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Clare Leighton (1898–1989) – 'Planting Trees', 1935 Wood Engraving from Four Hedges, Mounted
Earl and Rymer
for sale €53     $57
£45
Earl and Rymer

Earl and Rymer

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Clare Leighton (1898–1989) – 'Planting Trees', 1935 Wood Engraving from Four Hedges, Mounted

1920 - 1940
For Sale by Earl and Rymer
Description

Clare Leighton (1898–1989) – 'Planting trees', 1935 Wood Engraving from Four Hedges, Mounted

1935 wood engraving by the celebrated British printmaker, Clare Leighton. This powerful work is an impression from her highly influential biographical gardening journal, Four Hedges: A Gardener’s Chronicle, printed by the Camelot Press.

This engraving depicts two figures working the land to plant a young sapling against a sweeping, textured hillside.

Perfect as a standalone piece or paired with other prints from our Clare Leighton collection.

Condition: Excellent vintage condition. The piece has been put in an appropriate modern mount which makes it ready to frame in a frame of your choosing.

Image Size: 18cm x 12cm. Mount Size: 28.3cm x 22.8cm.

Clare Leighton (1898–1989) was a pioneering figure in the twentieth-century revival of wood engraving. Born in London, she studied at the Slade School of Fine Art and the Central School of Arts and Crafts, where she honed a style defined by its robust energy and poetic realism. Best known for portraying the enduring spirit of the English countryside and the dignity of agrarian work, Leighton’s works are celebrated for their sweeping composition and dramatic use of light. In 1935, Four Hedges solidified her reputation as both a masterful visual artist and an empathetic writer. Today, her work is highly collectible and permanently held in major institutions globally, including the British Museum, the Victoria and Albert Museum, and the Metropolitan Museum of Art in New York.

Physical Dimensions
Height
28.3cm (11.14")
Width
22.8cm (8.98")
Declaration

Earl and Rymer has dated this Clare Leighton Wood Engraving to the 1930s.

Reference Numbers
Sellingantiques Reference
SA1220669
Dealers Internal Reference
1372-1389
Description
Clare Leighton (1898–1989) – 'Planting trees', 1935 Wood Engraving from Four Hedges, Mounted

1935 wood engraving by the celebrated British printmaker, Clare Leighton.

This powerful work is an impression from her highly influential biographical gardening journal, Four Hedges: A Gardener’s Chronicle, printed by the Camelot Press.
Earl and Rymer
fig 1. A black and white mounted wood engraving print depicting two figures planting a young tree in a rural landscape.
fig 1. Clare Leighton (1898–1989) – 'Planting Trees', 1935 Wood Engraving from Four Hedges, Mounted

This engraving depicts two figures working the land to plant a young sapling against a sweeping, textured hillside.

Perfect as a standalone piece or paired with other prints from our Clare Leighton collection.

fig 2. A black and white mounted wood engraving print depicting two figures planting a young tree in a rural landscape.
fig 2. Clare Leighton (1898–1989) – 'Planting Trees', 1935 Wood Engraving from Four Hedges, Mounted

Condition: Excellent vintage condition. The piece has been put in an appropriate modern mount which makes it ready to frame in a frame of your choosing.

Image Size: 18cm x 12cm. Mount Size: 28.3cm x 22.8cm.

Clare Leighton (1898–1989) was a pioneering figure in the twentieth-century revival of wood engraving. Born in London, she studied at the Slade School of Fine Art and the Central School of Arts and Crafts, where she honed a style defined by its robust energy and poetic realism. Best known for portraying the enduring spirit of the English countryside and the dignity of agrarian work, Leighton’s works are celebrated for their sweeping composition and dramatic use of light. In 1935, Four Hedges solidified her reputation as both a masterful visual artist and an empathetic writer. Today, her work is highly collectible and permanently held in major institutions globally, including the British Museum, the Victoria and Albert Museum, and the Metropolitan Museum of Art in New York.

Height
28.3cm (11.14")
Width
22.8cm (8.98")
Date of Manufacture

Earl and Rymer has dated this Clare Leighton Wood Engraving to the 1930s.

Reference Numbers
Sellingantiques Ref
SA1220669
Dealers Internal Ref
1372-1389
Earl and Rymer
Earl and Rymer
Sellingantiques verified Since Feb 2026

Earl & rymer specialise in beautiful, interesting and unusual decorative antiques and art.

Dealer Profile

You can view the stock and full dealer information on the Earl and Rymer Profile Page

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A black and white mounted wood engraving print depicting two figures planting a young tree in a rural landscape.
1 / 3
Archive I A black and white mounted wood engraving print depicting two figures planting a young tree in a rural landscape.

Clare Leighton (1898–1989) – 'Planting trees', 1935 Wood Engraving from Four Hedges, Mounted

Archive II A black and white mounted wood engraving print depicting two figures planting a young tree in a rural landscape. View II
Archive III A black and white mounted wood engraving print depicting two figures planting a young tree in a rural landscape. View III
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Yorkshire
United Kingdom

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Verified Since Feb 2026
Items For Sale 125
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Earl and Rymer
Earl and Rymer
Verified Since Feb 2026
View Dealer Info
Location: York, Yorkshire, United Kingdom, , By appointment only.
Verified
Feb 2026
For Sale
125
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A black and white mounted wood engraving print depicting two figures planting a young tree in a rural landscape.
Clare Leighton (1898–1989) – 'Planting trees', 1935 Wood Engraving from Four Hedges, Mounted
Ref: SA1220669
A black and white mounted wood engraving print depicting two figures planting a young tree in a rural landscape.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Wood engraving is a relief printing technique where an artist carves a design into the end grain of a hard wood block, such as boxwood. Popularised in 20th-century British illustration, it allowed artists to create intricate, high-contrast monochrome images for fine art publications and standalone prints.

Traditional wood engravings are produced using high-density end-grain wood blocks, specialist carving gravers, and oil-based relief inks applied to acid-free paper stock. Prints are frequently mounted on archival card to ensure structural stability.

Authentic wood engravings feature extremely sharp relief lines, dense black ink coverage, and subtle tactile impressions left by the relief block on the paper. Magnification often reveals minor texture variations inherent to hand-inked woodblocks.

Monochrome wood engravings perform well in curated gallery walls alongside contemporary drawings or hung individually within a slim frame to accentuate minimalist interiors. Hanging the print near indirect natural light highlights the line work and contrast.

Works on paper must be kept in a climate-controlled environment away from direct sunlight, high humidity, and heat sources. Utilizing UV-protective glass and archival acid-free mounting materials prevents discolouration and foxing.
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