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Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits
Mansion House Antiques & Fine Art
for sale €23,400     $25,400
£20,000
Mansion House Antiques & Fine Art

Mansion House Antiques & Fine Art

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Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

19th century
Description

Cattle & Sheep Resting In A Landscape With An Horned Billy Goat.

HUGE PAINTING ( Dating around 1870-80 )

Exhibition Standard Example 42.5 x 56.5 Inches.

Bears the signature T.Sidney Cooper RA.

ABOUT

Thomas Sidney Cooper who was born in St Peter's Street Canterbury on 26 September 1803 to William and Sarah Cooper. He was christened Thomas Cooper and at some point adopted Sydney or Sidney as his middle name.

At the age of 12 he started working as a coach painter and later a scene painter, continuing to draw and paint in his spare time.

When he was 21 he was helped by his uncle to move to London and study at the Royal Academy. However, he didn’t complete the course and returned to Canterbury. Shortly afterwards in 1824, he travelled to Brussels where he met Eugène Joseph Verboeckhoven who had a great influence on his work. He also met and married Charlotte Pearson the daughter of a mathematician.

After the revolution broke out they returned to London in 1831 where Cooper started selling paintings of the cattle that he sketched at Smithfield Market.

The couple lived at Portland Terrace, St John’s Wood and together had four children.

His son Thomas George Cooper (1836-1901) became an artist and also his great nephew William Sidney Cooper (1854-1927) both of whom he taught.

In 1833 he made his debut at the Royal Academy, where he continued to exhibit regularly until his death.

He also exhibited at the Royal Society of British Artists and the British Institution between 1833 and 1863.

He was elected ARA in 1845 and RA in 1867. From the early 1840’s he lived at 16 Wellington Terrace, until the 1850’s when he moved to 2 Dorset Square, Regent’s Park.

He continued to live there for over 10 years until he moved to 42 Chepstow Villas, Bayswater. Around 1849, he had a second house built in Harbledown, Canterbury and named it Vernon Holme after his patron and from where he would also paint and exhibit.

Cooper specialised in paintings of cattle or sheep, which earned him the nickname of Cow Cooper. He became one of the most accomplished and successful animal landscape painters of the 19th century. He built Alms Houses in Canterbury and in 1882 set up the Canterbury Sidney Cooper School of Art. In July 1901, he was awarded the Commander of the Royal Victorian Order (CVO).

Cooper died at Harbledown, Canterbury on 7 February 1902 and was buried at St Martin Churchyard.

Examples of his work can be found at the Royal Museum in Canterbury, Tate Gallery, Victoria and Albert Museum, Atkinson Art Gallery, Birmingham Museum, Brighton and Hove Museum, Northampton Museum Sheffield Museum and other public collections.

This is a lovely example commissioned on a large scale and deservingly presented in a stunning exhibition standard frame.

FRAMED SIZE

Height : 42.5 Inches ( 108 cm )

Width : x 56.5 Inches ( 144 cm )

CONDITION

Very Good Order throughout, good solid frame, re touching of gilding, historical past light clean, all looks spectacular and ready to hang.

DELIVERY

By Fine Art Specialist UK £150

Worldwide : EU £900 / USA £1000

REDUCED FROM £20,000 TO SPECIAL PRICE OF £17,500 ( Offer Ends 30th April 2026 )

TELEPHONE ENQUIRIES 07765 856171

Physical Dimensions
Height
108cm (42.52")
Width
144cm (56.69")
Depth
11.5cm (4.53")
Declaration

Mansion House Antiques & Fine Art has dated this Victorian Livestock Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1208754
Dealers Internal Reference
0921
Dealers Notes

Payments are accepted by Bank Transfer & by Debit / Credit Cards Via the BUY NOW Payment Link Tab shown below each items description.

PAY-PAL Account Holders are welcome. CHEQUES Drawn from UK banks.

Description
Cattle & Sheep Resting In A Landscape With An Horned Billy Goat.

HUGE PAINTING ( Dating around 1870-80 )

Exhibition Standard Example 42.5 x 56.5 Inches.

Bears the signature T.Sidney Cooper RA.

ABOUT

Thomas Sidney Cooper who was born in St Peter's Street Canterbury on 26 September 1803 to William and Sarah Cooper.
Mansion House Antiques & Fine Art

He was christened Thomas Cooper and at some point adopted Sydney or Sidney as his middle name.

fig 1. A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame.
fig 1. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

At the age of 12 he started working as a coach painter and later a scene painter, continuing to draw and paint in his spare time.

When he was 21 he was helped by his uncle to move to London and study at the Royal Academy. However, he didn’t complete the course and returned to Canterbury. Shortly afterwards in 1824, he travelled to Brussels where he met Eugène Joseph Verboeckhoven who had a great influence on his work. He also met and married Charlotte Pearson the daughter of a mathematician.

fig 2. A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame.
fig 2. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

After the revolution broke out they returned to London in 1831 where Cooper started selling paintings of the cattle that he sketched at Smithfield Market.

The couple lived at Portland Terrace, St John’s Wood and together had four children.

fig 3. A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame.
fig 3. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

His son Thomas George Cooper (1836-1901) became an artist and also his great nephew William Sidney Cooper (1854-1927) both of whom he taught.

In 1833 he made his debut at the Royal Academy, where he continued to exhibit regularly until his death.

fig 4. A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame.
fig 4. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

He also exhibited at the Royal Society of British Artists and the British Institution between 1833 and 1863.

He was elected ARA in 1845 and RA in 1867. From the early 1840’s he lived at 16 Wellington Terrace, until the 1850’s when he moved to 2 Dorset Square, Regent’s Park.

fig 5. A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame.
fig 5. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

He continued to live there for over 10 years until he moved to 42 Chepstow Villas, Bayswater. Around 1849, he had a second house built in Harbledown, Canterbury and named it Vernon Holme after his patron and from where he would also paint and exhibit.

fig 6. A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame.
fig 6. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

Cooper specialised in paintings of cattle or sheep, which earned him the nickname of Cow Cooper. He became one of the most accomplished and successful animal landscape painters of the 19th century. He built Alms Houses in Canterbury and in 1882 set up the Canterbury Sidney Cooper School of Art. In July 1901, he was awarded the Commander of the Royal Victorian Order (CVO).

fig 7. A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame.
fig 7. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

Cooper died at Harbledown, Canterbury on 7 February 1902 and was buried at St Martin Churchyard.

Examples of his work can be found at the Royal Museum in Canterbury, Tate Gallery, Victoria and Albert Museum, Atkinson Art Gallery, Birmingham Museum, Brighton and Hove Museum, Northampton Museum Sheffield Museum and other public collections.

fig 8. A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame.
fig 8. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

This is a lovely example commissioned on a large scale and deservingly presented in a stunning exhibition standard frame.

FRAMED SIZE

Height : 42.5 Inches ( 108 cm )

Width : x 56.5 Inches ( 144 cm )

CONDITION

fig 9. A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame.
fig 9. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

Very Good Order throughout, good solid frame, re touching of gilding, historical past light clean, all looks spectacular and ready to hang.

DELIVERY

By Fine Art Specialist UK £150

Worldwide : EU £900 / USA £1000

REDUCED FROM £20,000 TO SPECIAL PRICE OF £17,500 ( Offer Ends 30th April 2026 )

TELEPHONE ENQUIRIES 07765 856171

Height
108cm (42.52")
Width
144cm (56.69")
Depth
11.5cm (4.53")
Date of Manufacture

Mansion House Antiques & Fine Art has dated this Victorian Livestock Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1208754
Dealers Internal Ref
0921
Mansion House Antiques & Fine Art
Mansion House Antiques & Fine Art
Sellingantiques verified Since Nov 2009

Private fine art dealer specialising in quality 17th 18th 19th & 20thc oil paintings shipping worldwide

Dealer Profile

You can view the stock and full dealer information on the Mansion House Antiques & Fine Art Profile Page

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A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame.
1 / 15
Archive I A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame.

Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

Archive II A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame. View II
Archive III A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame. View III
Archive IV A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame. View IV
Archive V A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame. View V
Archive VI A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame. View VI
Archive VII A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame. View VII
Archive VIII A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame. View VIII
Archive IX A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame. View IX
Archive X A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame. View X
Archive XI A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame. View XI
Archive XII A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame. View XII
Archive XIII A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame. View XIII
Archive XIV A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame. View XIV
Archive XV A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame. View XV
Enlarged Archival View
Telephone 07765 856 171
Location
East Midlands
United Kingdom
Dealer Profile Page sellingantiques.co.uk/mha
Verified Since Nov 2009
Items For Sale 125
Items Sold 652
Mansion House Antiques & Fine Art
Mansion House Antiques & Fine Art
Verified Since Nov 2009
View Dealer Info
Location: East Midlands, United Kingdom
Verified
Nov 2009
For Sale
125
Sold
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A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame.
Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits
Ref: SA1208754
A large 19th-century oil painting depicting cattle and sheep resting in a grassy pasture, set within an ornate carved giltwood frame.
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Nineteenth-century British pastoral landscapes focus on naturalistic depictions of rural life, agricultural land, and livestock. These works reflected an appreciation for British agriculture and countryside traditions during the Industrial Revolution.

Paintings were executed with oil-based pigments on stretched linen or cotton canvas, primed with gesso. The accompanying frames were constructed from softwood moulding layered with composition ornament and finished with gold leaf.

Authentic paintings feature natural craquelure across the paint surface, surface oxidisation consistent with age, and period-accurate stretcher construction with wooden wedges. Frame backing boards and canvas weave patterns also indicate historical authenticity.

Position the painting as a focal point above a mantelpiece or sideboard to create contrast against contemporary paint palettes. Combining the artwork with streamlined modern furniture allows the intricate gilt detail and pastoral subject matter to stand out.

Dust the frame gently using a soft, dry brush, avoiding water or chemical liquids which damage gold leaf. Keep the canvas away from direct sunlight and heat sources, and consult a professional conservator for surface varnish restoration.
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