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Frederick Goodall Ra (1822=1904) Potrait of an Arab Gentleman
William Morris Antiques
for sale €562     $610
£480

William Morris Antiques

Sellingantiques Verified Since Jul 2020
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    Jess william morris established himself in the antiques business in 1999 after being awarded an rics accredited fine art valuation degree
Id #SA1206529
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Frederick Goodall Ra (1822=1904) Potrait of an Arab Gentleman

19th century
Description

Frederick Goodall RA (1822=1904) Potrait of an Arab Gentleman.

Oil on canvas.

framed in contemporaneous giltwood frame.Some losses to frame.

Signed with monogram lower right.

Image size 14inch x 11.5 inch

Framed size 21 inch x 18.5 inch

Goodall visited Egypt twice; in 1858 and again in 1870, both times travelling and camping with Bedouin tribesmen. On his first visit to Egypt, he shared a house and studio with artist, Carl Haag and the pair often sketched together, both in the streets and outside Cairo, especially in the area around the Pyramids. On his second visit in 1870, he lived at Saqqara, near the Pyramids with the aim of directly observing Bedouin lifestyles. After his return to England, Goodall painted many variations of the same Eastern themes.[2] In order to provide authentic detail to his paintings, Goodall brought back sheep and goats from Egypt. The Egyptian theme was prominent in his work, with 170 paintings being exhibited at the Royal Academy over 46 years.

Goodall's work received high praise and acclaim from critics and artists alike and he earned a fortune from his paintings

Physical Dimensions
Height
53.5cm (21.06")
Width
47cm (18.50")
Depth
5cm (1.97")
Declaration

William Morris Antiques has dated this Victorian Orientalist Oil Painting to the 1870s.

Reference Numbers
Sellingantiques Reference
SA1206529
Description
Frederick Goodall RA (1822=1904) Potrait of an Arab Gentleman.

Oil on canvas.

framed in contemporaneous giltwood frame.Some losses to frame.

Signed with monogram lower right.

Image size 14inch x 11.5 inch

fig 1. A 19th-century oil painting depicting a bearded man wearing traditional headgear, housed in a deep gold gilded frame.
fig 1. Frederick Goodall Ra (1822=1904) Potrait of an Arab Gentleman

Framed size 21 inch x 18.5 inch

Goodall visited Egypt twice; in 1858 and again in 1870, both times travelling and camping with Bedouin tribesmen.
William Morris Antiques

On his first visit to Egypt, he shared a house and studio with artist, Carl Haag and the pair often sketched together, both in the streets and outside Cairo, especially in the area around the Pyramids. On his second visit in 1870, he lived at Saqqara, near the Pyramids with the aim of directly observing Bedouin lifestyles. After his return to England, Goodall painted many variations of the same Eastern themes.[2] In order to provide authentic detail to his paintings, Goodall brought back sheep and goats from Egypt. The Egyptian theme was prominent in his work, with 170 paintings being exhibited at the Royal Academy over 46 years.

Goodall's work received high praise and acclaim from critics and artists alike and he earned a fortune from his paintings

Height
53.5cm (21.06")
Width
47cm (18.50")
Depth
5cm (1.97")
Date of Manufacture

William Morris Antiques has dated this Victorian Orientalist Oil Painting to the 1870s.

Reference Numbers
Sellingantiques Ref
SA1206529
William Morris Antiques
Sellingantiques verified Since Jul 2020

Jess william morris established himself in the antiques business in 1999 after being awarded an rics accredited fine art valuation degree

Dealer Profile

You can view the stock and full dealer information on the William Morris Antiques Profile Page

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A 19th-century oil painting depicting a bearded man wearing traditional headgear, housed in a deep gold gilded frame.
1 / 9
Archive I A 19th-century oil painting depicting a bearded man wearing traditional headgear, housed in a deep gold gilded frame.

Frederick Goodall Ra (1822=1904) Potrait of an Arab Gentleman

Archive II A 19th-century oil painting depicting a bearded man wearing traditional headgear, housed in a deep gold gilded frame. View II
Archive III A 19th-century oil painting depicting a bearded man wearing traditional headgear, housed in a deep gold gilded frame. View III
Archive IV A 19th-century oil painting depicting a bearded man wearing traditional headgear, housed in a deep gold gilded frame. View IV
Archive V A 19th-century oil painting depicting a bearded man wearing traditional headgear, housed in a deep gold gilded frame. View V
Archive VI A 19th-century oil painting depicting a bearded man wearing traditional headgear, housed in a deep gold gilded frame. View VI
Archive VII A 19th-century oil painting depicting a bearded man wearing traditional headgear, housed in a deep gold gilded frame. View VII
Archive VIII A 19th-century oil painting depicting a bearded man wearing traditional headgear, housed in a deep gold gilded frame. View VIII
Archive IX A 19th-century oil painting depicting a bearded man wearing traditional headgear, housed in a deep gold gilded frame. View IX
Enlarged Archival View
Telephone 0800 324 7028
Location
115 St Georges Road
Brighton
East Sussex
BN2 1EA
United Kingdom
Verified Since Jul 2020
Items For Sale 21
Items Sold 258
William Morris Antiques
Verified Since Jul 2020
View Dealer Info
Location: 115 St Georges Road, Brighton, East Sussex, BN2 1EA, United Kingdom
Verified
Jul 2020
For Sale
21
Sold
258
A 19th-century oil painting depicting a bearded man wearing traditional headgear, housed in a deep gold gilded frame.
Frederick Goodall RA (1822=1904) Potrait of an Arab Gentleman
Ref: SA1206529
A 19th-century oil painting depicting a bearded man wearing traditional headgear, housed in a deep gold gilded frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Orientalist portraiture emerged in 19th-century European art, focusing on subjects, dress, and settings from North Africa and the Middle East, characterised by detailed realism and historical academic techniques.

Paintings from this era typically utilised oil pigments applied to linen canvas or wooden panels, presented inside hand-carved or moulded timber frames finished with gold leaf gilding.

Authentic pieces often display age-appropriate craquelure across the paint surface, canvas darkening, artist signatures or monograms, and historical framing label remnants on the reverse side.

Antique portraits pair effectively with contemporary furnishings, placed above a console table or integrated into a gallery wall to create architectural contrast and visual depth.

Keep the artwork away from direct sunlight and fluctuating humidity, dusting the gilded frame gently with a soft dry brush and avoiding liquid cleaners on the paint surface.
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