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Monumental Kyoto Satsuma Vase Signed Seiko-en Chokei, Meiji Period
Gillers Antiques Ltd
for sale €4,914     $5,334
£4,200
Gillers Antiques Ltd

Gillers Antiques Ltd

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Monumental Kyoto Satsuma Vase Signed Seiko-en Chokei, Meiji Period

19th century
Description

This monumental Kyoto Satsuma vase from the late Meiji period is a tour-de-force of Japanese ceramic painting. The broad baluster body with short flared neck stands on a gilt key-fret foot and is completely wrapped in a continuous frieze of scholars, Daoist immortals and attendants in a river landscape, painted on an ivory crackled ground in finely shaded enamels and lavish raised gold.

The quality of painting is fully on a level with the best Kyoto Satsuma of the period. Each figure is treated as a separate portrait: eyes, brows, wrinkles and hands are drawn in hair-fine lines, with the same psychological nuance one expects from the top Kyoto masters such as Kinkozan and the Yasuda circle. The robes and swirling clouds are built up in dense raised gold, forming an almost textile surface of brocade patterns that shimmers as the light moves across the vase. Turning the piece reveals a sequence of different scenes, so the owner effectively has several paintings in one object, able to change the mood of a room simply by rotating it.

Around the shoulder runs a sumptuous chrysanthemum and foliage brocade in red, turquoise, white and gilt – a hallmark of high-grade Kyoto Satsuma. On the underside, a gilt and black cartouche and calligraphic inscription have been read by a Japanese specialist as “Satsuma-yaki, Seiko-en, Chokei ga”, with red seals “Seiko / ??” and “Dai Nihon”. This firmly attributes the vase to the Kyoto studio Seiko-en and the painter Chokei. No other large signed examples by this combination are currently recorded in Western literature or auction archives, which fits the well-known Japanese habit of reserving the very finest work for wealthy domestic patrons. A vessel of this scale and complexity, executed by a single hand, represents many months of concentrated labour; the total lifetime output of comparable pieces must have been very small. In that sense it is closer to a unique painting than to serial export ware and offers the kind of long-term cultural investment that does not depend on a “fashionable” signature.

Condition: very good for the size and age. There is a small hairline at the rim and a star-shaped glaze crack to the underside; under UV both are old, stable and confined to the glaze only. No structural cracks, restorations or repainting; enamels and gilding remain impressively rich.

Dimensions: height 35.5 cm; maximum diameter 28.6 cm; weight approx. 4.529 kg.

Please study the accompanying photographs carefully as they form an integral part of this description. If you have any questions, we will be happy to answer them. The item will be shipped with full tracking and insurance. It is important to note that shipping costs include labour, packaging and postage.

Declaration

Gillers Antiques Ltd has dated this Kyoto Satsuma Ceramic Vase to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1182384
Description
This monumental Kyoto Satsuma vase from the late Meiji period is a tour-de-force of Japanese ceramic painting. The broad baluster body with short flared neck stands on a gilt key-fret foot and is completely wrapped in a continuous frieze of scholars, Daoist immortals and attendants in a river landscape, painted on an ivory crackled ground in finely shaded enamels and lavish raised gold.

The quality of painting is fully on a level with the best Kyoto Satsuma of the period. Each figure is treated as a separate portrait: eyes, brows, wrinkles and hands are drawn in hair-fine lines, with the same psychological nuance one expects from the top Kyoto masters such as Kinkozan and the Yasuda circle.

The robes and swirling clouds are built up in dense raised gold, forming an almost textile surface of brocade patterns that shimmers as the light moves across the vase.
Gillers Antiques Ltd

Turning the piece reveals a sequence of different scenes, so the owner effectively has several paintings in one object, able to change the mood of a room simply by rotating it.

fig 1. A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders.
fig 1. Monumental Kyoto Satsuma Vase Signed Seiko-en Chokei, Meiji Period

Around the shoulder runs a sumptuous chrysanthemum and foliage brocade in red, turquoise, white and gilt – a hallmark of high-grade Kyoto Satsuma. On the underside, a gilt and black cartouche and calligraphic inscription have been read by a Japanese specialist as “Satsuma-yaki, Seiko-en, Chokei ga”, with red seals “Seiko / ??” and “Dai Nihon”. This firmly attributes the vase to the Kyoto studio Seiko-en and the painter Chokei. No other large signed examples by this combination are currently recorded in Western literature or auction archives, which fits the well-known Japanese habit of reserving the very finest work for wealthy domestic patrons. A vessel of this scale and complexity, executed by a single hand, represents many months of concentrated labour; the total lifetime output of comparable pieces must have been very small. In that sense it is closer to a unique painting than to serial export ware and offers the kind of long-term cultural investment that does not depend on a “fashionable” signature.

fig 2. A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders.
fig 2. Monumental Kyoto Satsuma Vase Signed Seiko-en Chokei, Meiji Period

Condition: very good for the size and age. There is a small hairline at the rim and a star-shaped glaze crack to the underside; under UV both are old, stable and confined to the glaze only. No structural cracks, restorations or repainting; enamels and gilding remain impressively rich.

fig 3. A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders.
fig 3. Monumental Kyoto Satsuma Vase Signed Seiko-en Chokei, Meiji Period

Dimensions: height 35.5 cm; maximum diameter 28.6 cm; weight approx. 4.529 kg.

Please study the accompanying photographs carefully as they form an integral part of this description. If you have any questions, we will be happy to answer them. The item will be shipped with full tracking and insurance. It is important to note that shipping costs include labour, packaging and postage.

Date of Manufacture

Gillers Antiques Ltd has dated this Kyoto Satsuma Ceramic Vase to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1182384
Gillers Antiques Ltd
Gillers Antiques Ltd
Sellingantiques verified Since Mar 2023
Dealer Profile

You can view the stock and full dealer information on the Gillers Antiques Ltd Profile Page

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A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders.
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Archive I A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders.

Monumental Kyoto Satsuma vase signed Seiko-en Chokei, Meiji period

Archive II A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View II
Archive III A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View III
Archive IV A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View IV
Archive V A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View V
Archive VI A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View VI
Archive VII A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View VII
Archive VIII A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View VIII
Archive IX A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View IX
Archive X A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View X
Archive XI A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XI
Archive XII A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XII
Archive XIII A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XIII
Archive XIV A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XIV
Archive XV A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XV
Archive XVI A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XVI
Archive XVII A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XVII
Archive XVIII A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XVIII
Archive XIX A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XIX
Archive XX A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XX
Archive XXI A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XXI
Archive XXII A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XXII
Archive XXIII A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XXIII
Archive XXIV A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XXIV
Archive XXV A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XXV
Archive XXVI A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XXVI
Archive XXVII A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XXVII
Archive XXVIII A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XXVIII
Archive XXIX A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XXIX
Archive XXX A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders. View XXX
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A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders.
Monumental Kyoto Satsuma vase signed Seiko-en Chokei, Meiji period
Ref: SA1182384
A spherical Satsuma earthenware vase with fine crackle glaze, hand-painted with gilded figures and floral neck borders.
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Kyoto Satsuma ware refers to Japanese crackle-glazed earthenware produced in the Kyoto region, primarily during the Meiji period (18681912). It is characterised by a cream-coloured body decorated with intricate overglaze enamels and raised gold gilding.

Satsuma ceramics are made from low-fired earthenware with a clear lead glaze that forms fine surface crackle. Decoration is applied over the glaze using polychrome enamel pigments and liquid gold leaf before undergoing a secondary low-temperature firing.

Authentic pieces feature fine, tight surface crazing, delicate hand-painted execution, and rich gilding. Markings on the base often include maker signatures, factory seals, or the Shimazu family crest, which resembles a cross within a circle.

A Satsuma vase serves as a focal point on a dark wood sideboard, console table, or within an illuminated display cabinet. Contrast the detailed pattern against neutral wall tones to highlight the gilded metallic work.

Dust gently using a soft, dry microfibre cloth or dry soft-bristled brush. Avoid water, liquid detergents, and abrasive cleaners, as moisture can penetrate the crackle glaze and friction will erode the gold gilding.
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