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ID #SA1195459
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Frederick Frith, Signed Cut Silhouette 1840
Wigs on the Green
for sale €322     $349
£275
Wigs on the Green

Wigs on the Green

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    Small portraiture of character & historical interest
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Frederick Frith, Signed Cut Silhouette 1840

19th century
Description

Expertly cut and finely gilded in 1840, this full-length silhouette shows a well-dressed gentleman wearing glasses. His frock-coat with its deep lapels with buttonholes is typical of the 1840s as is his Wellington style top hat. Note too the double watch chain attached to his waistcoat.

Set against a sepia watercolour wash, the silhouette is signed Frith / 1840 bottom left for Frederick Frith of the Royal Victoria Gallery. It is housed in the original rosewood frame with a gilt slip. The silhouette is in fine clean condition; the frame has an old corner chip top right but is otherwise also fine.

The Royal Victoria Gallery was a family-run business. Brothers Frederick and Henry Frith were both cutters of silhouettes whilst their father, John, having been a portrait artist, probably painted their colour profiles and their sister, Letitia, did much of the bronzing and gilding. Advertising as ‘PAPRYOTOMISTS to His Late as well as to her present Most Gracious Majesty’, they toured extensively and produced highly finished work. When the introduction of photography threatened their livelihood, the brothers embraced the new technology and opened a Photography Studio before emigrating to Australia.

Framed Size: 364 x 310mm

Physical Dimensions
Height
36cm (14.17")
Width
31cm (12.20")
Declaration

Wigs on the Green has dated this Victorian Cut Paper Silhouette to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1195459
Dealers Internal Reference
AI810
Dealers Notes

All prices include UK postage. International shipping will be at cost.

Description
Expertly cut and finely gilded in 1840, this full-length silhouette shows a well-dressed gentleman wearing glasses.
His frock-coat with its deep lapels with buttonholes is typical of the 1840s as is his Wellington style top hat.
Wigs on the Green

Note too the double watch chain attached to his waistcoat.

fig 1. A framed nineteenth-century cut silhouette depicting a gentleman in a top hat and frock coat set within a figured timber frame with a gilt slip.
fig 1. Frederick Frith, Signed Cut Silhouette 1840

Set against a sepia watercolour wash, the silhouette is signed Frith / 1840 bottom left for Frederick Frith of the Royal Victoria Gallery. It is housed in the original rosewood frame with a gilt slip. The silhouette is in fine clean condition; the frame has an old corner chip top right but is otherwise also fine.

fig 2. A framed nineteenth-century cut silhouette depicting a gentleman in a top hat and frock coat set within a figured timber frame with a gilt slip.
fig 2. Frederick Frith, Signed Cut Silhouette 1840

The Royal Victoria Gallery was a family-run business. Brothers Frederick and Henry Frith were both cutters of silhouettes whilst their father, John, having been a portrait artist, probably painted their colour profiles and their sister, Letitia, did much of the bronzing and gilding. Advertising as ‘PAPRYOTOMISTS to His Late as well as to her present Most Gracious Majesty’, they toured extensively and produced highly finished work. When the introduction of photography threatened their livelihood, the brothers embraced the new technology and opened a Photography Studio before emigrating to Australia.

Framed Size: 364 x 310mm

Height
36cm (14.17")
Width
31cm (12.20")
Date of Manufacture

Wigs on the Green has dated this Victorian Cut Paper Silhouette to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1195459
Dealers Internal Ref
AI810
Wigs on the Green
Wigs on the Green
Sellingantiques verified Since May 2020

Small portraiture of character & historical interest

Dealer Profile

You can view the stock and full dealer information on the Wigs on the Green Profile Page

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A framed nineteenth-century cut silhouette depicting a gentleman in a top hat and frock coat set within a figured timber frame with a gilt slip.
1 / 4
Archive I A framed nineteenth-century cut silhouette depicting a gentleman in a top hat and frock coat set within a figured timber frame with a gilt slip.

Frederick Frith, Signed Cut Silhouette 1840

Archive II A framed nineteenth-century cut silhouette depicting a gentleman in a top hat and frock coat set within a figured timber frame with a gilt slip. View II
Archive III A framed nineteenth-century cut silhouette depicting a gentleman in a top hat and frock coat set within a figured timber frame with a gilt slip. View III
Archive IV A framed nineteenth-century cut silhouette depicting a gentleman in a top hat and frock coat set within a figured timber frame with a gilt slip. View IV
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Location
York
Yorkshire
United Kingdom
Verified Since May 2020
Items For Sale 87
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Wigs on the Green
Wigs on the Green
Verified Since May 2020
View Dealer Info
Location: York, Yorkshire, United Kingdom
Verified
May 2020
For Sale
87
Sold
299
A framed nineteenth-century cut silhouette depicting a gentleman in a top hat and frock coat set within a figured timber frame with a gilt slip.
Frederick Frith, Signed Cut Silhouette 1840
Ref: SA1195459
A framed nineteenth-century cut silhouette depicting a gentleman in a top hat and frock coat set within a figured timber frame with a gilt slip.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

A silhouette portrait is a profile likeness rendered in dark shade or cut from black paper, popularised in the eighteenth and nineteenth centuries as an accessible form of portraiture before photography became widespread.

Silhouette artists typically utilised black paper cut with fine embroidery scissors, India ink, or watercolour paint on card stock, frequently finished with delicate gold or bronze gilding highlights to denote clothing texture.

Authentic Victorian silhouettes often feature hand-cut edges, visible watercolour or bronzed detailing to depict costume, period timber framing such as birds-eye maple or papier-mache, and artist signatures or blind stamps near the base.

Framed silhouettes function effectively when grouped in a gallery wall arrangement alongside varied graphic prints, positioned on a mantelpiece, or hung in narrow corridor spaces to add historical contrast to modern wall surfaces.

To prevent discolouration and fading, display paper silhouettes away from direct sunlight and high humidity environments, ensuring they are mounted using acid-free materials behind protective glass.
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