Leighton.

This powerful work is an impression from her highly influential biographical gardening journal, Four Hedges: A Gardener’s Chronicle, printed by the Camelot Press.
Earl and Rymer
fig 1. A black and white wood engraving of a hedgehog in profile amidst grass, set within a neutral beige cardboard mount.
fig 1. Clare Leighton (1898–1989) – 'The Hedgehog', 1935 Wood Engraving from Four Hedges, Mounted

This engraving is a study of a hedgehog, capturing the intricate, prickly texture of its quills as it moves quietly through the garden.

Perfect as a standalone piece or paired with other prints from our Clare Leighton collection.

Condition: Excellent vintage condition. The piece has been put in an appropriate modern mount which makes it ready to frame in a frame of your choosing.

Image Size: 5cm x 9cm. Mount Size: 15cm x 19.5cm.

Clare Leighton (1898–1989) was a pioneering figure in the twentieth-century revival of wood engraving. Born in London, she studied at the Slade School of Fine Art and the Central School of Arts and Crafts, where she honed a style defined by its robust energy and poetic realism. Best known for portraying the enduring spirit of the English countryside and the dignity of agrarian work, Leighton’s works are celebrated for their sweeping composition and dramatic use of light. In 1935, Four Hedges solidified her reputation as both a masterful visual artist and an empathetic writer. Today, her work is highly collectible and permanently held in major institutions globally, including the British Museum, the Victoria and Albert Museum, and the Metropolitan Museum of Art in New York.

Height
15cm (5.91")
Width
19.5cm (7.68")
Date of Manufacture

Earl and Rymer has dated this Clare Leighton Wood Engraving to the 1930s.

Reference Numbers
Sellingantiques Ref
SA1220735
Dealers Internal Ref
1372-1389
Earl and Rymer
Earl and Rymer
Sellingantiques verified Since Feb 2026

Earl & rymer specialise in beautiful, interesting and unusual decorative antiques and art.

Dealer Profile

You can view the stock and full dealer information on the Earl and Rymer Profile Page

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A black and white wood engraving of a hedgehog in profile amidst grass, set within a neutral beige cardboard mount.
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Archive I A black and white wood engraving of a hedgehog in profile amidst grass, set within a neutral beige cardboard mount.

Clare Leighton (1898–1989) – 'The Hedgehog', 1935 Wood Engraving from Four Hedges, Mounted

Archive II A black and white wood engraving of a hedgehog in profile amidst grass, set within a neutral beige cardboard mount. View II
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Earl and Rymer
Earl and Rymer
Verified Since Feb 2026
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Location: York, Yorkshire, United Kingdom, , By appointment only.
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A black and white wood engraving of a hedgehog in profile amidst grass, set within a neutral beige cardboard mount.
Clare Leighton (1898–1989) – 'The Hedgehog', 1935 Wood Engraving from Four Hedges, Mounted
Ref: SA1220735
A black and white wood engraving of a hedgehog in profile amidst grass, set within a neutral beige cardboard mount.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Twentieth-century British wood engraving is defined by precise line work, strong tonal contrasts, and relief printing techniques on hard end-grain wood blocks. The era saw artists using botanical and pastoral themes to illustrate books and produce standalone prints, reflecting a revival in traditional craftsmanship.

Artists carved into dense hardwoods, most commonly boxwood, using specialised steel tools named burins or gravers. Oil-based relief ink was then rolled onto the raised surfaces of the block and pressed onto paper sheets to produce monochrome prints.

Authentic period engravings display precise line definitions, slight impression marks into the paper from the relief press, and subtle ink distribution. Papers from the early to mid-20th century often feature specific laid paper textures or age-appropriate tone.

Monochrome wildlife engravings suit gallery wall arrangements, slim timber frames, and neutral interior palettes. Pairing small-scale graphic prints alongside natural wood furniture creates visual interest without overwhelming surrounding decor.

Prints should be framed using acid-free mounting boards and kept away from direct sunlight or damp environments to prevent foxing and fading. Avoid moisture when cleaning framing glass, applying glass cleaner onto a cloth rather than directly to the frame.
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