Regent Antiques has dated this French Kingwood Bureau Plat to the 1860s.
The shaped ormolu mounted serpentine top is fitted with a gold toold green leather inset writing surface, above an undulating frieze inset with a floral ormolu centred cartouche and framed Sevres panels. The front features a centre drawer surmounted by dragon espagnolettes apex corners.
The table is raised on cabriole legs terminating in shell-capped scrolled sabots.
This is a truly fine quality piece which is sure to get noticed wherever it is placed.
Condition:
In excellent condition, please see photos for confirmation.
Dimensions in cm:
Height 77 cm x Width 69 cm x Depth 47 cm
Dimensions in inches:
Height 2 foot, 6 inches x Width 2 foot, 3 inches x Depth 1 foot, 6 inches
FRANÇOIS LINKE (1855–1946)
François Linke, the most important French ébéniste of his time.
Linke's superior work spread quickly through France and he soon eclipsed even the finest furniture houses of Paris. Today, Linke is counted among the most important furniture makers of the late 19th and early 20th centuries, and his work is dearly coveted by collectors. Linke is celebrated for designing highly innovative furnishings by infusing the Rococo style with the Art Nouveau trends of Paris and this Louis XV style desk exemplifies his highly original style.
King Wood
is a classic furniture wood, almost exclusively used for inlays on very fine furniture. Occasionally it is used in the solid for small items and turned work, including parts of billiard cues, e.g., those made by John Parris. It is brownish-purple with many fine darker stripes and occasional irregular swirls. Occasionally it contains pale streaks of a similar colour to sapwood.
The wood is very dense and hard and can be brought to a spectacular finish. it turns well but due to its density and hardness can be difficult to work with hand tools. It also has a tendency to blunt the tools due to its abrasive properties.
Ormolu - (from French 'or moulu', signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-carat gold in a mercury amalgam to an object of bronze.The mercury is driven off in a kiln leaving behind a gold-coloured veneer known as 'gilt bronze'.
The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury is applied to a piece of copper, brass, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object.
Sevres Porcelain
traces its roots in France to early craftsmen who had small manufacturing operations in such places as Lille, Rouen. St. Cloud, and most notably Chantilly. It is from Chantilly that a cadre of workers migrated to the Chateau de Vincennes near Paris to form a larger porcelain manufactory in 1738.
French King Louis XV, perhaps inspired by his rumoured relationship with mistress Madame de Pompadour, took an intense interest in porcelain and moved the operation in 1756 to even larger quarters in the Paris suburb of Sevres. Sevres was also conveniently near the home of Madame de Pompadour and the King's own Palace at Versailles.
From the outset the king's clear aim was to produce Sevres Porcelain that surpassed the established Saxony works of Meissen and Dresden. Though the French lacked an ample supply of kaolin, a required ingredient for hard-paste porcelain (pate dure), their soft-paste porcelain (pate tendre) was fired at a lower temperature and was thus compatible with a wider variety of colours and glazes that in many cases were also richer an
Regent Antiques has dated this French Kingwood Bureau Plat to the 1860s.
We specialise in english and continental furniture, silver, porcelain and decorative items.
You can view the stock and full dealer information on the Regent Antiques Profile Page
Regent Antiques is a registered member of LAPADA CINOA
Fine Antique French Kingwood Ormolu Bureau Plat Desk After Linke 19th C
