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James Ferguson - Plumbago Portraits of the Filkes Family
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for sale €3,803     $4,128
£3,250
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James Ferguson - Plumbago Portraits of the Filkes Family

18th century
Description

Finely drawn in India ink on vellum, these portraits depict three generations of the Filkes Family of Devizes in Wiltshire: little Abel Filkes (b.1748), his parents John (1720-1760) and Elizabeth (1710-1797), and his maternal grandfather Abel Grant (1677-1753).

John Filkes worked alongside his brother and father in the Devizes textile trade as a wool stapler: effectively a middleman buying fleeces, grading them and selling them on to be woven into cloth. He and Elizabeth married in 1747 and had two sons. Elizabeth’s father, Abel Grant, was a prosperous merchant in Bristol who had a financial stake in five galley ships – Richard and Mary, Salisbury, Kingston, Brown and Berkeley – importing tallow, sugar and other commodities. Abel Jun. in his cute peaked cap was just 16 months old when his likeness was drawn. He grew up to follow in the footsteps of his paternal uncle becoming an apothecary.

Little Abel’s portrait was taken in 1750; the other three are earlier. Ferguson has successfully captured the characteristics of each sitter from John’s straining waistcoat buttons and Elizabeth’s gentleness to Abel Sen.’s formidable ‘don’t mess with me’ expression and Abel Jun.’s captivating innocence. The portraits reside in their original turned wood frames, each inscribed on the backing paper with the sitter’s details. Apart from an area of camouflaged insect damage to Abel Sen.’s coat and the lightest of smudges to the outside edge, they are in remarkably fresh and clean condition.

The artist and polymath James Ferguson was born into a poor Scottish family. With the help of his father and an elderly neighbour, he taught himself to read and write. As he grew up he developed a love for astronomy and mechanics and was engaged to several masters, some encouraging but others treating him cruelly. He began drawing his distinctive miniature portraits in 1734 whilst a guest at the Edinburgh home of Lady Dipple. His first sitter was reportedly Lady Jane Douglas who was so pleased with her portrait that she encouraged her friends to commission the young artist. His artistic career spanned 26 years and enabled him to study anatomy, surgery and physics but ultimately it was his love of astronomy that was to dominate his life and career. He published several books from 1745 onwards.

Framed Size: 87 x 75mm

Provenance: By family descent

Physical Dimensions
Height
8.7cm (3.43")
Width
7.5cm (2.95")
Declaration

Wigs on the Green has dated these Georgian Plumbago Miniature Portraits to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1163093
Dealers Internal Reference
7725
Dealers Notes

All prices include UK postage. International shipping will be at cost.

Description
Finely drawn in India ink on vellum, these portraits depict three generations of the Filkes Family of Devizes in Wiltshire: little Abel Filkes (b.
1748), his parents John (1720-1760) and Elizabeth (1710-1797), and his maternal grandfather Abel Grant (1677-1753).
Wigs on the Green
fig 1. A set of four small oval Georgian plumbago portrait drawings depicting family members housed in dark turned wooden frames.
fig 1. James Ferguson - Plumbago Portraits of the Filkes Family

John Filkes worked alongside his brother and father in the Devizes textile trade as a wool stapler: effectively a middleman buying fleeces, grading them and selling them on to be woven into cloth. He and Elizabeth married in 1747 and had two sons. Elizabeth’s father, Abel Grant, was a prosperous merchant in Bristol who had a financial stake in five galley ships – Richard and Mary, Salisbury, Kingston, Brown and Berkeley – importing tallow, sugar and other commodities. Abel Jun. in his cute peaked cap was just 16 months old when his likeness was drawn. He grew up to follow in the footsteps of his paternal uncle becoming an apothecary.

fig 2. A set of four small oval Georgian plumbago portrait drawings depicting family members housed in dark turned wooden frames.
fig 2. James Ferguson - Plumbago Portraits of the Filkes Family

Little Abel’s portrait was taken in 1750; the other three are earlier. Ferguson has successfully captured the characteristics of each sitter from John’s straining waistcoat buttons and Elizabeth’s gentleness to Abel Sen.’s formidable ‘don’t mess with me’ expression and Abel Jun.’s captivating innocence. The portraits reside in their original turned wood frames, each inscribed on the backing paper with the sitter’s details. Apart from an area of camouflaged insect damage to Abel Sen.’s coat and the lightest of smudges to the outside edge, they are in remarkably fresh and clean condition.

fig 3. A set of four small oval Georgian plumbago portrait drawings depicting family members housed in dark turned wooden frames.
fig 3. James Ferguson - Plumbago Portraits of the Filkes Family

The artist and polymath James Ferguson was born into a poor Scottish family. With the help of his father and an elderly neighbour, he taught himself to read and write. As he grew up he developed a love for astronomy and mechanics and was engaged to several masters, some encouraging but others treating him cruelly. He began drawing his distinctive miniature portraits in 1734 whilst a guest at the Edinburgh home of Lady Dipple. His first sitter was reportedly Lady Jane Douglas who was so pleased with her portrait that she encouraged her friends to commission the young artist. His artistic career spanned 26 years and enabled him to study anatomy, surgery and physics but ultimately it was his love of astronomy that was to dominate his life and career. He published several books from 1745 onwards.

Framed Size: 87 x 75mm

Provenance: By family descent

Height
8.7cm (3.43")
Width
7.5cm (2.95")
Date of Manufacture

Wigs on the Green has dated these Georgian Plumbago Miniature Portraits to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1163093
Dealers Internal Ref
7725
Wigs on the Green
Wigs on the Green
Sellingantiques verified Since May 2020

Small portraiture of character & historical interest

Dealer Profile

You can view the stock and full dealer information on the Wigs on the Green Profile Page

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A set of four small oval Georgian plumbago portrait drawings depicting family members housed in dark turned wooden frames.
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Archive I A set of four small oval Georgian plumbago portrait drawings depicting family members housed in dark turned wooden frames.

James Ferguson - Plumbago Portraits of the Filkes Family

Archive II A set of four small oval Georgian plumbago portrait drawings depicting family members housed in dark turned wooden frames. View II
Archive III A set of four small oval Georgian plumbago portrait drawings depicting family members housed in dark turned wooden frames. View III
Archive IV A set of four small oval Georgian plumbago portrait drawings depicting family members housed in dark turned wooden frames. View IV
Archive V A set of four small oval Georgian plumbago portrait drawings depicting family members housed in dark turned wooden frames. View V
Archive VI A set of four small oval Georgian plumbago portrait drawings depicting family members housed in dark turned wooden frames. View VI
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Location
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Yorkshire
United Kingdom
Verified Since May 2020
Items For Sale 84
Items Sold 306
Wigs on the Green
Wigs on the Green
Verified Since May 2020
View Dealer Info
Location: York, Yorkshire, United Kingdom
Verified
May 2020
For Sale
84
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A set of four small oval Georgian plumbago portrait drawings depicting family members housed in dark turned wooden frames.
James Ferguson - Plumbago Portraits of The Filkes Family
Ref: SA1163093
A set of four small oval Georgian plumbago portrait drawings depicting family members housed in dark turned wooden frames.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Plumbago portraits are small-scale artworks created using graphite or lead on vellum, paper, or parchment. Popular in the seventeenth and eighteenth centuries, these monochromatic works served as intimate personal keepsakes prior to the invention of photography.

Artists used fine graphite (known historically as plumbago) directly applied with graphite sticks or fine brushes onto prepared vellum or paper surfaces. The completed works were commonly mounted in turned dark wood, ebony, or metal oval frames fitted with protective glass coveringly.

Authentic period examples exhibit precise graphite shading, contemporary period hairstyles such as powdered wigs, and authentic Georgian period costume details. Inspection under magnification typically reveals fine line cross-hatching and natural age-related toning on the substrate.

Small framed miniatures are effective when grouped together as a vertical or grid wall arrangement in a narrow space or alcove. Placing them on a shelf alongside historical texts or curated antiques complements traditional and dark academia interior schemes.

Position graphite art away from direct light and high UV exposure to prevent fading of the substrate. Maintain a stable indoor environment free from humidity fluctuations to prevent paper warping, and ensure glazing does not press directly against the artwork surface.
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